Sentences with phrase «of feminist performance»

A pioneer of feminist performance who has transformed the very definition of art, her work is characterized by research into archaic visual traditions, pleasure wrested from suppressive taboos, and the body of the artist in relation to the social body.

She is a pioneer of feminist performance of the early 1960s.

Riley - Lopez, Erin Against our will: a selected history of feminist performance from the 1970s to the present

With Leslie Labowitz - Starus, she created «The Performing Archive» at 18th Street, which traveled to the Yerba Buena Center for the Arts in San Francisco and the Haus der Kunst in Berlin, and which she describes as «an important exchange» in which «young women artists... encounter an extensive paper and image archive of feminist performance art.»

The show will span five decades, from her work as a pioneer of feminist performance to a practitioner of public art, in which Ukeles invites us to reconsider indispensable urban systems and the workers who maintain them.

Fraser was a founding member of the feminist performance group The V - Girls (1986 — 96), the project - based artist initiative Parasite (1997 — 98), and the cooperative art gallery Orchard (2005 — 08), and has served as a board member of W.A.G.E. since 2013.

These artists extend the scope of feminist performances, body art, and videos from the 1970s.

Not exact matches

The conservative campaign — energised by such high - profile incidents as the arrest and imprisonment of the Pussy Riot punk rock feminists for their performance of an anti-Putin stunt in Moscow's Cathedral of Christ the Saviour — succeeded in keeping Putin's core support mobilised and, crucially, it reconnected Putin with conservatively - inclined citizens who had threatened to join with the opposition.

Manana's decision to buck the religious expectations of women in her community gives «My Happy Family» an enlightening feminist streak, which owes much to its central performance.

She gave one of the best performances I've ever seen in 2003's Monster and I think she was deserving of nominations for work as varied as a one - armed post-apocalyptic feminist warrior.

Rebecca Hall's will stand as the great unappreciated performance of the year, faceted with smart feminist frustration, clear - eyed vulnerability and a haughty humor of Katharine Hepburn dimensions.

Eilis's journey from a shy, provincial gal to a secure woman, one who would fit in well with today's feminist model, is captured slowly, convincingly, and with a sustained beauty of classic delivery in a film that evokes emotions from sadness to ecstasy and highlights an Oscar - worthy performance from Ms. Ronan.

Besides Downey's soulful, mercurial, performance, there's Gwyneth Paltrow as his faithful girl Friday, Pepper Potts — not the most inspiring of feminist role models, but Paltrow plays it straight and smart, and looks sensational in red hair and little black dresses.

In the end, I had to take to the internet, soaking in any feminist movie that had great women performances within (thank you Adam Mulgrew for giving me a concise breakdown via Twitter), binging so many movies in the space of the week.

Basic Instinct was championed by feminist critic Camille Paglia, who argued that it features «one of the great performances by a woman in screen history.»

(PJ Norman courtesy Sundance Institute) The Brooklyn feminist performance artist Narcissister will star in her film / stage work Organ Player, which will be presented in the New Frontier Films and Performances program of the 2018 Sundance Film Festival.

At TIFF, our David Ehrlich wrote of Chastain's full - bodied performance that «no contemporary American screen actress has more consistently — or more forcefully — used her platform to champion feminist ideals, and Chastain's performance is a worthy addition to the cause.

As a researcher, Dr. Clark focuses on the topics of educational leadership, leadership development, feminist theory, gender performance, and nontraditional administrative preparation.

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

Amber Hawk Swanson, «Five Dolls» A performance and online experience that brings contemporary feminist art online while revising representations of doll subcultures.

This ongoing series of thoughtfully curated exhibitions, conversations, and performances is designed to spark public dialogue about ever - evolving gender roles, women's and LGBTQ equality, as well as feminist ideology, activism, and agitation.

Jonas emerged as a key figure in the performance art and feminist movements of the 60s and the year 1979 saw Jonas» UK debut at the Whitechapel Gallery.

Feminists and others were expanding it by introducing aspects of beading, sewing, quilting, rug - making and more performance, thereby introducing elements of craft, the body and personal identity, and forcefully defining creators as nonmale or nonwhite.

The feminist performance artist Hannah Wilke dies of lymphoma.

These works represent examples of the first experiments in video art and include conceptual and feminist performances recorded on video, experiments with the video signal, and «guerilla» documentaries representing a counter-cultural view of the historical events of the 1960s.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

She drew inspiration from many of the movements of her day — land art, conceptual art, performance and feminist art — but her special combination of sculpture, land art and performance art (earth - body, as she called it) is a form of expression that is entirely her own.

