Sentences with phrase «of fabric collage»

About Blog Learn the art of fabric collage explained by Susan Carlson.

Set on intricate backgrounds of fabric collage and pastel - colored acrylic paint, Baechler often furnishes his objects with a white halo that gives them a child - like cutout quality and makes them seem to float off the canvas.

★ Tameka Norris: «Too Good for You (Introducing Meka Jean)» (closes on Saturday) Part of this young artist's New York solo debut consists of fabric collages intended to symbolically ornament New Orleans's storm - ruined Lower Ninth Ward, where she lives.

Her work burrows liberally from art history: female poses from Manet; grid constructions from David Hockney; interiors from Matisse that are liberally jazzed up to a 1970s flamboyance with the swatches of fabrics she collages over furniture and walls.

Not exact matches

Hours of carefully placed stitches, knotted threads and collaged fabric swatches: be captivated by the enchanting stitched and embroidered worlds of the textile artists on Folksy.

The collaging of fabrics, often using needlework, ornaments and «applies» extra dimension to the fabric.

Julianne poses in a series of collages looking elegant yet alluring in a mix of lace, sheer fabrics and cardigan coverups.

Learning objectives To develop a detailed collage on oneself and to discover how other artists have represented their own identity - Cindy Sherman, Barbara Kruger and Mariel Amelia Showing examples of composition planning of collage - drawing out ideas for collage Using a text artists like Miss Wilcox and adding in words to add to identity image of oneself - adding in text in the photoshop work and then in the fabric work.

To develop photoshop skills by manipulating and adapting own photograph of oneself to use in the fabric collage Showing different stitching techniques, Running stitch, French Knots, Satin Stitch and Chain Stitch and students to explore these techniques and to add this to their fabric collage Showing how to make felt and giving video links to felt making - students can make felt and then sew these shapes onto their fabric collage Bondoweb and how to cut shapes and to draw with fabric and adding this onto fabric collage.

Examples of fabric work and examples of Aminah and how this can be used at KS3 Digital Photoshop: using own photograph develop this to put onto your fabric with the use of a transfer technique: Techniques with fabric: Bondoweb, Fabric transfers, Felting, Embroidery, Drawing with pen patterns into fabric and using Embellishments like braid, buttons and decorations on fabric to develop a rich collage in ffabric work and examples of Aminah and how this can be used at KS3 Digital Photoshop: using own photograph develop this to put onto your fabric with the use of a transfer technique: Techniques with fabric: Bondoweb, Fabric transfers, Felting, Embroidery, Drawing with pen patterns into fabric and using Embellishments like braid, buttons and decorations on fabric to develop a rich collage in ffabric with the use of a transfer technique: Techniques with fabric: Bondoweb, Fabric transfers, Felting, Embroidery, Drawing with pen patterns into fabric and using Embellishments like braid, buttons and decorations on fabric to develop a rich collage in ffabric: Bondoweb, Fabric transfers, Felting, Embroidery, Drawing with pen patterns into fabric and using Embellishments like braid, buttons and decorations on fabric to develop a rich collage in fFabric transfers, Felting, Embroidery, Drawing with pen patterns into fabric and using Embellishments like braid, buttons and decorations on fabric to develop a rich collage in ffabric and using Embellishments like braid, buttons and decorations on fabric to develop a rich collage in ffabric to develop a rich collage in fabricfabric.

His mixed - media collages — created from «paper with pastel; applique; and a multitude of found objects, including fabric, coins, seashells, buttons, sand, seeds, and leaves» (School Library Journal) won him instant acclaim — and the Coretta Scott King Illustrator Award for 1998.

Nigerian - born, U.S. - based artist Njideka Akunyili explores the dynamics of her culture and community through mixed - media art, melding limitless combinations of acrylic, charcoal, pastel, marble dust, colored pencils, oil, fabric or Xerox transfers into figurative collages with distinct narratives.

This show features the L.A. based artist latest works — roughly hewn and comprised of paintings, cardboard collages, fabric collages, tapestries, ceramics, a mobile, and sculptures in metal, urethane and fabric.

