Sentences with phrase «of feminist critics»

While an entire generation of feminist critics and artists have championed Bourgeois since the 1980s it is Morris who was able to give her reputation the massively powerful backing of Tate Modern.

In my view, these insights are the greatest ongoing contribution of feminist critics such as Longino.

Reading the uncensored opinions of a feminist critic ONCE would have sent you crawling into your sock drawer for weeks.

Not exact matches

At worst, members of Gamergate have been accused of misogyny, bullying, and leveling rape and death threats against feminist critic Anita Sarkeesian, video game developer Zoe Quinn, and game developer Brianna Wu.

When details of her self - titled 2013 album were originally leaked earlier that year under the moniker Mrs. Carter, it was panned by some critics for its foreshadowed embrace of the artist's still - new identity as hip - hop mogul Sean «Jay - Z» Carter's wife rather than the trailblazing feminist icon who coined powerful female anthems like Irreplaceable, Single Ladies and Independent Women from her Destiny's Child days.

Last October Anita Sarkeesian, the feminist pop culture critic and a notable target of Gamergate vitriol, canceled her talk at Utah State University after the school received a detailed threat promising a «Montreal style massacre» if she spoke as planned.

She is neither a rescuer of biblical religion from its feminist critics nor only a «post-biblical feminist» who must reject the Bible wholesale as a gynocidal text.

In view of the stronger logic behind the Catholic perspective, it is hardly surprising that feminist critics of the American pro-life movement see in it the Catholic agenda of restricting artificial birth control and genetic engineering.

No wonder, then, that her novels have become such a field of interest for Marxist and feminist critics.

But the critics were all telling me how extremely feminist this comic book - derived tale of Diana (Gal Gadot), the Amazon princess with her magic lasso and bulletproof bracelets, is supposed to be.

Furthermore, she never does the irritating «feisty» or «sassy» or «uppity» shtick that endeared the all - female Ghostbusters reboot of 2016 to feminist film critics but to no one else.

For example, feminist critics suggest that women have social and emotional competences that help to cushion the demands and anxieties of the precarious achieving self.

That attention comes at a particularly apt time, as feminist critics argue that society tends to discourage «nurturing» attitudes in favor of the «domination» stance that runs through Bacon and Descartes, and seems inescapably built in to modern pragmatism.

This is what its critics, whether feminist or orthodox, have been saying all along, although from opposite points of view.

But I just finished reading two books about what's happening on college campuses now — American Hookup: The New Culture of Sex on Campus by sociologist Lisa Wade and Unwanted Advances: Sexual Paranoia Comes to Campus by feminist and social critic Laura Kipnis — and I actually do feel quite blessed that my college days are long past.

Campaigners furious after outspoken Tory critic of «feminist zealots» elected to Commons Women and Equalities Committee

Critics over the decades have derided the MP for Peckham as Harriet Harperson because of her feminist views.

Much criticism of science, especially from feminist critics, is overwrought.

Other examples include Amos Tversky and Daniel Kahneman's studies of human reasoning, which show that humans frequently reason with unseen and persistent biases, and the work of Keller, Longino, and other feminist critics showing that scientists are cognitively limited by the ideologies accepted in their wider cultures.

Evan Read Armstrong is an aspiring feminist filmmaker and critic based out of Ontario Canada.

Basic Instinct was championed by feminist critic Camille Paglia, who argued that it features «one of the great performances by a woman in screen history.»

Based on the 1994 novel by Peter Ackroyd, the story was adapted for the big screen by Jane Goldman and has been hailed by some critics for its feminist views, specifically through the portrayal of Elizabeth Cree.

It's a risky move and has become the kind of film feminist critics will trash without even watching.

-- Meanwhile in Milwaukee: Critic Mary Louise Schumacher reports on murals by pioneering feminist Marjorie Kreilick (the second woman to win the Rome Prize) that are in danger of being lost.

With mixed results, an honouring documentary chronicles the inevitable rise and the quick anticlimatic fall of Lillian Roxon, the blazing sixties rock critic and libertine described so notoriously by the feminist pioneer Germaine Greer, who wrote of a fellow Aussie «who lives with nobody but a colony of New York roaches, whose energy has never failed despite her anxieties and her asthma and her overweight, who is always interested in everybody, often angry, sometimes bitchy, but always involved.»

I've read other critics who've slammed the film because it has a feminist angle, as if stories need to be found agreeable to the receiver of it in order to be deemed worthwhile.

