Sentences with phrase «of empty galleries»

IB: When you see these vast crowds at the Tate and they're kind of looking at the art over their shoulder, sometimes you long for the old days of empty galleries.

The history of the empty gallery show is by now widely known.

Absence, negation, the absurd, the immaterial, the ineffable, nothing and nothingness were all made manifest by this group exhibition of art since the 1970s, which also studied the history of the empty gallery.

As the flight across the ceiling of an empty gallery via the line of pitons and hand - holds could be described as both a drawing and sculpture, so here when preparing the «drawings» for his films he arranges the images and objects in space.

which is presented folded in half down the long - side of the paper and wrapped inside an image of one of the empty Gallery walls

Not exact matches

Nowadays the press gallery is pretty much empty by 8 pm, the bar and restaurant closed, and the same can be said for most of the rest of Westminster.

Several dozen Assembly members of both parties were in the chamber for the voting, but the galleries were empty.

I'm waiting on a couple of prints to arrive so that I don't have to show you a gallery of empty frames.

Cities are much easier to do in the cold, as you can always find the next cafe or gallery to warm up... My best memory ever is of Venice on a sunny cold day just after carnival had ended: we shared the town mostly with locals, and there were countless opportunities to take gorgeous photos of empty streets, bridges, and squares...

And as it shows in the second part of our photo gallery we were pretty lucky (again) and managed to score an empty line up of chest to head high plus waves, with an early morning off shore wind and no other surfers in sight.

11.23:04 / / 11:41:21: GameBoy Advance Sprite Rips 11.16:04 / / 11:27:10: Children of Bodom Concert Review 11.05.04 / / 16:52:37: New FAQ (Neo Contra) 11.01.04 / / 14:58:54: What I've Been Listening To (all artists) 10.25.04 / / 08:48:32: Still my team 1024x768, 1280x1024, 1600x1200 10.15:04 / / 06:14:41: Lamb of God / Fear Factory / Children of Bodom Concert Review 09.15:04 / / 19:55:41: BeeStorm Finally Updated 09.13:04 / / 13:56:59: McBrain Damage setlist 09.13:04 / / 13:49:10: SFG Update (SF3 Gallery added) 09.03:04 / / 09:44:23: New Concert Review (Dream Theater / Yes) 09.03:04 / / 09:43:25: About page completed 08.30.04 / / 20:21:15: New MP3s (Faith Abandoned and Slatesong (old demo)-RRB- 08.27.04 / / 12:17:55: 10 more sprites & gifs 08.27.04 / / 00:38:06: New sprites & gifs 08.20.04 / / 11:47:50: New Chun - Li edit 08.19.04 / / 10:34:56: Vermont weekend pictures 08.19.04 / / 08:45:22: Super Street Fighter 2 X Revival Wallpaper 08.19.04 / / 08:23:10: Uselessness... My tattoo in ASCII (recommended only for high res users) 08.08.04 / / 22:07:49: New MP3 (Sweet Grass) 08.01.04 / / 19:46:50: New MP3 (Empty Shore) 07:24:04 / / 18:23:07: Ozzfest Pics + Setlists 06.23.04 / / 23:05:01: New FAQ (ESP Galuda) 06.13.04 / / 01:55:50: Site Fully Back!

* A couple of really good galleries in premium places that invite you to have a solo exhibition or group showing once a year; * one or two pop up shows a year in a suitable spot in a town near you (empty shops in a main street are great and cheap); * an enthusiastic well networked agent (I asked a bright young girl who worked in visual merchandising / interior design / blogging to be my agent in a city 3,000 miles from home and she has been fantastic for me); * maybe one suitable art competition a year (I find art competitions expensive and often depressing); * and back it all up with the content marketing strategies for online sales and marketing.

Before the performances of ReComposed at DPAC, Varone and his dancers held a series of open company rehearsals at the Nasher Museum in an empty gallery.

For West Wall, Dwan Main Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.Gallery (1967), a now classic exhibition presented in 2008 at Peter Blum, Chelsea, William Anastasi photographed an empty gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.gallery, silkscreened that image onto a slightly smaller canvas, and installed that work on the wall, making «the wall... a kind of ready - made mural,» thus changing «every show in that space thereafter.»

After the Pace Gallery's Marc Glimcher completed his recent purchase of prime real estate beneath the High Line between West 24th and 25th streets — it abuts one of Pace's two branches on 25th Street — he faced a dilemma: what to do with the empty space before construction began on the new gallery he plans to open there in falGallery's Marc Glimcher completed his recent purchase of prime real estate beneath the High Line between West 24th and 25th streets — it abuts one of Pace's two branches on 25th Street — he faced a dilemma: what to do with the empty space before construction began on the new gallery he plans to open there in falgallery he plans to open there in fall 2012?

