Sentences with phrase «of feature film production»

Not exact matches

New rankings place Georgia third in the U.S. and fifth in the world in terms of feature - film production.

He worked with stars like John Legend and Oprah Winfrey before launching his own multi-platform media company, Macro Ventures, which was behind the production of Denzel Washington's Academy Award - nominated feature film «Fences» in 2016, and more recently, the acclaimed indie film «Mudbound,» which Variety predicts may be the first Netflix feature to compete for an Oscar.

The CFC Media Lab creates groundbreaking productions that include Body / Mind / Change starring David Cronenberg; Late Fragment, Canada's first interactive feature film; and the dynamic mobile visualization project of What's Your Essential Cinema, co-produced with TIFF.

Braid would be the first feature film fully financed this way, its makers say, potentially opening up film production to a wider world of emerging talents and prospective investors.

The productions of the electronic media, by their nature, evade such distinctions as those between documentary and feature films.

The US exporters operate from a very large domestic market that provides the economic resources for a level of investment that facilitates the production of feature films and series that easily have a competitive edge in the world market.

About Condé Nast Entertainment: Condé Nast Entertainment (CNE) is a division of Condé Nast that focuses on the development, production, and distribution of original television, feature film, and digital video offerings based on the company's iconic media brands, which for more than one hundred years have created the world's greatest content for the world's most influential audiences.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

There's an audio commentary by Charlie Chaplin experts Dan Kamin and Hooman Mehran; the documentary The Tramp and the Dictator, which parallels the lives between Chaplin and Hitler; two visual essays; color production footage; the barbershop sequence from Sydney Chaplin's 1921 film King, Queen, Joker; the deleted barbershop sequence from Chaplin's 1919 film Sunnyside; the re-release trailer; and finally, a 30 page - booklet featuring an essay by film critic Michael Wood, Chaplin's 1940 New York Times defense of the film, a reprint from critic Jean Narboni on the film's final speech, and Al Hirschfeld's original press book illustrations.

Working with Hollywood producers John Chambers (John Goodman) and Lester Siegel (Alan Arkin), Mendez created an entirely fictional feature film production with the name of «Argo.»

Knaggs» career reached a peak in the mid -»40s, when he worked in supporting roles in ambitious major studio films such as None but the Lonely Heart (a fascinating but failed attempt at a serious drama by Cary Grant) and unusual independently made features like Douglas Sirk's early Hollywood effort Thieves» Holiday, while also making the rounds of such popular medium - budget Universal Pictures productions as House of Dracula, The Invisible Man's Revenge, and Terror By Night.

It's funny how a «small» Spielberg film can feature an all - star cast led by Meryl Streep and Tom Hanks, much less leap into production on May 30 and be ready for audiences to see it by the beginning of November.

The first feature production of the new Japanese animation house Studio Ponoc — founded by veterans of Hayao Miyazaki's celebrated Studio Ghibli in the wake of Miyazaki's supposed retirement — Mary and the Witch's Flower is a film modest in temperament but ambitious in effect.

The features start out with a wonderful feature commentary from Coogler and production designer Hannah Beachler which goes into not only the look and action of the film, but also a lot of the themes and motivations of the characters.

The rumored $ 250 million production features even more scenes filmed in the IMAX format than 2008's The Dark Knight 82 and will once again see the return of Alfred (Michael Caine), Lucius Fox (Morgan Freeman), and Jim Gordon (Gary Oldman).

Irons adds the credit of executive producer and featured actor in TRASHED, a Blenheim Production feature documentary directed by Candida Brady, which received a special screening at the 2012 Cannes film festival.

Upon his return from military service, Damone resumed his film career, enjoying featured or co-starring roles in major musical productions like Hit the Deck (1955) and the screen adaptation of Kismet (1955).

Shot in the Czech Republic and France, this international 1998 production was the twelfth feature film adaptation of Hugo's historical novel.

