Sentences with phrase «of early twentieth»

Designed by Southend - on - Sea borough council for the RHS Hampton Court Palace Flower Show, this garden aimed to create a touch of early twentieth century, coastal - style nostalgia.

Being born into a firm web of early twentieth century British traditions meant that there were certain strict beliefs in relation to child rearing, child discipline and child parent relationships:

It is a history and critique of early twentieth century empiricism beginning with the similarities that exist between it and Hume and its roots in Kant.

Because the warming of the late twentieth century never completely negated the cooling of the early twentieth century, the overall net trend is actually one of cooling.

To return to Albers, that the how might generate as much meaning as the what was the hope and desire of early twentieth - century European abstraction brought to the States in large part via Black Mountain College.

The exhibition presents Stettheimer's work in the context of the social and intellectual environment of early twentieth - century New York, exploring the artist's fascinating position as an American modernist whose work exuberantly reflects on the mass culture of her times.

Influenced by European art movements of the early twentieth century, American Modernists including the Precisionist Charles Sheeler and Abstract Expressionist Adolph Gottlieb emphasize the industrial, the international, or the psychological through gesture, texture, surface, geometry, shape, form and color.

As one of the most original American artists of the early twentieth century, Georgia O'Keeffe was one of the first artists to represent the landscapes of the American Southwest.

During this period he became aware of the group called de Stijl, whose membership included Piet Mondrian and Theo van Doesburg, two of the most influential abstractionists of the early twentieth century.

However, once in power, Lenin replaced the Wanderer Group with a new Association of Artists of Revolutionary Russia (AARR), which became popular with traditional painters rebelling against the European Cubist and Surrealist - inspired abstract movements of the early twentieth century.

Butler finds herself pulled between the worldly confines of the Precisionists of the early twentieth century and the fey liberation of today's Casualist abstraction.

Born in 1926, Seliger quickly acquired a strong working knowledge of early twentieth century modernism.

The many references to the works of El Greco, Goya, Ingres, Renoir and others that run through his drawings link them indirectly with the museum's permanent holdings, while the sheets exude the radical new spirit of the early twentieth century.

The experimentation of early twentieth - century artists with nature - based abstraction and direct carving techniques from natural materials is seen in works by John Flannagan (1895 — 1942), Robert Laurent (1890 — 1970), and Elie Nadelman (1882 — 1946).

The third layer is based on the specific situation of early twentieth - century Shanghai, when the city was dominated by Western powers.

In works of the early twentieth century, it was appropriated from the pages of newspapers and advertisements as artists sought to respond to a world that was being redefined by print media.

Born in Lewiston in 1877, Hartley played a role in the European avant - garde movement of the early twentieth century, spending extended periods of time in Paris and Berlin.

The imagery of these delicate facades stands in contrast to the strapping canyon of early twentieth - century skyscrapers surrounding Madison Square Park.

Ernst Ludwig Kirchner (1880 - 1938) was one of the most prolific and creative artists of the German Expressionist movement of the early twentieth century.

Surrealism has long been an influence on Enrico David (b. 1966), whose work harks back to an indefinable chapter of the early twentieth century.

André Derain was a motivating force in the avant - garde developments of early twentieth - century painting, particularly Fauvism and Cubism.

Using codified cinematographic techniques (extreme angles, sweeping, panning and zooming shots), her vocabulary draws on the languages of video games, sports coverage, television broadcasting, and the cinematography of the early twentieth century.

Highlights of the early twentieth century include paintings by Henry Ossawa Tanner, landscapes by Milton Avery and Arthur Dove, still lifes by Dorothy Dehner and Marsden Hartley, and urban scenes by George Ault, Marjorie Ryerson, and Charles Sheeler.

For instance, the group of early twentieth - century press photographs of baseball players illustrate the elaborate artistry of analog photo - editing techniques.

From the urban landscape, there is a run of early twentieth century prints depicting the ever - changing New York City, featuring several of Martin Lewis's best - known prints, including Relics (Speakeasy Corner), drypoint, 1928 ($ 30,000 to $ 50,000).

