Sentences with phrase «of eros in»

The probe landed on the surface of Eros in February 2001 and transmitted usable data for about two weeks afterwards, none of which was photographic in nature.

There is no evidence whatever that renunciation of worldly loves and family ties controls the passions and perversions of eros in the soul.

There is another, more immediately applicable way in which the notion of agape introduced here is preferable to the use of the notion of eros in accounting for creativity.

The notion of agape introduced here is preferable to the use of the notion of eros in accounting for creativity.

Yet he remained squarely within the modern horizon, recasting the meaning of eros in terms of the modern isolated subject.

A modern novel, based upon a true story of persons who defied Hitler's tyranny, so perfectly expresses the fulfilment of eros in the love of justice that it has been vividly un my mind throughout this discussion of family love.

Not exact matches

The technology investment arm of Eros Ventures is incubating early - stage startups in fashion, technology and digital healthcare segments.

By caritas, the Pope means a distinctive form of the love that humans experience — not eros, nor amor, nor affection, nor commitment in choice (dilectio), nor friendship, nor all those other forms of love that humans know and cherish, each in its own way.

Although he does not mention by name Anders Nygren, the Swedish theologian, he clearly disputes Nygren's driving of a sharp wedge between eros and agape: «I remember, for instance, my delight in discovering this recognition that eros opens upon agape in Homer.

Similarly, in the last section of Adventures of Ideas, having spoken throughout of the primordial nature of God (in terms of the supreme «Eros» of the Universe), Whitehead adds that the feeling of Transcendence

requires for its understanding that we supplement the notion of the Eros by including it in the concept of an Adventure in the Universe as One.

Eros is the power in the universe urging toward the realization of ideals, and as such it plays a major role in Adventures of Ideas.

Whitehead has chosen to couch his whole philosophical discussion in the book in Platonic terms and to adopt «Eros» as the term for the primordial nature of God.

It is another case of seeing the human eros in its communal context and seeking to order life so that a humane and tolerable existence becomes possible for all.

It has been consummated in the service of a cause which transcends but does not negate personal eros.

In the composition of his final draft, they were summarized in the chapter «Christ and Eros» (chapter 11), which he regarded as the book's pivotal sectioIn the composition of his final draft, they were summarized in the chapter «Christ and Eros» (chapter 11), which he regarded as the book's pivotal sectioin the chapter «Christ and Eros» (chapter 11), which he regarded as the book's pivotal section.

The Christians who preach violence in the name of love of the poor are disciples of Eros and no longer know the Agape of Christ.

In our post-Nietzschean age of AIDS and rampant venereal disease, the remark now carries with it a certain unintentional irony, but one finishes reading Bloom's book not entirely sure why erotic relations nowadays are so dreary: Is it because of the relentless reductionism of Freud and Kinsey or because, as Nietzsche held, Eros and Institution will always be at war — and Christianity, with its rigorous stress on monogamy, now symbolizes for modern society the institution of marriage par excellence?

Whitehead believes that Plato discovered those general ideas which are relevant to everything that happens: The Ideas, the Physical Elements, The Psyche, The Eros, The Harmony, The Mathematical Relations, The Receptacle.30 In adapting Plato's seven basic notions Whitehead takes «the notion of actuality as in its essence process «31 as his starting poinIn adapting Plato's seven basic notions Whitehead takes «the notion of actuality as in its essence process «31 as his starting poinin its essence process «31 as his starting point.

This requires that the notion of God as Eros, the persuading force in the world, be complemented by the notion of God as final Beauty: «This Beauty has always within it the renewal derived from the Advance of the Temporal World.

In this last stage of synthesis, Whitehead returns to the history of man's effort to create civilization and shows the presence of God as Eros and Beauty present within man's consciousness, effectively directing man's pursuit of civilization even in the face of tragedy.In this last stage of synthesis, Whitehead returns to the history of man's effort to create civilization and shows the presence of God as Eros and Beauty present within man's consciousness, effectively directing man's pursuit of civilization even in the face of tragedy.in the face of tragedy.62

The failure to integrate God's two natures in interaction with the world may explain Whitehead's decision to introduce only that primordial nature throughout the bulk of Adventures of Ideas, under the name «the Divine Eros.»

There is no rejection of desire or passion or sexuality or the eros of the beautiful in the New Testament, though there are expressions and tendencies which could be used to support ascetic tendencies in later religious practice.

The eros of our human nature can be expressed as equally in kissing as it can in great art.

