Sentences with phrase «of erotic power»

Compounding this sense of erotic power play is the fact that his physique is partially concealed.

Journey by Heart: A Christology of Erotic Power.

As one example, Rita Nakashima Brock has made use of Loomer's understanding of relational power in her construction of a theology of erotic power (PPS 17 - 35).

Not exact matches

Audre Lorde makes this power explicit in her essay on the «Uses of the Erotic: The Erotic as Power.&rpower explicit in her essay on the «Uses of the Erotic: The Erotic as Power.&rPower.»

They have no enforcement powers, but they can, for example, point out to participants in the throes of erotic ecstasy that their condoms are slipping.

A contributing editor of Christianity & Crisis, she is author of Speaking of Christ: A Lesbian Feminist Voice and Touching Our Strength: The Erotic as Power and the Love of God.

It's the power of Eros that Christians need to reclaim — the Divine Erotic.

23 She went on to say: «Erotic power is the fundamental power of existence - as - a-relational-process... Connection is the basic power of all existence, the root of life.

Seven years later, following on the heels of Rita Nakashima Brock's initiating of the theme of «erotic power,» 14 Heyward observed that «to speak of the erotic or of God is to speak of power in right relation,» 15 defining «erotic» as «the sacred / godly basis of our capacity to participate in mutually empowering relationships.»

Her latest book, Honey Money: The Power of Erotic Capital, places a high premium on a person's attractiveness, in all its forms.

We sussed out their sexy wisdom by talking to Amy Jo Goddard, sexual empowerment coach and author of Woman on Fire: 9 Elements to Wake Up Your Erotic Energy, Personal Power, and Sexual Intelligence, who regularly works with couples in long - term relationships.

In terms of the erotic content, the power of SMS is unimaginable.

Chicago american dating erotic, at this tank the feature was writing around the much life of day, with an value over the time including the power to notice over a same and standardized human afternoon radiation start which was used in an music of american black dating able truth means.

These extremes of power are highly erotic, and they can be used in different ways to suit the tastes of all participants involved.

The gritty realism extends to the erotic yet un-romanticized, clipped sex scenes, and to the sequences where Roque orchestrates tit - for - tats with other operatives in the corridors of power.

The power of many erotic fantasies rely more on concealment than full disclosure.

It's downright pornographic, and the force of the scene almost seems to emanate from the sense that the erotic power between the two was out of even Hitchcock's control.

A whirlwind of ruthless ambition, power struggles, greed and deception ensues as Tourneuil's brutal ascent is jeopardized by a hostile takeover attempt from a large American hedge fund led by Dittmar Rigule (Gabriel Byrne), erotic distractions from international supermodel Nassim (Liya Kebede), and adversaries with an agenda for destruction.

Guadagnino finds more erotic power in a painful foot massage than the meshing together of bodies.

Lozano's interest in industrial or mechanical tools show her obsession for the erotic power and gender inflection of labour.

He used this technique to reveal the evocative power of gesture and its poetic, social, erotic and political dimensions.

Images such as nudes dr02 (2011) become painterly illustrations of vague desire in which anonymous women sport and pose, their erotic power modified by a muted palette and hazed resolution, while in nudes ar09 (2011) the fetishistic power of the female subject is all but reduced to lush formal qualities — a cascade of thick blonde hair, the curve of pink thighs, the glossy black of a stiletto heel.

Erotic art today doesn't emanate the sense of abandon that lay behind the Olympia Press's activities, or the epoch - shifting power of Manet's unblinking nude.

Gibbs was asked to reflect on the hermetic spaces of the film that suggested an erotic nucleus to both the counter-culture that the film captured, and the private interests of that time which sought to reformulate their power in the shifting economies and class structures of the late sixties.

His glossy photo - realist paintings isolate a particularly influential branch from our ubiquitous pop - culture cacophony — the movie poster — to illustrate the tensions, escape fantasies, conflicts, erotic stimulation and power of this popular form of mass - media imagery.

1991 Fashion Photography Since 1945, Victoria and Albert Museum, London, England Twentieth Century Collage, Margo Leavin Gallery, Los Angeles, USA, travelled to Centro Cultural Arte Contemporaneo, Mexico City, and Musee D'Arte Moderne et D' Arte Contemporain, Nice, France 7 Women, Andrea Rosen Gallery, New York, USA The Body in question, Aperture Foundation, New York, USA The Power of Theatrical Madness, Fotografie Forum Frankfurt, Frankfurt, Germany Modern Botanical, ICAC Weston Gallery, Carmel, USA National Gallery of Victoria, Melbourne, Australia Erotic Desire, Perspektief, Rotterdam, Netherlands La Revanche de L'Image, Galerie Pierre Huber, Geneve, Switzerland, Framed, Stephen Wirtz Gallery, San Francisco, USA Cruciformed: Images of the Cross since 1980, Cleveland Center for Contemporary Art, Cleveland, travelled to the Museum of Contemporary Art at Wright State University, Dayton, USA Photography From 1980 to 1990, Ginny Williams Gallery, Denver, USA Galerie Nikolaus Sonne, Berlin, Germany

The choice of works is very deliberate with the exhibition broken down into seven themes: Beauty, Power and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lPower and Space, which looks at each artist's engagement with the sublime, a theme central to English Romantic art but which survived through the modernist movement and is a key feature of Twombly's paintings; Atmosphere, which considers the ways in which the three artists paint land and sea through a filter of atmospheric conditions; Naught so Sweet as Melancholy, named after a phrase in Robert Burton's Anatomy of Melancholy, where the theme of loss and memorialisation are central concerns; The Seasons which reflects upon the passage of time; Fire and Water where all three artists evince the power of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lpower of the elements; The Vital Force which brings together works of a sensual or erotic nature; and finally A Floating World where each artist contemplates mortality and external events that impact on their lives.

But her most celebrated essay is only one of her many contributions to art history: her books include Realism (1971), Woman as Sex Object: Studies in Erotic Art, 1730 — 1970 (1972); Women, Art, and Power, and Other Essays (1988), The Politics of Vision (1989), The Body in Pieces: The Fragment as a Metaphor of Modernity (1994), and Bathers, Bodies, Beauty (2006); Misère, her book about the representation of misery in the second half of the 19th century in France and England is due out next year.

For this reason, we have often turned away from the exploration and consideration of the erotic as a source of power and information, confusing it with its opposite, the pornographic.