Sentences with phrase «of exhibition periods»

The exhibition space houses four exhibitions a year and it works as a project space for artists involved outside of exhibition periods.

Rather, she will spend the duration of her exhibition period «Getting Ready,» taking residence in the gallery for a month and opening the doors to the public only for a closing party on the last day of the show.

Over the course of the exhibition period, the Painting Gallery panels will rotate three times to present paintings selected by the artist.

The artist will be performing live drawing on weekend for the duration of the exhibition period.

The flowers will gradually dry out and develop a special dramaturgy as their appearance and atmosphere change over the course of the exhibition period, which comes to an end on 1 May 2016.

Cyan D'Anjou, another intern working for the first half of the exhibition period, and aspiring artist created a large work: a freestanding burnt match of 3 meters high.

Not exact matches

The morning of their first exhibition game, they had no water, period.

The British Library exhibition features a fragile, unsettling ventriloquist dummy of him from the period.

In its other exhibition halls, each of which focuses on a different period of the past, visitors can view a mighty tyrannosaur, minuscule trilobites, and all manner of now - extinct life in between.

His article did add some interesting extra touches, such as an attempt to show that the solar corona at eclipse during the period was strongly suppressed compared with its present exhibition of major streamers.

(1) Injuries more commonly occur during the final five minutes of a period, and 42 % of injuries occur in the third period of a game, usually exhibition and preseason games.

Interestingly, they describe «professional fasters «who would fast for specific periods of time for exhibition.

Imagine walking through this exhibition and seeing over a hundred humanoid robots that represent, in different periods over the last 500 years, what we thought of the world, what we valued, how technology would change our lives, how we dreamt the future would look.

The magazine «Country Life», in the 29 April 1899 takes up the story: «Some five - and - thirty years ago in fact, [i.e. about 1865], the small - sized or light - weight Bulldog was common in this country; so much so that dogs of the breed that scaled over 28 lbs were not encouraged at such shows as Birmingham, which was at that period the most important exhibition of its kind in England.

The Main Galleries and The Sackler Wing of Galleries host a variety of major exhibitions from all periods and art forms.

The detailed exhibition displaying artefacts from the period allows us to step back in time and better understand the lives of those changed irrecoverably by the Great War.

Usually the exhibition is presented for a period of two to four weeks and is accompanied by educational materials including catalogues, DVDs and a handbook for guides.

Throughout history, the palace's main purpose has been to serve as an expansive exhibition hall, with the exception of a period during World War I when it was used as a military hospital.

In addition to the Christmas village, this part of the city also hosts art exhibitions, parades, street parties, food festivals, musical concerts and workshops throughout the festive period.

The Kuntshalle houses exhibitions of all major periods from Renaissance to contemporary art.Wandering around each of the grand buildings that are linked by an underground passage, you are able to delve into the range of works displayed.

In addition to Mark di Suvero at Crissy Field, other site - specific projects during this period will include a city - wide exhibition including newly commissioned, site - responsive artworks at Los Altos in fall of 2013; a multi-location display of Doug Aitken's Empire trilogy (2008 — 14) in 2014, showing all three video installations simultaneously for the first time; and off - site presentations of the museum's ongoing SECA Award shows and New Work series.

Created as an integral part of the permanent exhibition and multimedia of «Yamada Nagamasa (Okya Senabhimuk) and Thaothongkeepma» in the exhibition hall next to the Chao Phraya River, the Virtual Reality Street Museum features an innovative experiential showcase and is complemented by historic information about the former capital of Ayutthaya, the roles of the Japanese Village, and international fabric of society at the height of the Ayutthaya period.

Speaking of the exhibition, he said: «Although the images were taken during a difficult time, I am grateful to have made it through that period and hope this series shows that recovery is possible even from the depths of serious addiction.

This exhibition is described by the museum as the first - ever to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history in this significant historical period.»

Tworkov was featured in many historic exhibitions that defined the period including «New American Painting» organized by The Museum of Modern Art, which introduced the world to Abstract Expressionism and toured Europe in 1958.

In two new film installations and a suite of photographs for his first New York solo exhibition, Akomfrah shifts his focus to the ill effects of displacement: One of the works looks at a 400 - year period of migration from Barbados, Mali, and Iraq; the other takes place at an abandoned airport outside Athens amid Greece's financial crisis.

Contracted for a six week period to work with a team of artists to produce large scale acrylic paintings for exhibition at Deitch Projects in NY, NY.

His literal use of space and his return to painterly methods, (albeit on exotic materials) in the mid - seventies is the period of his work on which this exhibition is focused.