Nevertheless, works like Gates of Paradise (1980) and her large Heartland (1985), a heart - shaped fabric and acrylic collage made with fabric flowers scattered over cascades of interlocking painted polygons adapted from Islamic decoration, have a considerable visual impact.

From Yee Sookyung's amalgams of broken Korean ceramics and Abdoulaye Konaté's collaged textile banner to Lee Mingwei's clothes - darning station and David Medalla's long swath of fabric onto which visitors can sew their own everyday objects, «Viva Arte Viva» is characterized by references to craft.

Among a selection of her small scale collage paintings, you'll see three fabric - based modular books she made for her recent exhibition at the State Silk Museum in Tbilisi, Georgia.

Like a sieve moving through every moment of every day, Barbara Campbell Thomas's paintings siphon the onslaught of words, text and images, sounds, textures and physical stuff into piecemeal orderings of stacked lines, quasi-geometric forms and blippy brush marks — all in concert with collaged pieces of thrifted fabric.

Spanning acrylic and oil paintings, gouache and paper collages, patchworks made from fabrics and paint, silkscreens, and colored pencil drawings, this show brings together an expansive group of two - dimensional works to explore the relationship between painting and drawing.

Merion Estes, Radioactive Sea, 2017, fabric collage and spray paint on canvas, 48» x 76» The New York Foundation for the Arts (NYFA) announced the 2017 recipients of the Murray Reich Distinguished Artist Award, which was established in 2015 to recognize...

In Lee Bontecou's mechanistic, protruding canvases or the enormous, graffiti - inspired fabric bundles of Shinique Smith, we witness the physical demands of sculpture — welding, carving, cutting, twisting, collaging, stitching, pouring, pulling, stuffing — none of it on a screen.

Painted passages jostle with photo transfers and collage: bodies are framed by wax - printed fabrics, and overlaid with pictures of Lagos soap stars or the fedora - wearing former president Goodluck Jonathan.

From the outset Bratkov approached the photograph as an installation placed in concrete cubes, printed on fabrics, sealed in jars, etc., thus continuing the conceptual quests of the 1960s artists who experimented with collage and ornamental design.

Acrylic, solvent transfer, collage of fabric and paper, and colored pencil on paper, 83 5/8 x 206 in (212.4 x 523.2 cm).

Akunyili Crosby's works are multilayered both in their materials (she uses paint, charcoal, pencils, fabric, paper transfers, and collage) and in their meaning — she explores questions of cultural identity, relationships, and geography through portraiture, interior space, and objects.

In a decisive move away from the experimental monochromatic series of white, black, and red paintings he created between 1951 and 1953, Rauschenberg began Collection by covering three panels with red, yellow, and blue fabric and layering them with innumerable collaged, drawn, painted, and sculpted elements.

Originally shown at Museum für Moderne Kunst Frankfurt am Main earlier this year, the SCAD Museum of Art's presentation will include several works not previously exhibited including neon work by Kendell Geers, a photo series by Youssef Nabil, large - scale works on paper by Christine Beatrice Dixie, a sound installation by Frances Goodman incorporating bridal fabrics cascading from the ceiling, a calligraphy garden by Moataz Nasr and a collage by Wangechi Mutu.

Eric Wall dismantles and re-imagines the possibilities of painting through large freestanding and small scale works made from collaged fabric.

Take that «core» and apply it to the strikingly different later acrylic and collage paintings of 1972 and 1973, specifically the Arabian Nights fantasy titled Flying Carpet with its Klimt touch of golden fabric.

Shinique Smith juxtaposed geometry and calligraphy in her collage of fabric and acrylic paint, called «No Key, No Question.»

Molly Zuckerman - Hartung The Madame of the Painting 2013 acrylic, latex, fabric and paper collage, and black ink, on drop cloth 72 1/2 x 50 inches

Apfelbaum's newest «fallen painting» floor collages are undulating amalgams of cut and dyed fabric.

