Sentences with phrase «of female cinematographers»

And for the next generation of female cinematographers and filmmakers, she offered this advice:

Not exact matches

Out of all of the movies, only 13 percent were directed by women, and 9 percent featured female cinematographers.

And Rachel Morrison, one of the few female cinematographers in Hollywood, has captured the beauty of the African land, as well as the stunning artwork of the aforementioned ladies, to perfection.

Presidents Award recipient Stephen Lighthill, head of the American Film Institute Conservatory's cinematography program since 2004, said the school will graduate its 99th female cinematographer under his tenure in June.

Jordan Peele, the mastermind of «Get Out,» a social thriller about American racism, became the first African American to earn producer, director and writer nominations for a single film; the academy nominated a female cinematographer, «Mudbound's» Rachel Morrison, for the first time in its 90 - year history; and Greta Gerwig became just the fifth woman recognized as a director, feted for her wry, observational coming - of - age story «Lady Bird.»

Morrison who is the first female cinematographer to be nominated in the history of the Academy talked about capturing the palette for Dee Rees in Mudbound.

Hopefully Morrison and her fellow female cinematographers are not at the beginning of another one.

Rachel Morrison began her journey as a cinematographer when she enrolled in a cinematography class at NYU, where she was one out of only two females.

Rachel Morrison (Mudbound) broke through one of many glass ceilings in Hollywood by becoming the first female nominee from the American Society of Cinematographers (ASC) in the group's 32 - year history.

Rachel Morrison (Mudbound) makes history as American Society of Cinematographers first female nominee

Although women continue to fare better in documentary work, Martha Lauzen's 2015 study shows that only 37 % of documentary producers, 34 % of executive producers, 29 % of directors, 29 % of writers, 23 % of editors, and 13 % of cinematographers are women.101 When it comes to the industry recognizing and awarding female documentarians for their directorial works, women are at a complete disadvantage.

One of our few female Cinematographers Reed Morano steps behind the camera in a different way to make her directorial debut on «Meadowland,» written...

«This film had involvement from brilliant women from all over start to finish,» said Coogler, who made a point to name several of his female collaborators, including Oscar - nominated cinematographer Rachel Morrison, Oscar - nominated costume designer Ruth E. Carter, production designer Hannah Beachler, first assistant director Lisa Satriano, editor Debbie Berman and Marvel Studios exec Victoria Alonso, who executive produced.

Deakins beat out Darkest Hour's Bruno Delbonnel, Dunkirk's Hoyte van Hoytema, The Shape of Water's Dan Laustsen, and Mudbound's Rachel Morrison — the last of whom was the first female cinematographer to earn a nomination in the category.

When interviewer Elvis Mitchell praised him for working with female cinematographers and female editors for all three of his films, which also include «Fruitvale Station» and «Creed,» Coogler said, «It's not something to brag about.

Beyond this I'm picking the rest of the nominees who got in at the American Society of Cinematographers, including Mudbound «s Rachel Morrison making history as the first female DP to ever be nominated at the Oscars.

Rees commands a team of top craftspeople including a remarkable roster of female department heads — including cinematographer Rachel Morrison, editor Mako Kamitsuna, composer Tamar - kali, Oscar ® nominee sound engineer Pud Cusack and makeup department head Angie Wells — to bring the past into the present and shine a light on a chapter of American history rarely seen on screen before.

He is helped here enormously by a terrific production crew, with many key jobs filled by women including «Mudbound» cinematographer Rachel Morrison, the first female to be nominated for a best cinematography Oscar; the colorful costumes of Ruth Carter; great production design from Hannah Beachler; and generally fine work right on down the line including an awesome visual effects team.

Does the inclusion of a female director and a female cinematographer — and the exclusion of some #MeToo offenders — mean the glass ceiling just cracked a little bit more?

James Le Gros plays his egotistical, impulsively improvising star with blow - dried smarminess, Catherine Keener has a crisis in confidence as his female lead, and Dermot Mulroney swaggers in an eye - patch and leather vest as the artiste of a cinematographer.

In addition to having three female leads, the team behind the screens consists largely of women, from cinematographer Paula Huidobro, to the assistant director, gaffer, production designer, costume designer, and DP.