Human empathy is explored by Saya Woolfolk, a black, white, and Japanese American woman with the Empathics, a group
of fictional women whose aim is to become one with all species, plant and animal.
The most comprehensive of these personas is the six - year - long project, Roberta Breitmore Series, in which the artist enacted what she calls a «private performance,» adopting the identity
of a fictional woman named Roberta Breitmore.
The photographs in Kitchen Table follow Weems, playing the part
of a fictional woman, through the course of relationships with her lover, friends, and daughter, all set at a simple kitchen table and below a single hanging lamp.
Not exact matches
Still, our only
women presidents (among them, Selina Meyer
of Veep, Laura Roslin
of Battlestar Galactica, Allison Taylor
of 24, and Mackenzie Allen
of Commander in Chief) have been
fictional — like Wonder
Woman and Betty Boop before them.
It was analytically inadequate, making an analogy between Portnoy, a
fictional fetishist and pervert, and Weinstein, a real - life sociopath, a comparison that had the effect
of underplaying Weinstein's crimes and diminishing real
women's suffering.
He describes the actions
of rational agents in a market using an analogy based on a
fictional newspaper contest, in which entrants are asked to choose the six prettiest
women from a hundred photographs.
6 — In addition to Greek gods sleeping with Earth
women, the
fictional «Nephilim» were claimed to be the offspring
of «the sons
of god» and Earth
women in Genesis 6:4.
For
women and girls all over the world, the city
of Wakanda represents a
fictional world in which their intelligence, alongside their fierce beauty, is an accepted norm
of society.
The security and «truth»
of this filiation are based on childbirth, on a potential or actual procreative relationship between a man and a
woman, allowing the
fictional filiation through the encounter with the other sex, alive and
of the same generation.
The Friends study also found staffers doing nothing while children were waiting around, eager for something to do; park district attendance records that often appeared «inflated and
fictional ``; a total lack
of evaluation
of programs or job descriptions to keep up with changing trends in recreation, and a severe shortage
of programming for girls and
women.
Still, some
of Hollywood's most famous
women from Kate Winslet to Helena Bonham Carter to Julia Stiles and Daisy Ridley have all played the
fictional character.
They call it the Lake Wobegon Effect, named for Garrison Keelor's
fictional hometown from the National Public Radio show, «where the
women are strong, the men are good looking, and all
of the children are above average.»
In middle and high school, increased opportunities such as science camps like SciGirls, recruitment
of girls to participate in upper level science courses or extracurricular activities, informal science learning experiences and increasing visibility and access to
women scientists both
fictional and real are other methods to sustain girls interest and engagement in so called «hard science» fields.
So without further ado, let's check out some other fabulous,
fictional women whom the Austen gals might just be rubbing elbows with at their college
of choice
Maybe this is my self created stereotype
of European
women or maybe it's too many movies, either way,
fictional or not, this «European Chic»
woman is a major style icon for me.
Let's look at a
fictional example
of a
woman trying to overcome first date anxiety:
Thelma is a
fictional character, but she represents a lot
of older
women who struggle with first date anxiety.
A child
of the eighties, I grew up with two main
fictional images
of single
women in their thirties — Bridget Jones, the miserable singleton, desperately seeking love and dissecting every aspect
of her life, whilst constantly asking herself why she was still single.
Let's face it, with popular
fictional TV and movie characters like Stifler's mom, Samantha from Sex and the City, and arguably the queen
of them all, Mrs Robinson, older
women, or cougar's as they are now fondly referred to as, have never been more popular, or sexy.
Two men who conned a
woman out
of 1.6 m by using a
fictional character to contact her on a dating website are jailed.
Directed by Ridley Scott, G.I Jane tells the
fictional story
of the recruitment and training
of the first
woman Navy Seals.
A lonely Japanese
woman (Rinko Kikuchi) becomes convinced that a satchel
of money buried and lost in a
fictional film, is in fact, real.
While True Crimes begins with the upsetting imagery
of women raped and abused within the confines
of the sex club The Cage, it quickly becomes a tiresome battle
of wills between Carrey and Csokas, a man playing the same game as the iconic
fictional sociopath Catherine Tramell
of Verhoeven's Basic Instinct.
On «The Larry Sanders Show,» the brilliant and groundbreaking HBO comedy that paid attention to the men and
women behind the curtain
of Sanders»
fictional show, the ethics
of showbiz were hilariously skewered.
It acknowledges and celebrates everything from traditional African society to African - American political debates, from the power and beauty
of black
women to the preservation
of identity, all within the lush confines
of the
fictional African nation
of Wakanda.
He does have one particular obsession, and that is the so - called Darwin Awards, which are
fictional annual awards (delivered in book and internet form) given to people who die through acts
of sheer stupidity (a man straps a jet engine to his car, a
woman puts an RV in cruise control thinking it will drive itself, etc.), thus taking the dumbest among us out
of the human gene pool.
A decade ago, a character like her would've sprouted a garden
of think pieces and handwringing about the long history
of representation
of black
women as loud, no - nonsense, and mean, the
fictional equivalent to the Tiffany Pollards and NeNe Leakes
of the reality TV world.
Paul Thomas Anderson's latest film, Phantom Thread, a portrait
of a
fictional fashion designer in the couture scene
of 1955 London, indulges in similar revels, placing the film firmly in the tradition
of the melodramatic
women's pictures
of the 1940s: it's filled with achingly vivid close - ups (Anderson also shot the film)
of shining colored threads, needles piercing thick fabric, rough - edged hand - sewn labels, intricate lace patterns, and rich cloth falling in sculptural folds.