Featuring many of the film's key creative participants — Dennis Hopper, Peter Fonda, Karen Black, Lásló Kovács, Bill Hayward — this featurette attempts to detail the production and reception of Easy Rider through their memories.

The news follows an announcement made last month that the film has officially started production, along with a photo released featuring some of the main cast.

This is perfectly in keeping with the style of the Broadway production, which features much more of this style than the film does, with Condon beefing up the dramatic dialogue for purposes of an easier narrative and deeper characterizations.

After completing the second and third films in his Pusher crime saga, and before embarking on the production of his 2008 biopic Bronson, Nicolas Winding Refn directed a feature - length episode of the British ITV television show Agatha Christie's Marple (also known as Marple) entitled «Nemesis».

«The Deathly Hallows, Part 1: Behind the Story Featurettes» is an 80 minutes feature that is split into fourteen mini featurettes focusing on the film's production and nine of these are new to the film.

The Brit has proven elastic with the release of three largely disparate feature films — the sci - fi action thriller Kill Command, the romantic drama Me Before You, and a period drama Genius, in which she takes on the effusive role of Zelda Fitzgerald — and appeared in two theater productions including a turn as Stella in A Streetcar Named Desire at St. Ann's Warehouse in Brooklyn and as Elena in Robert Icke's Uncle Vanya in London.

«There's Always Vanilla Film Locations» (11 mins., 1080p) has «Romero historian» Lawrence DeVincentz talking over a slideshow of contemporary photographs of locations used for scenes in the film (some of them featuring him or his buddy Spooky Daz Sargeant in the frame matching the pose of the original actors) with authentic production stills occasionally appearing in an inset.

Special Features High - definition digital transfer from the 2004 Film Foundation restoration, with uncompressed monaural soundtrack Archival introduction to the film by director Jean Renoir «Around the River,» a 60 - minute 2008 documentary by Arnaud Mandagaran about the making of the film Interview with filmmaker Martin Scorsese from 2004 Audio interview with producer Ken McEldowney from 2000 «Jean Renoir: A Passage Through India,» a new video essay by film writer Paul Ryan Trailer Plus: An essay by film scholar Ian Christie and original production notes by Renoir

Blu - ray Highlight: In addition to an excellent six - part documentary that runs the entire gamut of production — from location shooting in Romania, to Nicolas Cage's (creepy) performance capture of the Ghost Rider, to special effects and more — the Blu - ray also includes a feature similar to Warner Bros.» Maximum Movie Mode where directors Mark Neveldine and Brian Taylor dissect the film (sometimes pausing it to discuss certain scenes in more detail) with the help of behind - the - scenes footage.

New program featuring Russo about the commercial and industrial - film production company where key Night of the Living Dead filmmakers got their start

Featuring George Clooney, Scarlett Johansson, Ralph Fiennes, Tilda Swinton, Jonah Hill, Josh Brolin, Channing Tatum, Frances McDormand, and others, the meta movie - making film follows a 1950s production whose star (Clooney) is kidnapped in the middle of shooting, and the studio must scramble to find a way to get him back.

Focus Features has sent out a press release announcing the start of production and Trevorrow took to twitter to release the first photo of his film's cast.

In this 40 - minute clip, (a quite young) Carlos Reygadas talks about his venture into directing films and the shooting process of Japón, his first feature - length production.

The slate of HD extra features comprises the usual studio - sponsored assortment of interviews and B - roll highlighting what the filmmakers feel were the most impressive aspects of the production and post, plus some narrative material that didn't make it into the finished film.

The most revelatory feature is a 48 - minute French TV program on the making of Faces, half of which was shot during the film's three - year - long production.

Featuring an all - new slate of unrivaled film production quality mazes, frightful scare zones and a fully re-imagined Terror Tram experience uniquely themed to today's most definitive horror properties, Halloween Horror Nights will taunt, terrorize and torment guests with spine - chilling haunted attractions during Southern California's most extreme Halloween experience.

The feature film adaptation of the acclaimed National Theatre production documents the events that shook Suffolk in 2006, when the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women.