Volcanic Magic XXVlll, one of our new acquisitions, feels like a work from the Soviet Constructivist movement of the early twentieth century.

Sullivan Goss â $ «An American Gallery is pleased to present a new exhibition of early twentieth century paintings on paper and canvas from the Estate of the Artist.

The Isms of Early Twentieth - Century Art From the early 20th cent.

Allusions to the relationships between sculpture, photography, and painting re-emerged in Lins's recreation of a section of the early twentieth - century sculptor Constantin Brancusi's studio.

It begins with Eugène Atget «s Paris storefronts of the early twentieth century and brings together photographers who have explored the reflective ambiguity and cultural significance of the storefront as a changing still life.

The latter three belonged to the rebellious group of early twentieth - century artists in New York known as «The Eight,» who opposed the more conservative, academic tastes of the National Academy of Design.

Ashcan artists frequently depicted the prosaic sites of the early twentieth - century American city.

The so - called Ashcan School consisted of a progressive group of early twentieth - century American painters and illustrators (sometimes called the New York Realists) who portrayed the urban reality of New York City life, in a gritty spontaneous unpolished style.

Once occupied by the Lipton Tea factory, Tea Building was originally a block of early twentieth century warehouses which have been simply refurbished to create a number of high quality open spaces.

Borne out of early twentieth - century anxieties and uncertainties created by an industrial boom, the Precisionism movement merged European formal styles, like Cubism and Futurism, with distinctly American subject matter.

Return of the Repressed looks at how artists adopted, often at great personal risk, the styles of the early twentieth - century Russian avant - garde and other modernist styles in defiance of Soviet aesthetics.

In late May, the architect Daniel Libeskind spoke at the New York Gallery Luxembourg & Dayan where he collaborated with Daniella Luxembourg to curate an exhibition of thirteen small sculptural works by some of the giants of early twentieth century sculpture: Alberto Giacometti, Julio González Henri Laurens, Jacques Lipchitz, Henri Matisse, Jean Tinguely, and the less well - known German artist Rudolf Belling.

Often compared to Georgia O'Keeffe's for their fusion of sexuality and landscape, the young artist's paintings evoke the idealism of early twentieth century modernism.

Keith Coventry is best known for his paintings of council estates, paintings that are an indictment of the utopian visions of the early twentieth century artist, Malevich.

The dominating role of men in these fields, combined with the social and cultural conditions of the early twentieth century, precipitated a domestic design that was gendered masculine — and heterosexual.

He has been described as «the most important German portrait photographer of the early twentieth century.»

The first of the installations shows signs of the constructive elements connected with the artistic traditions of the early twentieth century.

It's an organization that enacts the bureaucratic fantasies of Kafka or the underground paranoia networks of Pynchon, and blurs these with the forms and procedures of early twentieth - century avant - gardes (manifestos, committees, declarations and denunciations, expulsions, etcetera).

Murray's work builds on the legacy of early twentieth - century Modernist movements such as Cubism and Expressionism, funneling them into her own language that is equally concerned with psychology and the quotidian.

Greenough notes the insights provided by the correspondence on their art, their friendships with many key figures of early twentieth - century American art and culture, and, most especially, their relationship with each other.

Georgia O'Keeffe, also known as the mother of American modernism, played an extremely important role in the development of American contemporary art and its relationship with European movements of the early twentieth century.

He persuaded, cajoled, and charmed the greatest talents of the early twentieth century to join his company.

The addition of motion and sound brought new dimensions to the abstract art pioneered by Wassily Kandinsky and other avant - garde painters of the early twentieth century.

The title of The Last Silent Movie references silent movies of the early twentieth century, in which speakers are pictured but not heard; their words are conveyed through subtitles.

Over the following decades, Judd wrote a number of essays on Russian artists, including «Kandinsky and his Citadel,» a review of the exhibition, Vasily Kandinsky, 1866 — 1944: A Retrospective Exhibition, at the Solomon R.Guggenheim Museum in 1963; a review of Kazimir Malevich, an exhibition in 1963 also at the Guggenheim Museum; and in 1981, a long essay «Russian Art in Regard to Myself,» on the importance of Russian art of the early twentieth century for Art Journal.