There's no doubting Ashbery's sophistication; his whimsical works on paper channel Max Ernst's collage novels, Anne Ryan's intimate accumulations of paper, string and fabric and Joseph Cornell's unseemly lyricism.

Circles and circular clusters radiate like third eyes, tracking viewers across a series of arresting paintings in ink, acrylic, fabric, and collage on canvas over wood panels.

Charmion von Wiegand (1896 - 1983) Tang Tapestry: Collage # 182, 1956 collage of various papers, fabric and oil on cardboard 21» x 9 1/2» sheet size / 20 1/2» x 9 1/4» sight size signed anCollage # 182, 1956 collage of various papers, fabric and oil on cardboard 21» x 9 1/2» sheet size / 20 1/2» x 9 1/4» sight size signed ancollage of various papers, fabric and oil on cardboard 21» x 9 1/2» sheet size / 20 1/2» x 9 1/4» sight size signed and dated

The paintings, for example, range from abstract expressionism to newspaper collage to pictures that use fabric and gold leaf to another made entirely of earth.

Shinique Smith is a New York based artist known for her exuberant collaged paintings and monumental sculptural works of bound fabric, clothing and objects that emphasize notions of belonging.

As ephemeral as they are translucent, these works present an elusive complexity as the striations of paint, fabric, keepsakes, collected and found objects, and clippings from mass - produced paper media coalesce into collages and assemblages that, taken individually or as a series, are most succinctly described as a multidimensional gestalt.»

Robert Rauschenberg (American, 1925 — 2008) Untitled, 1979 collodion transfer and fabric collage on paper 31 x 22 inches Collection of the Kemper Museum of Contemporary Art, Kansas City, Missouri Gift of the William T. Kemper Charitable Trust, UMB Bank, n.a., Trustee, 1995.64 © Robert Rauschenberg / Licensed by VAGA, New York, NY.

Four wood - panel and print fabric installations resembling sets for a 1970s sitcom, a colorful wall of miniature collages and a video (Happy Birthday to a Beautiful Woman from 2012, a biography of Thomas's mother) round out the display.

In Dream (2008), she reconfigures various used canvases and found bits of fabric into a singular composition with different histories that are seamlessly threaded together by paint and collage.

Across both of the Saville Row galleries, this beautiful exhibition sees Sterling Ruby «s large scale urethane sculptural works as well as collage works, ceramic sculptures and fabric works.

This genre is evident today in the work of renowned American artist Romare Bearden (1911 — 1988), whose exquisite compositions combine watercolor, paint, photographs, fabrics, and paper collaged onto board and paper surfaces, and continue to inspire a generation of contemporary artists.

This body of work continues the artist's practice of printing and collaging photographic experiments on fabric, which are often displayed in a site - specific environment.

Whether in reaction to the insecurities of his new situation, or (more likely) in a flush of strength drawn from a new comfort in a reworked identity, Rauschenberg was able to combine New York painting of the fifties with the fabric and newspaper - picture collage of his boyhood environment to make something new and lasting.

In 1952, traveling in Europe, he made a number of «personal boxes,» three - dimensional collages containing such things as fabric, twine, feathers, pebbles, and printed reproductions.

Starting with a process of automatic drawing, the artist creates a kaleidoscopic composition of newspaper headlines, collaged batik - fabric flowers, images of faeces, gold foil, hand drawn images and texts.

After several years assembling hanging installations of two - sided figurative paintings, Mastrangelo has recently returned to wall - mounted work in a series of impressive figurative collages made by adhering shapes of brightly patterned fabrics to fiberglass scrim with acrylic binders.

They are a blend of painting, collage and clothing, if not fashion: shirts made from coarse, wheat - colored fabric that hang from pegs by their collars.

Presented in the exhibition is a selection of the artist's linen collages and hanging fabric screens, inspired by the movement of sailboats across the river in his home town of Belém, North - East Brazil.

For Rauschenberg, painting entailed not only using a brush, but also silkscreening, collaging, transferring, and imprinting, and he did so on the widest array of materials from canvas, board, and fabric to sheet metal, Plexiglas, plaster, and paper.