The IDA Enterprise Doc Fund provides production and development funds to feature - length documentary films taking on in - depth explorations of original, contemporary stories and integrating journalistic practice into the filmmaking process.

Features commentary by film noir historian Alan K. Rode, who hosts the track and provides most of the production comments, and critic / noir maven (and fellow MSN writer) Kim Morgan, who chimes in for color commentary (and an obsessive appreciation of the pickle that J. Carrol Naish chomps in an early scene; Kim, sometimes a pickle is just a pickle) plus a gallery of stills and advertising art.

For starters, there's a feature commentary with director Nick Castle and production designer Ron Cobb, who warmly recall the experience of getting the film off the ground and fighting for their vision.

Extras repeat the U.K. release including a feature length audio commentary track with the Chiodo Brothers, The Making of Killer Klowns: a 20 - minute featurette looking at the film's production, including an interview with the Chiodo Brothers alongside behind - the - scenes footage, Visual Effects with Gene Warren Jr.: an interview with Charles Chiodo and visual effects supervisor Gene Warren Jr., Kreating Klowns: an interview with Charles Chiodo and creature fabricator Dwight Roberts, Bringing Life to These Things - A Tour of Chiodo Bros..

Intent to Destroy uses a historic feature film production as a springboard to explore the violent history of the Armenian Genocide and legacy of Turkish suppression and denial over the past century.

The first internationally released German production to feature Hitler as a central figure, Oliver Hirschbiegel's film has been criticized in some circles as presenting a portrait of the Fuhrer that is «too sympathetic.»

Zhao follows up on her debut film, the critically acclaimed «Songs My Brothers Taught Me» (2015), with this production that features three members of the Jandreau family playing their fictional selves.

That includes an insightful feature - length commentary from scholar Glenn Erickson, who spends the bulk of his breathless offerings analyzing character types, production details, and commenting of the film's importance as an unorthodox film noir.

Home Video Notes: The Breakfast Club Release Date: 2 January 2018 Criterion releases The Breakfast Club on home video (Blu - ray) with the following extras: - Audio commentary from 2015 featuring actors Anthony Michael Hall and Judd Nelson - New interviews with actors Molly Ringwald and Ally Sheedy - New video essay featuring director John Hughes's production notes, read by Nelson - Documentary from 2015 featuring interviews with cast and crew - 50 minutes of never - before - seen deleted and extended scenes - Rare promotional and archival interviews and footage - Excerpts from a 1985 American Film Institute seminar with Hughes 1999 radio interview with Hughes - Segment from a 1985 episode of NBC's Today show featuring the film's cast - Audio interview with Molly Ringwald from a 2014 episode of This American Life - Trailer - PLUS: An essay by critic David Kamp

Other glimpses of the production have been few and far between, but we now have a suitably chilling poster and a close - up of the Covenant uniform patch, which is sure to feature heavily in the film.

The first feature is called «Shoot the Moon (The Making of Hugo)», it runs about twenty minutes and includes great both cast and crew discussing the film and its production.

The Tale of the Princess Kaguya: Isao Takahata's film, likely the last production by Studio Ghibli's two masters (Hayao Miyazaki's The Wind Rises lost to Frozen last year), probably has no shot at Best Animated Feature (How to Train Your Dragon 2 is the heavy favorite), but if it did somehow get the prize, no win on Oscar night would make us happier.

«The Art of Oz The Great and Powerful» focuses mostly on the production of the film and features some never - before - seen film stills, a little bit of concept art, all tied up with some nice interviews with the cast and crew.

Two weeks ago, as part of his summer - long institute, Redford held a weekend conference of most of the major exhibitors and distributors of «specialized» films - a category that includes independent U.S. features, foreign films, «art films,» cult films, revivals and almost anything else that isn't a big - budget, first - run standard Hollywood production.

We talk with Re-recording Mixer Scott Millan and Music Production Supervisor Curt Sobel about the music that is featured in the film and the work that was required to prepare a wide range of archival recordings for the big screen.