Sentences with phrase «of experience on film»

«I wanted to direct for a long time, but I believed I needed a lot of experience on film sets, and I didn't go to film school, so the way I got that was through acting and co-writing and producing.

Not exact matches

But one of the online outlets that distributed the film ahead of its theatrical release, Microsoft Corp's Xbox Live, reported that users were experiencing problems getting connected on Thursday.

Experiencing the world of Harry Potter can be a great way for film and TV crafts pros on hiatus to spend time.

Describing the «out - of - body experience» of briefing the president on the Steele Dossier, which contained an allegation that Trump was filmed watching Russian prostitutes pee on a bed that the Obamas had slept in, Comey told interviewer George Stephanopoulos, «He interrupted defensively and said.

It's going to take a lot more then «visions» experienced by people in emotional and suggestible states to convince me, something like something seen by dozens of people who are not in an emotional and suggestible state, which is caught on camera by a person who we can reasonably assume would not tamper with the film.

«People have great hearts and great knowledge but no experience of filmmaking and no budgets,» Burnett said of past telling of the stories on film and television.

But, suggests Bishop Dillistone, an artist may also produce a film based on human experience in the light of Jesus.

The message of the film places virtually no value on human life, and the movie itself does» t care at all for its audience, save for the pain it can cause in the viewing experience.

Instead, the film would be about a clown who comes riding into town on a donkey; he's with a rather motley circus; he experiences the human failings of the circus people; he encounters Magnus, who wants to dominate and control; he substitutes himself for a poor human - puppet and is killed by Magnus.

Aldous Huxley's Brave New World — published in 1932, just after the transition from silent film to «talkies» — depicts futuristic cinema experiences called «feelies,» in which metal knobs on moviegoers» armrests transmit realistic sensations of whatever the on - screen actors are feeling.

«Change is something that we can always count on,» said Curry, «At Regal, we're excited for the opportunity to continue creating a better movie - going experience through a diversity of film and concession offerings.»

«My vision for the film was to capture the energy and excitement of these real experiences, creating a story which takes the audience on a journey into Absolut Nights.

«Turning the term partnership on its head, Ne - Yo has really served as the Creative Director of Malibu Red from beginning to end — lending his «smooth» talents and creative vision to create a product experience — from flavor to film — that will push boundaries in the spirits category.»

When I'm saying Denzel Ward is a better prospect than Vita Vea, I am just relying on my film study and my experience in grading, of course...

Football University is the only camp that has a staff of NFL - level coaching experience and a proven NFL - style curriculum — position - specific on - field training with position - specific film room education.

Though we often share or hear about the experience that persons of the LGBT community have had when coming out, one film seeks to focus on the other side of the experience: parents.

The DVD explored the experiences of young parents, mostly young women, so it was refreshing to see a young father's perspective on film.

A family of 15 on a mission to fill life with experiences, not things, through travel, adventure and making memories, writing and filming as we go.

More Than a Thousand «Experience a Revolution» With Rob Stewart and BurlingtonGreen, by Jackie Prime Rob Stewart, award - winning biologist, conservationist, photographer and creator of acclaimed films Sharkwater and Revolution, took the stage for two inspirational events at the Performing Arts Centre on October 21st, 2014.

The hills are alive... During the first of many backpacking trips, Gazzaley shot 70 rolls of film, including this view of Otago Peninsula on New Zealand's South Island, and experienced a sense of connectedness with nature that he'd never felt before.

A review of The Trials of J. Robert Oppenheimer, a film by David Grubin, airing on PBS January 26 for the American Experience series, in association with the BBC

Although she's been open about her struggle with an eating disorder, Pretty Little Liars star Troian Bellisario said filming her new movie Feed, which is based on many of her own personal experiences, wasn't easy.

Oh and let me guess: You ordered all the classic Disney films on DVD because you don't want your child to miss out on the wonders of these cinematic stories you experienced as a child, right?

With zero PR experience coming out of a film and theater studies program, I ended up interning for a few months at Nike before a position opened up on the spirits team working primarily with Bombay Sapphire gin and Benedictine Liqueur (the bartender darling).

It began as a way for Shane to share his many years of experience as a filmmaker, his pioneering spirit with new cutting - edge technologies and practical product knowledge on both commercial and feature films.

Years of experience in the entertainment, fashion, film and tv world as on - camera talent combined with a decade of exploring energy healing traditions to include Shamanic Healing, Reiki, Voice Dialogue and Yoga helped Kahshanna sink her narrative, branding and media chops into her boutique media hub Kissing Lions Public Relations.

