Sentences with phrase «of excellent screen»

«[The Xperia Z2] is easily Sony's best smartphone to date, and the combination of an excellent screen, decent speakers, unobtrusive software, good app design and premium content makes it a compelling option, despite its carrier exclusivity.

Once the PlayBook gets some more ereading and news apps it will make a good electronic reader because of the excellent screen quality and high pixel density.

Not exact matches

The Dell Inspiron 15 5000 has excellent specs under the hood, plus it boasts a large, 15 - inch display, so you'll have plenty of screen for those in - bed movie nights.

For less than $ 100, the Arf Pets Automatic Pet Feeder has an excellent array of features including a bright LCD screen, ABS plastic construction, and a magnetic lid that keeps your dog's food fresh and pest - free.

And if the market can accomplish that move by the end of May, it will provide a fine opportunity to book some excellent gains in my Hi - Tech Trader advisory service, which is loaded with market leaders identified by active artificial intelligence models that screen all the leading tech stocks for those with the highest probability of capital gains over the next month.

In the USA, it is a time we set aside to give thanks for all the things that are important to us and pay homage to an excellent dinner with an afternoon of football watching and screaming at the television screen (at least that's what you do if you live in Detroit).

It is packed full of great features, and the night vision and large LCD screens are excellent.

«We knew we had to be better, we knew we had to be excellent,» said Brown, 89, one of about 10 Tuskegee Airmen who attended the White House screening of «Red Tails,» a film about the airmen produced by «Star Wars» creator George Lucas which opened in theaters in March 2012.

Despite the small size of the smartphone screen, its high - definition image provides an excellent view of the surgical site.

The non-invasive nature of mf - OCT imaging makes it an excellent candidate for glaucoma screening for general public.

11 % of American adults — and 38 % of those who are «single and looking» — have used online dating sites or mobile dating apps One in every ten American And while old - fashion romantics might miss a time when couples fell in love in person, rather than through a phone screen, dating apps are an excellent way

An excellent piece of work in taking a legendary meller play and transposing it into a screen drama of strength and charm.

The excellent performance by Bjork (surprisingly excellent, might I add) and the genius direction of Lars von Trier work perfectly to make one of the best films that have graced the film screen.

A disparate group of excellent actors including Sarah Paulson, Bob Odenkirk, Matthew Rhys, Carrie Coon, Alison Brie and David Cross are the supporting cast, and in most cases supporting is all they're really required to do — though Rhys is very compelling in his short amount of screen time as whistleblower Daniel Ellsberg.

The video quality is excellent — my DVD player normally has a little trouble with pixellation when lots of dark colors are on the screen, but not in this case.

With perfect touch - screen controls throughout in handheld mode, added to the already excellent controller support from other iterations, this is easily one of the most accessible games in the genre, and definitely one of the most enjoyable on Nintendo Switch, full stop.

The pros are, great visuals, excellent sounds, being able to be both Autobots and the Decepticons and of course music was epic as well especially at the end on the credit screen.

Lily James («Downton Abbey») gives a star - making performance opposite the excellent Cate Blanchett, who really sinks her teeth into the role of the evil Stepmother (Blanchett receives top - billing but doesn't have as much screen time as you might expect).

This is, overwhelmingly, a silly horror flick unconcerned with its silliness: Throughout, it spends a lot of screen time digging into exposition and explanation, including having its American characters interrogate the rural Mexican ones, who conveniently speak — and write — in excellent English.

It seemed mostly final (unlike when they screened a rough cut of Toy Story 3 here three years ago) and is an excellent follow - up that made me quite emotional by the end.

While I've always respected the excellent power and potential of Sony's new portable, I've always seen DoA as a franchise that is best played on the big screen.

The cinematography by Michael Ragen is exceptional, getting the most out of the hotel environment; the use of light with TV screens is excellent.

Perhaps cooking up something involving the touch screen and stylus, in the style of the excellent control scheme found in the classic Metroid Prime Hunters or even the more recent but more controversial Kid Icarus: Uprising might have made for a better control scheme, but that, unfortunately, wasn't the case here.

Mangold worked with screenwriter Scott Frank — who has some excellent screenplays on his resume, including OUT OF SIGHT and MINORITY REPORT — to create a dusty desert setting that seeps off the screen and into the popcorn bucket.

Many of the bigger documentaries are yet to screen (aside from a trio of excellent Sundance docs Nobody Speak, Trophy, and Long Strange Trip), but one doc that deserves a particular nod is Let There Be Light by Mila Aung - Thwin and Van Royko.

It was a while before I felt at ease with his participation, but that's my cross to bear: Salva's screen - specific commentary is nothing short of excellent.

Shannon, who was also excellent in last year's Sundance Grand Jury Prize winner «Me and Earl and the Dying Girl,» has the tough job of conveying Joanne's slow 12 - month decline on screen.

This is excellent news for major studios, which crank out a steady diet of scare - tactic thrillers like last weekend's Universal release «Ouija: Origin of Evil,» which did screen for critics and got a middling Metascore of 65.

Excellent casting saves this certain dud from being just another terrible big screen version of a beloved old TV spy series, with Carell perfectly portraying a bumbling ignoramus who somehow has the knack (and a lot of luck) to get himself out of nasty scrapes time and again.

While the original script of the movie called for Robin Hood to be the villain and the Sheriff to be the hero, which could have been truly excellent, at least this new version gives a better look at what should have hit the big screen a few months ago.