The entire passage reads, «In spite of the many kinds of love, which in Greek are designated as philia (friendship), eros (aspiration toward value), and epithymia (desire), in addition to agape, which is the creation of the Spirit, there is one point of identity in all these qualities of love, which justifies the translation of them all by «love»; and that identity is the «urge toward the reunion of the separated,» which is the inner dynamics of lifIn spite of the many kinds of love, which in Greek are designated as philia (friendship), eros (aspiration toward value), and epithymia (desire), in addition to agape, which is the creation of the Spirit, there is one point of identity in all these qualities of love, which justifies the translation of them all by «love»; and that identity is the «urge toward the reunion of the separated,» which is the inner dynamics of lifin Greek are designated as philia (friendship), eros (aspiration toward value), and epithymia (desire), in addition to agape, which is the creation of the Spirit, there is one point of identity in all these qualities of love, which justifies the translation of them all by «love»; and that identity is the «urge toward the reunion of the separated,» which is the inner dynamics of lifin addition to agape, which is the creation of the Spirit, there is one point of identity in all these qualities of love, which justifies the translation of them all by «love»; and that identity is the «urge toward the reunion of the separated,» which is the inner dynamics of lifin all these qualities of love, which justifies the translation of them all by «love»; and that identity is the «urge toward the reunion of the separated,» which is the inner dynamics of life.

Or as Tillich has it, «The appetitus of every being to fulfil itself through union with other beings is universal...» (32) Agape, the love that gives with no thought of return; eros, the love that finds the beloved valuable, and philia, the love that shares and works for the vision of the good - none of these can be reduced to sexual desire, but all of them in different ways attest to the oneness of love, so evident in sexual union, as «that which drives everything that is towards everything else that is.»

In classical Greek it carries «none of the magical power of eros and hardly any of the warmth of philia....

In theological terms, this community is the concrete content of the «kingdom of God,» conceived as the totality of settled fact with an eros toward the future.

Traditionally, that is the only basis on which we are received into the community of the redeemed where we are sustained in the lifelong struggle against our devils, of which unruly Eros is by no means the most fearsome.

Whether I speak in terms of what is considered to be important in terms of sexuality (or pretentiously called eros), or whether I present it in terms of a Brian De Palma movie about fate, apparently I must present it terms of the Republicans seeking the nomination in order to be take seriously.

The eros of dialogue, on the other hand, means the turning of the lover to the beloved «in his otherness, his independence, his self - reality,» and «with all the power of intention» of his own heart.

However, I simply wanted to point to the nature of human eros — or desire — as presented in Plato's Symposium with an addendum of the Epicurean notion of pleasure.

vii; M. C. D'Arcy, The Mind and Heart of Love, Lion and Unicorn, A Study in Eros and Agape [New York: Henry Holt & Co., 1947], p. 204, cf. pp. 114 - 123, 218, 318 - 321.)

It is also thin in its reliance upon a morality understood as a free and rational assent to agreed upon rules, and therefore a morality that does not take into account the unruly — and heteronomous — nature of eros, let alone thumos.

With less panache, but with equal force and even further empirical social science evidence, her method resembles Roland Barthes» Mythologies in its outlines of the deep structure of the contemporary beliefs and practices surrounding our most deeply held moral codes about human sexual desire — or should I say eros.

So I was listening to some «wholesome» music that is worthwhile in its description of the ennui of modern eros, and this story came to mind (pardon the initial commercial on the video).

There is an eros in the universe persuading and luring and meeting the eros of the subjects of creation.

«Eros» is the name in Greek mythology for the life - giving qualities that turned a world that was barren and lifeless into a world full of vibrant life.

And yet, the song can contrarily suggest that he would be wrong to adopt a dismissive attitude towards his love for her — no, it means something deep to him, and that could mean that the love is in some way right — what his apparently irrational eros is telling him is that she is capable of being complementary to him in some special way, and so he should stick it out.

But with this song we were given a view of love, of eros, to be precise, that manages to be both adult in its distance and ever - young in its heartache.

I have already mentioned the proposal of the Freudian, Herbert Marcuse, for a panerotic philosophy of life in which eros, agape, and thanatos (death) will all be integrated in the one self - expression of the human spirit.

My using a part of your tradition in my own shouldn't impact you any more than a gay marriage should impact a het «eros «xual one.

In the third seminar, the voices of Dante, Shakespeare, Soloveitchik, and Frankl join the conversation — new questions emerge: what is the nature of eros and what is the nature of marriage?

Hausman believes that Peirce's insight is restricted in the role of eros and agape in creative evolution, but he also suggests the fruitfulness of his insight.

The political objectives of the student revolutionaries of 1968, whether in Paris or Chicago, came to nothing, but there did take place a radical change in the sexual mores of the Western world, and the novels which followed The Professor's Daughter depict eros as Satan's weapon of choice.

It would be foolish to engage here in either a definition or an analysis of the terms, eros and agape.

The idea that creative acts may be driven by love in the sense of eros should not seem surprising.

Eros is love that is expressed by what seeks something more perfect, or more fulfilling, than what is possessed by the lover in the absence of union with the beloved.

In his analysis, he found in Whitehead a concept of divine love which lies in contrast to New Testament agape and medieval amicitia and which identifies with Platonic eroIn his analysis, he found in Whitehead a concept of divine love which lies in contrast to New Testament agape and medieval amicitia and which identifies with Platonic eroin Whitehead a concept of divine love which lies in contrast to New Testament agape and medieval amicitia and which identifies with Platonic eroin contrast to New Testament agape and medieval amicitia and which identifies with Platonic eros.

As was pointed out a moment ago, because the agape in question is a principle of finite creative agents, the agapastic love of these agents must be infected by eros.