Before the performances of ReComposed at Durham Performing Arts Center, Doug Varone and his dancers hold a series of open company rehearsals at the Nasher Museum in an empty gallery.

By Stephanie Cristello > click here to download PDF You walk into an empty gallery — white walls, fluorescent lights — to encounter a series of electronic diffusers, each containing a molecule formulation designed to trigger certain olfactory receptors.

All the Best Memories Are Hers (2018) is composed of five small photographs that hang on a wall nearby The Maid in an otherwise empty gallery.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Appearing anywhere from empty prisons to underground vaults, daytime TV to the sky at night, Artangel produces art that surprises and inspires and wouldn't be possible within the confines of a gallery.

His group exhibitions include Empty Dress at the Weatherspoon Art Museum, The University of North Carolina, Greensboro, and Ringling College of Art and Design, Sarasota, FL; The Presence of Touch at the School of the Art Institute of Chicago; and Toward a New Vision, John Weber Gallery, New York.

With One wall removed, 1980, Irwin replaces the outside wall of the Malinda Wyatt Gallery with an extensible, sheer screen in a delicate white canvas to reveal the infinite light variations cast two skylights in empty space.

Their scale also makes them into a kind of empty stage set, with the entire gallery the theater.

A front page Village Voice story in November of 1969 describes how artists began (illegally) filling the neighborhood's large, empty industrial spaces, even though they weren't zoned for residential use, with James Rosenquist and Paula Cooper Gallery being name - checked as pioneers of the area.

A common reaction at the time was that this had been done before, that Hammons was revisiting the empty gallery of Yves Klein (albeit turning it inside out).

Last year's Tuner Prize shortlist heralded what looked suspiciously like the return of sculpture — stuff that was physically present in the gallery after years of empty rooms, off - site projects, films and performance — this year we have what looks almost unnervingly like the return of painting.

Looking at two of the artist's clocks installed in a nearly empty gallery at David Zwirner, Rosen said she believes Stevens did end up attending the exhibition — which went on as scheduled, without interruption.

Now the empty lot across the street is an almost finished apartment building and galleries and restaurants are filling the buildings and lots north of us, to almost the mid-town and we are back at the center of things.

While his art has included videos of people vomiting and defecating, the work that inspired the most reaction was his 227th piece: an empty gallery in which, every five seconds, the light turns on and off.

Annet Gelink Gallery, «What's New», Amsterdam, Netherlands Boutique Céline, Avenue Montaigne, «Les Années Fatales», Paris, France Gallery Thaddaeus Ropac, «Next Generation: Heavenly Creatures», Salzburg, Austria The Dreamland Artist Club, «Creative Time in conjunction with a public project for Coney Island redevelopment», New York NY Kunsthaus Baselland, «Strategies of Desire», Basel, Switzerland Le Confort Moderne, «Out of Bounds», Poitiers, France Annet Gelink Gallery, «The Human Face is an Empty Force, a Field of Death», Amsterdam, Netherlands

Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America

IN A PARALLEL GALLERY, NONOSEKNOWS (ARTIST VARIANT)(2015), PUNCTUATES THE SPACE WITH A VIDEO AND SCULPTURAL INSTALLATION THAT COMBINES FACT AND FICTION, DOCUMENTING A GROUP OF CHINESE LABORERS WHO HARVEST PEARLS FROM OYSTERS IN ZHUJI, CHINA, EMPTY HIGH RISES NEAR SHANGHAI, AND A FICTIONAL SET BUILT IN THE ARTIST STUDIO IN NEW YORK.

As Sarah continued, the empty canvases on the gallery wall became filled with visual representations of value, exchange, and causality.

About 100 participants gathered in an empty gallery at the Nasher over the course of four days, six hours per day.

Recent solo exhibitions include Empty Collections at Meessen de Clercq Gallery, Brussels, Belgium, Ruins are More Beautiful at the Center for Contemporary Art, Warsaw, Poland, Private Collections at Locks Gallery, Philadelphia, The Museum of Failure at Luxe Gallery, New York, Beautiful / Ugly at Magnus Müller in Berlin and Bad Mirror at Galerie Gebruder Lehmann in Dresden, Mirror at the Pennsylvania Academy and A Whitney for the Whitney at Philip Morris at the Whitney Museum at Altria.

Participants of Parliament stand, walk, lie down and otherwise navigate an empty gallery space, in silence, for six hours a day, over the course of four days, at the Nasher Museum.

White Walls also describes the white cube of a gallery, at once empty and increasingly full.

In this exhibition, the gallery room will be left empty while the artworks will be disseminated into the living areas of the apartment.