Then I remember, when I was about twelve or thirteen, an exhibition of Picasso, that Egyptian period, those great big heads.

Through the friendship and careers of the trio of artists — all who live and work in The Hamptons — the exhibition explored paintings made and the intersections and divergences of each of their art practices during this time period.

The paintings in the exhibition were done in a short period of time, from 1954 to 1956 when Kaprow was in his late twenties, having studied art since his teens as a student at the High School of Music and Art in New York City — he later received an MA in art history from Columbia.

The Gallery's curated exhibition History, Painting connects three painters whose work reflects three distinct movements in American social activism over a period of three decades.

The exhibition features nearly fifty works of art from the years of 1945 to 1949, widely considered to be the most important period in the artist's career.

Gill & Lagodich has provided both period and replica frames for paintings from the Terra Foundation for exhibition or long - term loan to other esteemed institutions (see details of some exhibitions below).

Related source material, drawings, and studies will accompany the panoramic mural, as well as paintings and sculptures of the period, among which are works from the companion exhibition that was held at Castelli Gallery at 420 West Broadway from December 1983 to January 1984.

Exhibition catalogs such as «We Wanted a Revolution: Black Radical Women 1965 - 85» and «Soul of a «Nation: Art in the Age of Black Power,» and the scholarly publication «South of Pico: African American Artists in Los Angeles in the 1960s and 1970s,» document the Black Arts Movement and the artists and works that defined the period.

Published in conjunction with a traveling exhibition organized by SFMOMA, this volume introduced new work by Jasper Johns, one of the most important artists of the contemporary period.

This exhibition of rarely - seen paintings by Konrad Lueg (1939 — 1996), also known as Düsseldorf - based gallerist Konrad Fischer, includes 18 paintings produced from 1963 to 1968, the five - year period during which the gallerist also worked as an artist.

That year the ICP in New York organized an exhibition of enlargements made from the original glass negatives, which had been kept throughout the intervening period by the former mayor of Heber Springs.

He arrived in Europe around 1970, and after a period in Holland, settled in England where he became known for his conceptual work, with solo exhibitions in the 1970s at the Museum of Modern Art, Oxford; The Whitechapel Gallery, London; De Appel, Amsterdam; and the ICA, London.

So this exhibition of around a hundred of his works, with a focus on Davis's mature period (1921 — 64), is something of a homecoming for the artist, who had a habit of going back to where he came from: The show emphasizes how motifs from earlier works tended to resurface in later pictures.

This exhibition is comprised of mostly large scale photographs aggregated from numerous exposures over a period of time up to several years.

Exhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cExhibitions, Lectures, Presentations & Gallery Tours Beginning with dedicated frame exhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal cexhibitions in Santa Monica and Laguna Art Museum in 1996, principals of Gill & Lagodich have lectured on the subject of period frame history, fabrication, and restoration; presented walk - through gallery talks in their own gallery and many museums, led museum docent and professional educator training sessions, and conducted hands - on period frame clinics for selected museum, institutional, and private groups, as well as national arts and appraisal conferences.

Covering the five decades of painter Jules Olitski's career, this exhibition presents 30 large - scale paintings drawn from public and private collections and intended to highlight the artist's essential periods and themes of creation.

The exhibition features a group of new small paintings as elusive and distinct as petrichor — that pleasant smell which accompanies the first rain after a long period of warm, dry weather.

«This once - in - a-lifetime exhibition comprises works from every phase of Picasso's extraordinary career, including masterpieces from his Blue, Rose, Expressionist, Cubist, Neoclassical and Surrealist periods,» describes John E. Buchanan, Jr., director of the Fine Arts Museums of San Francisco.

This exhibition, his first major museum show, covers a relatively brief yet vibrant period starting in 2011, from his abstract paintings on rawhide to sculptural figures decked out in beads, jingles, and a rainbow of fibers that look like Afrofuture kachina dolls.

The exhibition, which is also up through October 17, has just four paintings, everyone a winner, even though none come from the period when legendary critic Clement Greenberg was calling Christensen» one of the painters on whom the course of American art depends.»

The opening of «Radical Women: Latin American Art, 1960 — 1985» at the Hammer Museum in Los Angeles last September was a revelation: finally, a thoughtful, scholarly exhibition with real popular appeal that focused on a period of cultural history that was almost completely unrecorded in conservative, mainstream surveys.

The exhibition presents approximately 140 works by thirty - two artists active during this historical period, exploring the rising strength of the black community in Los Angeles as well as the increasing political, social, and economic power of African Americans across the nation.