Apr 06 Taste of the Operas Everyone loves a behind - the - scenes experience — be it film, the theatre or Madison is a town in the southeastern corner of New Haven County, Connecticut, United States, occupying a central location on Connecticut's Long Island

One of the most respected publications on film, uniting experienced critics with new writers.

In this first - ever IMAX 3D space film, audiences will travel 220 miles above Earth at 17,500 mph to experience the making of the International Space Station — the greatest engineering feat since landing a man on the Moon.

During the medial stretch of the film (about an hour), the latter journey (the visual sequences) will mimic one's experience at a planetarium, or perhaps a viewing of an environmental documentary, minus a top - rate actor's narration; if watching it on television, one might have the strong urge to check the channel.

The film has two directors, Chris Miller and Raman Hui, neither of whom has ever made a feature film, though both have extensive experience working on the visual side of animation.

Yet, while those films used the experiment as a touchstone, allowing the story to take on more aspects of a thriller, Kyle Patrick Alvarez's film is less concerned with thriller elements, but rather the loss of individuality the participants experienced, and how quickly the guards began to abuse the prisoners, most of whom quickly bent to authority.

Based on the autobiographical novel by Jan Guillou and set in the mid-1950s, the film relates the experiences of a troubled young man who's enrolled into a hidebound private school.

It is best to go into this movie as blind as possible because it is better to experience the film rather than read about it later, but the story focuses on biologist Lena (Natalie Portman) and a team of scientists who venture into a strange force - field - like area that mysteriously appears on Earth.

Following a young woman as she awkwardly makes her way through her senior year of high school, Lady Bird explores popularity, family issues, jealousy, and numerous other issues that teenagers face on a daily basis, so if you go into this film having already experienced those years of your life, I guarantee there will be a section of this movie that you can relate to.

Even though the film therefore must be regarded as a marred masterpiece, the remaining two - thirds of Welles» original concept is still a thrilling cinematic experience, especially whenever Agnes Moorehead is on the screen.

Director James Franco takes on the experience of a wayward creator in his latest film, «The Disaster Artist,» and reveals how even if something deeply personal is usually deeply flawed, it can still connect with audiences in ways no one could imagine.

I would like to say that this film would make a good example of how visual effects look on a home television experience for a rental, but I still think the better recommendation for that would be the first film.

The first feature from Rupert Goold, artistic director of London's Almeida Theatre, the film owes a dramatic and stylistic debt to Capote, another stage veteran's big - screen debut about the complicated relationship between a prisoner facing a murder rap and the writer looking to capitalize on his experiences.

Stanley Kubrick's return to filmmaking after a seven - year hiatus, this film crystallizes the experience of the Vietnam War by concentrating on a group of raw Marine volunteers.

I scurried out to buy a copy of the book based on my experience of the film, and found it refreshingly unique; Garland says he read the source material but once and then set it aside and basically filmed his memory of the experience of reading it.

Although the film is over two hours, there was definitely more to the story to be told, as it did not go into Zamperini's post-war experiences, including his embracing of Christianity, community work, his return to Japan to meet with some of his former captors, and more, which could have been a great movie on its own.

Taking inspiration from the personal life of his leading man (Lustig is a widowed grocer upon whose stories the screenplay is loosely based), Weinstein draws on his experience as a documentary film - maker to conjure a drama rooted in the reality of these characters and their community.

Its narrow timeframe and juddering shootout finale notwithstanding, in fact, «' 71» calls no film to mind so much as Roman Polanski's Holocaust drama «The Pianist» in its dramatic defamiliarization of urban space, and its tight focus on a single character's sensory experience of his surroundings amid broader conflict.

Although Sally Field walked off with the statuette (for «Places In The Heart»), Judy's nomination can be seen as some compensation for the experience of working on the film, which was not, by all accounts, an especially happy one.

The film sounds plottier on paper than its proves in practice, where complex internal politics take a back seat to the protag's in - the - moment experience of these hellish events.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

On the one hand, his recent films deliver a compelling intellectual experience to a wider audience than most «intellectual» filmmakers could dream of, and that's an admirable agenda for an artist with the resources of all Hollywood at his beck and call.

The film, which was inspired by Denis» own experiences in Africa and those of working amongst the stark Southwest landscapes of Paris, Texas, proved to be a very auspicious debut, screening at Cannes that year and earning both a Golden Palm nomination and a César nomination for Best New Director.Denis followed her debut the next year with Man No Run, a documentary about Les Têtes Brulées («the Flaming Heads»), a Cameroon band on their first French tour.

As well as talking about her experiences and thoughts on the film she discusses the memoirs she has written on the period called The Girl in the Green Sweater: A Life in Holocaust's Shadow (released after the film was in pre-production, which was based on In the Sewers of Lvov by Robert Marshall).