Sentences with phrase «of exhibition making»

We particularly encourage applications from students who are interested in thinking broadly about innovative forms of exhibition making and who find inspiration in current artistic practice and potential in the curatorial role.

His work has attempted to expand the definition and context of exhibition making.

Her ongoing research encompasses institutional critique and artist institutions, and examining the history of exhibitions in relation to a future of exhibition making.

The eccentric installation of the exhibition made the viewer aware of his or her bodily relation to the work — often anything but remote, offering an ironic spin on the term.

This even though it plays a significant role in forming the conventions of exhibition making since the 18th century.

Both positions have presented challenging curatorial environments with opportunities to explore innovative methods of exhibition making.

As part of the exhibition Making Africa — A Continent of Contemporary Design, the Vitra Design Museum features the work...

The Way Beyond Art: Wide White Space will investigate graphic design's evolving relationship with the practice of exhibition making as it intersects with the visual arts and the work of both artists and curators.

The title of the exhibition makes reference to Martha Rosler's ground - breaking three - part project for the Dia Art Foundation in 1989 (If you lived here), which, in a different vein, addressed homelessness and housing, as well as architecture and planning, in New York City and elsewhere.

The title of the exhibition makes reference to a pronounced escapism in the works, metaphorical opportunities to be taken through outlets such as pipes or rabbit holes, and to the literal pipes and rabbits (in reference to Alice in Wonderland and Donnie Darko) that recur constantly in Lonsdale's visual vocabulary.

Laughing Gas is on view through August 28 a part of the exhibition Made In LA: a, the, though, only at the Hammer Museum.

This video documents the Opening Talk within the framework of the exhibition Making Africa — A Contintent of Contemporary Design...

«While SFMOMA is off - site, reimagining the museum's role and exploring new ideas, Project Los Altos provides an exciting moment to capture the experimental nature of exhibition making,» notes Gheith.

Wentworth has remarked «as exhibitionism in private galleries, foundations and museums (both personal and public) have coalesced, I detect a pattern of exhibition making which I associate with the philately of my childhood.

Join resident artist Chris Haughery in the opening reception of his exhibition Making Gains.

It is an art initiative unfolding within the realms of exhibition making, commissioning, knowledge sharing, and archiving of theory and criticism.

In this new publication, each letter of the alphabet evokes a particular word related to the world of exhibition making — from A (as in Art) and B (as in Biennial) to R (as in Retrospective) and W (as in White Cube).

The new museum will provide an educational venue for Bard students as well as the wider public, and a place to test out the possibilities of exhibition making utilizing the remarkable resources of the collection as a whole.

It's just a first outing, but SFMOMA's curators seem to have opted for the bow - down - bitches school of exhibition making; we'll have to wait and see if they'll get more inventive later, or whether they stick with brand - name extravagance.

Following some external impulse, such as any kind of noise visitors of the exhibition make, these machines draw lines on the walls, conjoining modernist concerns of the grid, monochrome and color field through a concept of interaction.

It combines curating, education, design, communication and publishing to position the art institution as an overall form of critical practice, uniting art and education into a singular cohesive mode of exhibition making.

But both institutions have been focused on exhibition making — a certain type of exhibition making where the exhibition and the content overlap much more than they do [elsewhere]: the exhibition as an experience, not a display of discrete objects.

In 2009 Hoffmann founded The Exhibitionist: A Journal on Exhibition Making, which has advocated the author theory as developed specifically by François Truffaut in his 1954 essay «Une certaine tendance du cinéma français» («A certain tendency in French cinema») and adapted Truffaut's ideas to the sphere of exhibition making.

They produce programming that challenges prevailing notions of exhibition making, introduce new forms of artistic practice, embed dialogues from other regions into local conversations, and create points of intersection between visual, political, and technological cultures.

Witte de With creates flexible and responsive long - term frameworks for both artists and the public, allowing for an exceptional scope and scale with which to present final works, publications, and discursive programs and for broadening curatorial and artistic practice beyond the temporal limitations of exhibition making.

We were invited by curator Susan Cross to be part of the exhibition she made called The Workers [May 29, 2011 — Apr 14, 2012], which included works by contemporary artists with different perspectives on labor, generally speaking.

With primary emphasis on contemporary art, students examine the various approaches to curatorial practice including curating in a global context, the rise of the biennial, performance art and non-traditional venues and the potential political and ethical implications of exhibition making.

He employs strategies of exhibition making that are often site - specific, viewing exhibitions as a catalyst to produce a reservoir of possible meanings and discursive experiences.

Presented in the three poster sites on the exterior of the Hayward Gallery during April and May these artists» posters explore, and sometimes exceed, the limits of exhibition making, asking us to reconsider the way art is contextualised and displayed.

Alongside an investigation of the history of exhibitions, the program seeks to explore collaborative, artist - led, and other curatorial initiatives that challenge and advance existing paradigms of exhibition making.

The sheer size of the exhibition made it a standout, but Dreier also produced an innovative installation.

Zarur has published articles for Broadsheet and Art in America on Hassan Sharif, dubbed the first conceptual artist of the UAE, Wael Shawky, and a review of the exhibition Made In Palestine.

Shards, the latest in a wave of exhibitions making rich connections to the history of making in Indigenous culture, connects four local artists with ceramics used by women thousands of years ago.

The group presentation takes its point of departure from one of the most important exhibitions in history of exhibition making: Questioning Reality — Image Worlds Today, 1972 curated by Harald Szeemann as a part of Documenta 5.

Taking that ambiguous thing we call «the exhibition» as a critical medium, artists have often radically rethought conventional forms of exhibition making.

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

Jens Hoffmann is a prominent curator whose practice centers on the attempt to expand the denotation and context of exhibition making.

Independent curator Biljana Ciric will present her research initiative «From a history of exhibitions towards a future of exhibition making» — a series of seminars that revisit the importance of the exhibition as a key factor in relating art to its wider social context.

FOCUS: OK < — > KC, is a collaborative exchange project between the Oklahoma Visual Arts Coalition (OVAC) and Charlotte Street Foundation (Kansas City, MO) that seeks to connect exceptional artists from the region to new institutions, audiences, curators, and artists» networks through the experiential processes of exhibition making.

«While SFMOMA is off - site, reimagining the museum's role and exploring new ideas, Project Los Altos provides an exciting moment to capture the experimental nature of exhibition making,» notes Jenny Gheith, SFMOMA assistant curator of painting and sculpture.

«R.S.V.P. Los Angeles» provides for a new example of exhibition making and curatorial practice, supporting artists and providing space for experimentation.

The title of the exhibition makes reference to the economic activity that brought life to the centre up until the 1970s — that of a thermal spa that provided a series of playful and commercial activities on site.

The Center's exhibition program is augmented by a vibrant public lecture and «Conversation» series in which prominent scholars, critics, and artists address issues relating to the contemporary visual arts, curatorial studies, and the history of exhibition making.

The mission of the Center's graduate program is to provide practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts.