Sentences with phrase «of experimental dance»
Rauschenberg's impulse to merge media and spheres of artistic activity propelled him into the realm of experimental dance and theater.
https://www.sfmoma.org/ Not exact matches
«The atoms used to have the whole dance floor to move around on and now they are confined in alleys, so the interaction energy goes way up,» says NIST / JILA Fellow Jun Ye, leader of the experimental team.
Like Ballad of Narayama, they are often essentially musicals: Karumen kokyo ni kaeru (Carmen Comes Home, 1951), Japan's first colour film, had characters break into song and dance and even put on a climactic show in the Hollywood manner; Kinoshita's masterpiece, the experimental melodrama Nihon no higeki (A Japanese Tragedy, 1953), is about a failed singer turned geisha and abused mother.
But it starts to run out of steam over the final furlongs, and its somewhat mystical conclusion disappointingly unravels amid sub-par cgi effects and characters wearing preposterous shiny suits, as though members of a low - budget experimental dance troupe.
She hasn't made a movie in a long time The Wire Archer will return to its spying roots next season after an experimental latest season Vulture Whoa, I hadn't heard about this (because I don't watch ESPN) but on Monday's they're reairing those Battle of the Network Stars specials that were so popular in the 70s and 80s - a precursor to modern shows like Dancing With the Stars only populated with less has - beens and more stars that were actually popular at that moment showing off their athleticism Empire pics from Denzel Washington as The Equalizer.
Over the past forty - plus years, the British filmmaker has put together one of the most diverse and innovative filmographies you can imagine — from her early experimental work, to her fourth - wall - breaking classic of gender fluidity, Orlando (1992), to the minimalist dance - romance The Tango Lesson (1997), in which she played herself, to the Cold War coming - of - age drama Ginger & Rosa (2012).
October 11, 2017 • The Glaswegian quartet is one of the greater, and darkly pleasant, recent surprises in dance music, led by experimental musician Richard Youngs.
For the indie - rock set, Rocktagon is one of the more popular venues, featuring everything from chill, experimental rock to throbbing punk during the early hours and dance and disco later on in the night.
His involvement in the early 1960s with Judson Dance Theater, New York, an experimental collective that included dancers as well as visual artists, resulted in performances free of narrative, emphasizing instead the purity of movement — sometimes conventionally dance - like, but also mundane movements, allowing untrained performers to participate side by side with professional danDance Theater, New York, an experimental collective that included dancers as well as visual artists, resulted in performances free of narrative, emphasizing instead the purity of movement — sometimes conventionally dance - like, but also mundane movements, allowing untrained performers to participate side by side with professional dandance - like, but also mundane movements, allowing untrained performers to participate side by side with professional dancers.
Accident of Choice refers to the experimental nature inherent in all forms of expression — painting, sculpture, dance, film, drama.
After making seven experimental feature films — «Lives of Performers» (1972) and «MURDER and murder» (1996), among others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation («After Many a Summer Dies the Swan&raqdance in 2000 via a commission from the Baryshnikov Dance Foundation («After Many a Summer Dies the Swan&raqDance Foundation («After Many a Summer Dies the Swan»).
After making seven experimental feature - length films — Lives of Performers, Privilege, and MURDER and murder, among others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation (After Many a Summer Dies the Sdance in 2000 via a commission from the Baryshnikov Dance Foundation (After Many a Summer Dies the SDance Foundation (After Many a Summer Dies the Swan).
CounterPointe is an annual performance series dedicated to presenting the latest experimental, innovative, risk - taking choreography that shows a depth of investment in ballet by women dance makers working with the pointe shoe.
«This archive is one of the most significant collections out there for the study of experimental music, dance, performance, video art, and the multitude of relationships between these disciplines,» said acting head of the Getty's department of architecture and contemporary art Glenn Phillips.
Legendary artist and dancer Simone Forti (b. 1935) talks about her experimental dance practice in anticipation of Huddle, her performance on the High Line on Thursday, May 24.
This exhibition focuses on the remarkable series of small - scale experimental sculptures known as the Mouvement de danse (Dance Movements), which were unknown outside of the artist's close circle.
Fans of Rock and Roll should be encouraged to visit New York's storied Webster Hall venue on Thursday, November 2nd, to see performances from celebrated experimental party musicians Gang Gang Dance (NY) and Hot Chip (London.)
Judson Memorial Church John Kelly and Company The Kitchen Petr Kotik La MaMa Experimental Theatre Club Shelley Lee Dance Company William LePage Linda Lindroth & Craig D. Newick Lynx Mabou Mines Bunita Marcus Marzena Performance Ensemble Mel Mercier Meredith Monk / House Foundation for the Arts Raphael Mostel Conlon Nancarrow New Museum of Contemporary Art Nuyorican Poets Cafe Dora Ohrenstein Pauline Oliveros Foundation Performance Space 122 The Poetry Project Quartet: Iréne Hultman, Joseph Lennon, Dennis O'Connor & Ann Papoulis Real Art Ways The Rachel Rosenthal Company Roulette Ton Simons / Third Street Dance Company Elizabeth Streb / Ringside Telluride Institute Volunteer Lawyers for the Arts The Wooster Group Bill Young and Dancers Paul Zukofsky
1991 14 th Street Dance Center / Emanu - el Midtown YM - YWHA Alternative Museum Karole Armitage / The Armitage Foundation Jeffrey Arsenault Artists Space Robert Ashley Bang on a Can Martha Bowers Sean Bronzell Trisha Brown / Trisha Brown Company The California E.A.R. Unit Bruce Checefsky Rick Cluchey / San Quentin Drama Workshop Coffee House Press Company Appels Composers» Forum Crossings Cunningham Dance Foundation Dancing in the Streets Dixon Place The Drawing Center Douglas Dunn & Dancers Exit Art Phill Niblock / Experimental Intermedia Foundation Molissa Fenley The Field Erin Fitzgerald Ain Gordon David Gordon / Pick Up Performance Company Harvestworks Martine Joste Jin Hi Kim & Joseph Celli The Kitchen Shelley Lee Dance Company David H. Macbride / GAGEEGO Maxine Moerman Meredith Monk / House Foundation for the Arts Ken Montgomery / Generator Movement Research New York Studio School of Drawing, Painting & Sculpture Bruce Odland The Orchestra of the S.E.M. Ensemble The Poetry Project Real Art Ways Roulette Michael Rush and Co. / New Haven Artists» Theater Mercy Sidbury Spencer / Colton (Amy Spencer & Richard Colton) Telluride Institute Donna Uchizono Urban Bush Women Volunteer Lawyers for the Arts Dan Wagoner Dance Foundation ZONE
On these nights, the gallery lights dim, and the open space fills with people — by my count at a recent event, there were more fans of experimental music than enthusiasts of visual art — who are excited to dance and discuss the music, Simmons's show, and Perry's work.
Created as an audio extension to The Electric Information Age Book by Jeffrey T. Schnapp and Adam Michaels, the LP was made in the spirit of the experimental 1967 The Medium is the Massage LP, the «first spoken arts record you can dance to» based on media theorist Marshall McLuhan's groundbreaking book of the same name.
Idea Capital Location: Atlanta, GA Idea Capital offers grants ranging from $ 500 to $ 2,000 to Atlnata - area artists to encourage experimental and investigative art projrects across all genres of the arts: including visual art, dance, lierature, performance, digital media, music, curatorial projects, critical writing, film, and video.
CounterPointe is dedicated to presenting the latest experimental, innovative, risk - taking choreography that shows a depth of investment in ballet by women dance makers working with the pointe shoe, presented in collaboration with Norte Maar.
This survey of the life and work of the American choreographer and dancer spotlights how he pushed the traditional boundaries of dance through his experimental collaborations with artists.