Other subjects weighing - in include Berkeley feminist Judith Butler, Duke's anti-corporate firebrand Michael Hardt, University of Chicago's Law Professor Martha Nussbaum, avuncular NYU deconstructionist Avital Ronell, disabled artist Sunaura Taylor, Princeton's cosmopolitan Kwame Anthony Appiah and cultural critic Slavoj Zizek, the subject of Ms. Taylor's first film.

Diversifying the palette of interest in student voice, Cook - Sather also explores interconnections with postmodern feminists and social critics, as well as recent developments in the medical and legal realms that offer social contexts for engaging participants in institutional transformation.

How to Build a Girl By Caitlin Moran Harper Perennial • $ 15.95 • ISBN 9780062335982 The rowdy first novel from the author of the best - selling feminist memoir / manifesto How to Be a Woman borrows events from Moran's own improbable life story, including her experiences as a teen critic for a British music magazine.

Critics of the procedure were very vocal: Bioethicists claimed it was a failure of society to provide adequate support services, feminists accused the doctors of sexual mutilation, and even some disability advocates were outraged.

The panel will be chaired by the philosopher Kwame Anthony Appiah and consists of: crime writer Val McDermid; cultural critic Leo Robson; feminist writer and critic Jacqueline Rose; and artist and graphic novelist Leanne Shapton.

The bloody violence is already causing social media controversy, with feminist critic Anita Sarkeesian tweeting, «This level of extreme violence shouldn't be considered normal.

No sign of a «female style»; no centralized imagery or necessary pattern and decoration, as some essentialist feminist art critics believed at the beginning of the women's movement.

The images were considered a betrayal of the feminist cause by critics and a deconstruction of feminine narcissism by supporters.

The pioneering feminist critic, Lucy Lippard curated an all - women exhibition in 1974, effectively protesting what most deemed a deeply flawed approach, that of merely assimilating women into the prevailing art system.

Using a process inspired by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order...

With the exceptions of essays by Rosalind Krauss (in Francesca Woodman: Photographic Work, edited by Ann Gabhart, Rosalind Krauss and Abigail Solomon - Godeau, published by Hunter College Art Gallery, New York and Wellesley College Museum, Wellesley, 1986) and Benjamin Buchloh (in Francesca Woodman: Photographs 1975 - 1980, edited by Benjamin Buchloh and Betsy Berne, published by Marian Goodman Gallery, New York, 2004), few critics have contextualised Woodman's work within the feminist genre of the 1970s.

Thus she was first schooled in the aesthetic standards of the male universal — then represented by Modernist formalism, in particular as it was espoused and delineated by critics such as Clement Greenberg — before she began to search for what might constitute a feminine / female / feminist aesthetic, whether such a thing might be, and, if so, how it might be different than the first system.

Referencing the «male gaze» — a term coined by feminist film critic Laura Mulvey to describe the way in which women become framed and understood from a male perspective — this exhibition reverses stereotypical gender roles to treat the male body as the subject of our collective viewing.

Inspired by a process originated by the renowned feminist art critic, Arlene Raven, students examined the reasons and context of their artistic production in order to...

«Art and Feminismis a handsome, meaty book which provides an excellent overview of the influence of feminist theory and politics on four decades of women artists... Wide - ranging, well researched... A significant resource... The curators of the book make startling and informative connections... The sheer heft of lavishly produced images will be indispensable to scholars, critics and artists.»

Helena Reckitt: A curator and critic whose research interests include the histories of feminist and queer art.

The artist's methods of creations, his chosen themes and materials are, according to many feminist art historians and critics, some sort of a swan song of masculine themes and artistic processes coming from the Abstract Expressionism.

They were written in 1970 by the African - American critic Linda La Rue about the vaunted cross-cultural embrace of the second - wave feminist movement.

For TRACTION, Isaac Julien will be joined in conversation by feminist writer, film critic, LGBT activist, and UC Santa Cruz professor of film and digital media B. Ruby Rich.

Immediately following the screening on Tuesday, November 29, Isaac Julien will be in conversation with feminist writer, film critic and UC Santa Cruz professor of film and digital media B. Ruby Rich for Traction: Art Talk.

(Here I am reminded of a story the legendarily tough critic Dore Ashton recently told me about receiving a delegation of feminists, «a very unattractive group of ladies in leather jackets and what - have - you.

Encouraged by her friend, the feminist art critic Lucy R. Lippard, Chicago produced the most emotionally and aesthetically raw of her vulvar images thus far, pairing anatomically explicit drawings with handwritten, diaristic accounts of rejection and self - acceptance.

She is a black feminist author, cultural critic, and daughter of artist Faith Ringgold.

But she has been in a glare of attention, brightening to overexposure, since her rediscovery by feminist critics and curators in the late»60s.