It also has an «emotional and thematic pull that is surprisingly weighty for this sort of picture,» while among a strong and eclectic cast also including Mia Wasikowska, Wallace Shawn and Noah Taylor, star Jesse Eisenberg «gives two excellent performances... [allowing] him to find new notes to both his trademark on - screen personas.»

The Blu - ray also features an excellent 69 - minute documentary, The Soul of War: Making Hacksaw Ridge, which covers the film's long journey to the silver screen.

The coming - of - age tale «Call Me By Your Name,» which topped the Gotham Awards on Monday, remained in very limited release — four theaters — and pulled in an excellent per - screen average of $ 67,000.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosOF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosof mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Johansson is also excellent; it's ironic in a way that arguably the best performance of a woman who is so well known for her physical characteristics is the one where she is never actually on screen, but her voice work is just as necessary to believe there is something real to the relationship, and the subtle verbal tics she uses are mightily effective.

The entire cast also deliver excellent performances; the always reliable Catherine Keener and Bradley Whitford capture the requisite creepiness as the white, middle - class parents and Alison Williams has an effective screen presence that, on many occasions, reminded me of a younger Jennifer Connelly.

No amount of multinational money thrown at the screen can give any of its action sequences the clean, cold athleticism of the best fights in John Wick 2 (Warner, 15), a less electric follow - up to 2014's excellent Keanu - Reeves - on - a-rampage thriller that nonetheless knows all the moves.

She had smallish TV roles in the likes of «Body of Proof» and «Blue Bloods,» and on the big - screen in «Our Idiot Brother» and gave an excellent performance in Alex Gibney «s «Client 9,» but it's «Boardwalk» that really provided a showcase.

The actor is one of those guys who you recognize when he comes on screen even if you can't name him, but really shines in a rare leading part here, with our review calling him «particularly excellent, affecting and funny.»

Esquire cool interview with the director of John Wick: Chapter 2, a former stuntman Stage Buddy on a new book about the immortal classic Casablanca Vox an excellent piece on AMC's Humans and how it differs from HBO's similarly AI themed but wildly different Westworld NYT Harvey Fierstein's Torch Song Trilogy to return to the stage Indie Wire Tulip Fever gets pushed back AGAIN even though it was supposed to open in less than two weeks Silver Screening Room on the Adapted Screenplay race of 1976 for reasons I do nt know but I enjoyed

The presence of Emily Watson, excellent screen actor that she is, only increased my sinking feeling that Anderson has been influenced by Lars von Trier at his most trifling and facetious.

As EW points out, Wood is not only the former Frodo Baggins in The Lord of the Rings trilogy, but also has plenty of horror movie experience from both sides of the camera — as an actor in Robert Rodriguez's The Faculty and the excellent 2012 remake of Maniac, and as a cofounder of indie - horror company SpectreVision, where he has helped a diverse array of projects to the screen, including A Girl Walks Home Alone at Night and most recently The Greasy Strangler, which will be released in theaters and on demand this Friday, Oct. 7.

Apparently screened theatrically in Dolby Digital, the film has been downmixed to Dolby Surround for DVD but sounds excellent all the same — the Hebrew dialogue (supplemented by optional yellow English subtitles) comes through clearly and the diegetic song selections are of strong fidelity.

She's already filmed her next five roles: as previously discussed she'll play the showy small role of James Brown's mom in Get On Up (August, 2014); she's excellent as a college professor in The Disappearance of Eleanor Rigby Pts 1 and 2 (release date still TBA but I saw it at TIFF); she's in Michael Mann's thriller Cyber (January, 2015) with Chris Hemsworth as the headliner and supposedly her role is large there as an FBI agent; She'll headline Shonda Rhimes TV series «How To Get Away With Murder» and if it gets picked up past the pilot, don't expect to see her on your movie screens for awhile; The other leading role is Lila & Eve (she plays Lila) but her co-star is... (wait for it)... Jennifer Lopez?

This add further the immersion factor of the game, even those linguistically challenged can relate to the emotions conveyed on screen through the excellent voice actings and changing facial expressions.

This screen series based on the colorful Marvel characters has proved to be both durable and flexible: having enjoyed a great run in its initial phase, it spun off two Wolverine vehicles for Hugh Jackman (with another on the way) and then rewound the timeline to create a series of prequels, beginning with the excellent X-Men: First Class.

Norwegian director Morten Tyldum (the excellent Headhunters, 2011) brings Andrew Hodges» biographical book to the screen in the form of the remarkable and true story of Alan Turing, the man credited by many (including Winston Churchill) for helping win WWII.

The verisimilitude she creates in putting small town Sacramento California life on screen, the specificity of the Catholic high school experience, it all makes Lay Bird feel so lively, and another wonderful performance from Saoirse Ronan and an excellent supporting cast (Lucas Hedges, Tracy Letts, Timothee Chalamet, Lois Smith, Beanie Feldstein, etc etc) is the topping on the cake.

Although some of these high profile stars are relegated to smaller roles than others, the ensemble cast present an excellent on - screen chemistry and banter to rival Stallone's gang in the EXPENDABLES films.

He gives a winning performance as Mee, a real - life writer who went through many of the trials and tribulations seen on screen, and he is given solid support by the ever - excellent Haden Church and Johansson, who makes for a more believable zookeeper than one would intially imagine.