British dancer and choreographer Siobhan Davies went the other way, studying art before moving into dance, and has done much to position her own company as a site of crossover — from exhibitions with Victoria Miro to art exhibitions and experimental collaborations with artists at her own company studios in South London.
He danced in the company of French experimental choreographers Jérôme Bel and Xavier Le Roy.
Her Dance Constructions and other performance pieces such as Huddle, Hangers, Accompaniment for LMY, Rollers, Slant Board, Censor, and Platforms are being enacted in the museum and in public spaces in Salzburg by students at the SEAD (Salzburg Experimental Academy of Dance) during the duration of the exhibition, which runs until September 11, 2014.
From 1909 to 1913 many experimental works in the search for this «pure art» had been created by a number of artists: Francis Picabia painted Caoutchouc, 1909, [20] The Spring, 1912, [21] Dances at the Spring [22] and The Procession, Seville, 1912; [23] Wassily Kandinsky painted Untitled (First Abstract Watercolor), 1910, [24] Improvisation 21A, the Impression series, and Picture with a Circle (1911); [25] František Kupka had painted the Orphist works, Discs of Newton (Study for Fugue in Two Colors), 1912 [26] and Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912; Robert Delaunay painted a series entitled Simultaneous Windows and Formes Circulaires, Soleil n ° 2 (1912 — 13); [27] Léopold Survage created Colored Rhythm (Study for the film), 1913; [28] Piet Mondrian, painted Tableau No. 1 and Composition No. 11, 1913.
Trisha Brown, the experimental choreographer who helped bring dance into the art world and whose postmodern pieces altered the history of performance, died on March 18 in San Antonio, Texas, of a «lengthy illness,» the Trisha Brown Dance Company announced... Readdance into the art world and whose postmodern pieces altered the history of performance, died on March 18 in San Antonio, Texas, of a «lengthy illness,» the Trisha Brown Dance Company announced... ReadDance Company announced... Read More
Individually and in various groupings CMW Players have played almost everywhere in the D.C. area, including Source Festival, the Kennedy Center, Sonic Circuits Festival of Experimental Music, DC Jazz Festival, Goethe Institut, Capital Fringe Festival, the Freer Gallery, the Embassy of Indonesia, Dance Place, etc. https://soundcloud.com/boxwallastan/sets/creative-music-workshop/s-Zc9ua
HIGHLIGHTS: Art Exhibitions, Open Rehearsals, Dance, Music, Theater and more 5:30 — 6 p.m.: Limon Repertory, Dance Studio 128 (DS 128) 5:30 — 6:30 p.m.: Hip Hop, Dance Studio 128 (DS 128) 5:30 — 8 p.m.: Open Art Galleries — Beall Center for Art + Technology, Contemporary Art Center Gallery, Room Gallery, University Art Gallery Open Art Studios — Contemporary Art Center, 4th Floor; Arts, Culture and Technology Building, 2nd and 3rd Floor Music in Motion — Telepresence Studio, Contemporary Arts Center Room 1102 Arts Plaza Main Stage — Bare Bones Dance Theater, Improv Revolution (iRev), Uniting Voices, UCI Bluegrass Duo, B - Boys Anonymous Alumni Open Reception — Contemporary Arts Center Plaza Jason Jones Trio — Contemporary Arts Center Plaza 6:30 — 7:30 p.m.: «New Slate» Dance Rehearsal, Dance Studio 128 (DS 128) 6:30 — 8 p.m.: Parade Theater Rehearsal, Claire Trevor Theatre; Our Class Theater Rehearsal, PSTU 1110 (Studio 5) 7 — 8 p.m.: UCI Symphony Orchestra, Music and Media 220 Full Performance 7 — 9 p.m.: The Art of Performance in Irvine: Fallen Fruit, Experimental Media and Performance Lab (xMPL)
Sally Smart's most recent work The Choreography of Cutting is a series of projects re-framing early 20th century avant - garde dance movements and their performative multi-disciplinary practice in experimental visual art forms.