Her current research addresses the confluence of queer, feminist and performance in the visual arts - including a forthcoming book entitled In Between Subjects: A Critical Genealogy of Queer Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and performance in the visual arts - including a forthcoming book entitled In Between Subjects: A Critical Genealogy of Queer Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and following).

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

It houses the documentation of their public performance work organized under Adriadne: A Social Art Network, which occurred between 1977 - 82 during a seminal moment in the international feminist movement.

In performance, Carolee Schneemann once pulled a feminist tract out of her naked vagina during menstruation, and then she read it aloud.

2010En el Barrio de Gavin Black through evas arche un der feminist in the back room of Gavin Brown Enterprise; curated by Pati Hertling, New York, NY In the Company of; Housatonic Museum, curated by Terri Smith, Bridgeport, CT The Pursuer; Greene Naftali Gallery, New York, NY Greater New York Cinema Program; PS1, Long Island City, NY Beside Himself; curated by Terri Smith, Ditch Projects, Springfield, OR Hardcorps: Movement Research Festival 2010; Center for Performance Research, Brooklyn, NY Alphabet Soup; The Creative Alliance, Baltimore, MD A Failed Entertainment: Selections from the Filmography of James O. Incandenza; The Leroy Neiman Gallery at Columbia University, New York, NY

Through a series of scripted body positions, Street slowly imprints quasi-photographic imagery into pools of wet acrylic paint on canvas, her body wrapped in hosiery, an indexical gesture that recalls feminist performances of the 60 ′ s and 70 ′ s.

Inspired by Donna Haraway's essay, A Cyborg Manifesto, the feminist science fiction and Afrofurturists of the 1970s; the exhibit will feature performance, sculpture, painting, comics, and photography that aim to re code normative expectations celebrating the LIFEFORCE that is beyond human matter and closer to it's essence.

Joan Jonas lives and works between New York and Cape Breton, U.S. and emerged as a key figure in the performance art and feminist movements of the 60s.

The later sections of the show frame the intersection of feminism and painting in easel paintings, large - scale works and performances by feminist artists in the 1970s and early 90s.

The texts considerGilmore's contemporary reassessment of both hardcore and feminist performance practices that emerged in the 1960s and 70s, which explored physical limits and social norms, often through exposure and endurance.

Martine Syms uses video and performance to examine representations of blackness and its relationship to American situation comedy, black vernacular, feminist movements and radical traditions.

Called a pioneer of performance, feminist and interactive - video art by the mavens who trace that history, Hershman Leeson has been playing with what she calls «the permutation of identity» for 35 years.

Room to be (Ms.) understood aims to interrogate the origins and genealogies of these practices by looking to a different, often neglected history of feminist writing, performance, and site - specific interventions from the 1970s.

Barbara Cleveland's projects are shaped by queer and feminist methodologies, as well as drawing on the histories of visual arts — with a particular emphasis on performance and its relationship to documentation and memory.

Support for travel to Iceland to film the artists moving in extreme landscapes for a new video / performance piece involving the feminist reworking of the «man alone» trope.

Associated with conceptual art practices from the 1970s and known as a feminist filmmaker and performance artist, Antin playfully deals with questions of identity, gender, and class.

Using her body, its breathing, touching, shaping and transitioning to explore space and time, her practice engages in decolonial and feminist explorations of the present through performance, installation, video and sound.

This presentation is made possible in part with public funds from the New York State Council for the Arts» Electronic Media and Film Presentation Funds grant program, administered by The ARTS Council of the Southern Finger Lakes and Women and Performance: a journal of feminist theory.

Considered one of the first feminist works in Israel, the performance was videotaped, and the documentation was presented in Gideon Ofrat's seminal performance exhibition, Perforamnce 76, at the Artist's House in Tel Aviv.

A pioneer of feminist art, Carolee Schneemann's work in performance, video, photography, and painting helped to define the human body as a locus for artistic production — as a medium, a surface, and a confrontational aesthetic site.

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

A major icon of feminist art history, Womanhouse allowed artists to transform rooms into installations (Chicago's «Menstruation Bathroom» was probably most notorious) and enact domestic - themed performances (Faith Wilding's poetically evocative «Waiting»).

The performance began with a provocation called BANGED * and outlines the story of an artist's experience shifting from activism to ethnography in a space of extreme hostility toward women and particularly feminists.