Shot on several of the Museum's floors, the videos reveal the artist as she moves and dances alone through the building, camouflaging herself in the empty gallery spaces during the transition period between exhibitions.

Upcoming exhibitions for gallery artists include: Susan Lee - Chun, Losing Yourself in the 21st Century, Maryland Art Place, Baltimore, Maryland, performance June 23, 2010; Pepe Mar, Mystic Visage, World Class Boxing: Debra & Dennis Scholl Collection, Miami, Florida, opening June 12, 2010; Glexis Novoa, Arte y confrontación en América Latina (1910 - 2010), Museo del Palacio de Bellas Artes, Mexico City, Mexico, opening January 2011; Frances Trombly, Paintings, Girls» Club: Collection of Francie Bishop Good & David Horvitz, Ft. Lauderdale, Florida, opening November 2010; and Wendy Wischer, No Longer Empty's exhibition The Sixth Borough on Governors Island, opening June 5, 2010.

Stripped of their logos and placed in an empty white gallery, however, these vessels can transcend their intended purpose and dissolve into sheer movement and light.

One of my favourite things in this year's Glasgow International festival is an empty gallery at the Modern Institute, where two fist - sized mechanical snails crawl slowly across the floor.

Born 1987, Gainesville, FL Lives and works in Brooklyn, NY Education 2012 New York Studio School, MFA 2009 Amherst College, BA Selected Solo Exhibitions 2015 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY 2013 Eleanor Ray: Paintings, Steven Harvey Fine Art Projects, New York, NY Selected Group Exhibitions 2016 Fred Reichman with Eleanor Ray, The Landing, Los Angeles, CA 2015 Feast of Planes, Andrews Gallery, College of William and Mary, Williamsburg, VA The Thing Itself, The Center for Contemporary Art, Bedminster, NJ Not in One Day, Rothschild Fine Art, Tel Aviv, Israel Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Improvised Showboat # 5, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2014 Beyond the Pale, Interstate Projects, Brooklyn, NY City as Subject, Westbeth Gallery, New York, NY BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark, Comfort Station, Chicago, IL Between Matter and Experience, University of the Arts, Philadelphia, PA 2013 On the Horizon, Adelphi University, Garden City, NY Alumni Exhibition, New York Studio School, New York, NY Dooroomwindow, Steven Harvey Fine Art Projects, New York, NY Gathering Place, No Longer Empty, New York, NY Traces of Omnipresence, 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial, A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY Recent Paintings: Eleanor Ray and Jacob Stilley, New York Studio School, New York, NY

In 1996, Tracey Emin lived in a locked room in a gallery for fourteen days, with nothing but a lot of empty canvases and art materials, in an attempt to reconcile herself with paintings.

How could such a pile of junk leave a gallery so empty?

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

The ever - inventive David Shrigley, in addition to a couple of animations in the film series described below, is represented in BQ Gallery «s booth by a white room, empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty empty but for a sign saying «Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room» and the wall text identifying the piece's unsurprising title, Empty Empty Room.

Taking Positions is a performance - for - screen that was recorded in the empty gallery space of Kunsthaus Dahlem in Berlin.

With its new satellite project SPUTNIK, as well as with the current exhibition «This is the house that Jack built» in an old empty townhouse in Zurich, Barbara Seiler Gallery breaches out of its accustomed gallery space to raise questions about current exhibition practice and site speciGallery breaches out of its accustomed gallery space to raise questions about current exhibition practice and site specigallery space to raise questions about current exhibition practice and site specificity.

Previous exhibitions include; The Sixth Borough, c / o No Longer Empty, Governor's Island, New York (2010); Soul For Sale, Tate Modern, London (2010); Ghost Machine, Magnan Metz Gallery, New York (2009) Explorations of the Uncanny, Synthetic Zero Gallery, New York (2009); Almost Nothing, Soap Factory Gallery, Minneapolis (2009); LMCC Work Space Program, New York (2008); Non-Oblectif Sud, Côtes du Rhône (2008); Kerlin Gallery, Dublin (2008); West Germany Gallery, Berlin (2007); Irish Museum of Modern Art, Dublin (2007); Fieldgate Gallery, London (2007); Mercer Union Gallery, Toronto (2006); Hugh Lane Gallery, Dublin (2005) Crawford Municipal Art Gallery, Cork (2005); Bloomberg New Contemporaries, Manchester / Sheffield / London (2005); Alma Enterprises Gallery, London (2005); British Council / CityMine (d) Brussels (2005); Eastlink Gallery, Shanghai (2004); Gallery 411, Hangzhou (2004); Zedebois Centre, Lisbon (2003) EV+A, Limerick (2002); CCFA, Prague (2001)