Initiated in 2004 with the help of artists Olivier Mosset and Steven Parrino, Cinema Zero is a concept of nomadic events mixing screenings (of early 20th century experimental films as well as contemporary works) with performance, painting, sculpture, dance or sound.
She specializes in performance art and site specific art having gained her experience as Managing Director of Dansmakers Amsterdam, a production house and workplace for research and development of contemporary experimental dance by emerging choreographers and as Managing Director of theater collective Aardlek, which specializes in street arts and site specific theater starting from the realities of public space.
luciana achugar (Dance BFA 95) is a dance artist and choreographer whose work is experimental yet pays homage to the classical aspects of both dance and theDance BFA 95) is a dance artist and choreographer whose work is experimental yet pays homage to the classical aspects of both dance and thedance artist and choreographer whose work is experimental yet pays homage to the classical aspects of both dance and thedance and theater.
SOME pretty high - powered visual artists got involved in Trisha Brown's dance pieces in the Brooklyn Academy of Music's latest experimental dance series, conveniently titled «The Next Wave.»
Expect an unpredictable yet thoroughly charming experimental mash - up of video work, dance, immersive stage décor, and choral music.
Victoria Eleanor Bradford is a choreographer and visual artist whose structured improvisations take shape as experimental dinner parties, site - specific dance films and dances translating words into a kind of gibberish performance language.
With the ground - breaking performance ensemble at its core, ongoing initiatives like the Summer Leadership Institute (SLI), BOLD (Builders, Organizers & Leaders through Dance) and the developing Choreographic Center, UBW continues to affect the overall ecology of the arts by promoting artistic legacies; projecting the voices of the under - heard and people of color; bringing attention to and addressing issues of equity in the dance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art maDance) and the developing Choreographic Center, UBW continues to affect the overall ecology of the arts by promoting artistic legacies; projecting the voices of the under - heard and people of color; bringing attention to and addressing issues of equity in the dance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art madance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art makers.
Victoria Eleanor Bradford is a Louisiana - born, Chicago - based choreographer and visual artist whose structured improvisations take shape as experimental dinner parties, site - specific dance films, football training manuals used as choreographic instruction, and dancers translating words into a kind of gibberish performance language.
It is a record of dirty, filthy drumbeats, experimental techno, music to dance, relentless harsh rhythms, distorted beats like grinding bones, a march through the desert..
She studied visual art and dance at California State University at Los Angeles and through a special graduate program traveled to Japan, a complex experience informed by Japanese post-WWII perceptions of America, ritual expectations of gender roles, and liberation found in traditional and experimental Japanese art - making approaches and techniques.
Kennesaw State University Department of Dance offers a presentation of experimental choreographic works developed during a three - day choreographic intensive.
Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's multimedia work addresses the interrelationship between postmodern issues and broader cultural concerns.
Currently based in NYC, where she works extensively with unseen histories, performance, experimental radio, dance films, including upcoming projects with the likes of Miguel Gutierrez, Cynthia Oliver, Same As Sister, and Leslie Cuyjet to name a few.
Marianne is a Trustee of Fierce, a festival of performance, dance, live art and experimental theatre in Birmingham.
1 December — Charlotte Cotton, creative director of Media Space (a partnership between the National Media Museum and the Science Museum) 8 December — Kim Noble, one half of Perrier Award - winning, BAFTA - nominated experimental art - comedy duo Noble and Silver 15 December — Siobhan Davies, dancer and choreographer and recipient of the Laurence Olivier Award for outstanding achievement in dance.
They channel and challenge a history of performance that includes forms as varied as minstrelsy and contemporary pop, experimental music and improvisational dance.
A founding member of the experimental Judson Dance Theater in 1962, Brown branched off to establish her own New York - based company in 1970.
Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's work is characterized by experiments in kinetic technologies, as well as research into archaic visual morphologies, pleasure wrested from suppressive taboos and the body of the artist depicted in dynamic relationship with the social body.