1999 «The World Imagines,» Clarksville - Montgomery County Museum, Clarksville, TN, an exhibition
of ethnographic objects from all over the world, on loan from the Cheekwood Museum and local collections; co-curated, with Janelle Strandburg (on the museum staff).
A group
of ethnographic objects and documentation from the twelve indigenous communities of the Venezuelan Orinoco River basin
Not exact matches
The museum preserves, maintains, and interprets the artifacts in situ
of the Neolithic habitation site
of ancient Filipinos and houses the
ethnographic and natural history
objects of the province.
The show explores the history
of the youth subcultures
of the San San International (a parallel universe) through a mise - en - scène
of objects, architectural environments and a 30 - minute faux -
ethnographic science fiction film, presented in the artist's signature labyrinth
of immersive interiors.
The Chapman brothers» work ranges from sculptures
of grotesque genetic perversions
of pre-pubescent girls to 3 - D recreations
of Francisco Goya's The Disasters
of War etchings, Nazi atrocities and faux -
ethnographic sculptures inspired by African fetish
objects to McDonald's packaging.
Scenario in the Shade explores the history
of youth subcultures
of the San San International through a mise - en - scène
of objects, architectural environments, and a 30 minute faux -
ethnographic science fiction film, presented in the artist's signature labyrinth
of immersive interiors.
But these are his most significant years, and Prima Materia does tell a story, one less involved with the alchemical interests the show's title suggests, or the
ethnographic influences implied by the accompanying selection
of objects (Hopi kachina dolls, Yup» ik masks), and more concerning the effect on an established practitioner
of the turn from abstract Surrealism to Abstract Expressionism in postwar American art.
Beginning with the acquisition
of ethnographic curiosities around 1796, the collection has grown to nearly 2,000
objects that reflect all regions
of the African continent and diaspora, and represent canonical and historical art forms and styles as well as modern and contemporary works in a variety
of media.
There are five areas
of deep focus within the Colección Patricia Phelps de Cisneros: modernist geometric abstraction from Latin America; artworks and documentation
of traveler artists who explored and worked in Latin America and the Caribbean during the 17th, 18th and 19th centuries;
ethnographic objects from and documentation
of twelve
of the indigenous tribes from the Orinoco river basin in Venezuela's state
of Amazonas; material culture from Latin America's colonial era; and contemporary art from Latin America and beyond.
The collection is comprised
of a diverse, encyclopedic group
of fine art and
ethnographic objects by international makers and represents styles and time periods from pre-history to the present.
For a show at the Hammer Museum in L.A. last year, she took obscure
ethnographic objects from the collection
of the Fowler Museum at U.C.L.A., all
of which had been categorized as «unidentified» — including textile scraps and broken pottery — things that had effectively been deemed originless and valueless, divorced from their history and the history
of those who made them.
The Museo Correr just across Piazza San Marco from the Doge's Palace covers the art and history
of the city through various works
of art, sculptures, fabrics, books, furniture and
ethnographic objects.
Counter to this are works that use materials in a conceptual manner, as in the woven sink or wax and human hair sculptures
of Robert Gober, or Untitled, 2004, a witty and cryptic
ethnographic rock - and - hair
object by David Hammons.
Between 1968 and 1970, Baumgarten undertook a systematic photographic study
of how several European
ethnographic museums frame the viewer's perception through the manner in which their
objects are displayed.
It was also the first American museum to present African
objects as art rather than
ethnographic data, and in 1923 it organized one
of the largest exhibitions
of African art anywhere.
The Stedelijk Museum Bureau Amsterdam presents A Sign
of Autumn — Vincent Vulsma a solo - exhibition on view 15 October — 27 November 2011, By employing strategies
of spatio - temporal montage, Vulsma brings together
objects and patterns taken from their contexts in
ethnographic collections and the canons
of modernist design and photography, deliberately moving back and forth along the lines between what is classified as commodity, art or
ethnographic object.
His current installation, Oak Effect, at the Bloomberg Space, London, sees the gallery transformed into a fantastical showroom window housing a collection
of ethnographic and design
objects from the Tyne and Wear Archives and Museums Collection, displayed within a framework comprised
of dining tables, worktops and nesting tables.
In a young city such as Los Angeles, archaeology can take many forms: Small's idiosyncratic museology, Gala Porras - Kim's reappraisal
of unattributed
objects from the
ethnographic Fowler Museum or even the curatorial work
of Moshayedi and Walker in excavating little - known art from Los Angeles's recent past.