Series creator Nic Pizzolato has previously revealed that the second season
of the series, set in a
fictional California town, would be about «hard
women, bad men and the secret occult history
of the United States transportation system.»
Carey Mulligan stars as Maud, a
fictional composite
of several
women and experiences
of...
Faced with an impending fixed marriage in his
fictional African homeland
of Zamunda, Akeem opts to jet across to the other side
of the globe in search
of a
woman who'll love him not just for his fortune.
This is the kind
of thing you'd expect on a
women's cable network movie -
of - the - week, and screenwriter Allison Burnett (working from, what I've heard, a more meta -
fictional novel by Charles Baxter; this kind
of circumstantial plotting might actually work as meta - fiction) takes a kind
of dopey sincerity about the whole thing.
And that is especially the case given the demand that female characters — and actual human
women — be constantly likable has a way
of limiting the stories we can tell about
fictional women, and imposing restrictions on the opportunities and chances granted
women in the real world.
Suffragette dramatizes their history through its
fictional protagonist, Maud Watts (Carey Mulligan), a laundry
woman drawn into a movement that struck the establishment
of its day as dangerously radical.
In an unexpected twist, much
of what's played for hyperbole in the
fictional film presages what happens in «Their Finest,» during which Catrin comes into her own, like so many
women of her generation.
Award: The Assassin Least Sexy Movie: 50 Shades
of Grey (Runner - up: A LEGO Brickumentary) Best Tolkien Reference: The Martian Best Gag Involving a Hammer: Avengers: Age
of Ultron Best Joke About Naming Your Fists «Cagney and Lacey»: Spy Best Celebrity Cameo: LeBron James, Trainwreck Best Imaginary Friend: Bing Bong, Inside Out Most Awkward Interplay Between Real and
Fictional Theme Parks: Tomorrowland (Runner - up: Jurassic World) Best Contact Lenses: Johnny Depp, Black Mass Best Eyeglasses: Sean Harris, Mission: Impossible — Rogue Nation Best Glass Eye: Christian Bale, The Big Short Best Robot: Ava (Ex Machina) Worst Robot: Chappie (Chappie) The Cameron Crowe Award for a Soundtrack in Search
of a Movie: Aloha Best Aerial Stunt: Mission: Impossible - Rogue Nation (Runner - up: Spectre) Worst Oven - Cleaning Method: The Visit Worst Misuse
of a Juice Bottle: Sleeping with Other People Best Movie About Journalism: Spotlight Worst Movie About Journalism: Truth The Sudden Ubiquity Award: Domhnall Gleeson (Ex Machina, Brooklyn, Star Wars: The Force Awakens, The Revenant); Tom Hardy (Mad Max: Fury Road; Legend; The Revenant); Oscar Isaac (Ex Machina, Mojave, Star Wars: The Force Awakens) Best Dog - boy: Jack Bright, The Good Dinosaur Worst Dog - man: Channing Tatum, Jupiter Ascending Worst Implicit Historical Comparison: Moving the events
of The Secret in Their Eyes from Argentina's Dirty War to post-9 / 11 America Best Backward - Looking Reboot: Star Wars: The Force Awakens Worst Backward - Looking Reboot: Terminator Genisys Best Home Movies: Me and Earl and the Dying Girl Nicest Russian Spy: Mark Rylance, Bridge
of Spies Trends
of the Year:
Women ruling comedy (Trainwreck, Spy); an overdue pushback against CGI (Mad Max: Fury Road, Star Wars: The Force Awakens); sneakily feminist themes in summer sequels (Magic Mike XXL, Mad Max: Fury Road); spy spoofs (Spy, Kingsman: The Secret Service, The Man from U.N.C.L.E, the final third
of Spectre)
Directed by Sarah Gavron and written by Abi Morgan, «Suffragette» makes it look like because one (
fictional)
woman (Carey Mulligan) testified about her hardships to future Secretary
of State for War Lloyd George, the suffrage movement experienced a depth - charge
of commitment.
Of course, there's a woman by his side, Jane (Carmen Ejogo), a fictional composite of Baker's three real wives, who represents an uncomplicatedly dull cheerleader for the great man in the film's center rin
Of course, there's a
woman by his side, Jane (Carmen Ejogo), a
fictional composite
of Baker's three real wives, who represents an uncomplicatedly dull cheerleader for the great man in the film's center rin
of Baker's three real wives, who represents an uncomplicatedly dull cheerleader for the great man in the film's center ring.
It's easy to sit back and judge
fictional characters, but at no point do any
of them make an obviously stupid decision, and much
of the film plays out as a thriller as we root for the strong - willed young
women to find a way out
of captivity.
Patricia Highsmith is involved with a married
woman in this fascinating
fictional biography
of the late writer
This movie is based on a true story, but features a mix
of historical and
fictional characters (research indicates there was no
woman on the initial 1935 team).
Gene Evans (from The Steel Helmet) stars as the (
fictional) journalistic genius who starts his own paper and introduces headlines, bylines, editorial cartoons, and the mechanized printing press and manages to raise enough money to build the pedestal for the Statue
Of Liberty while fighting off the attempts of the rich woman owner of the biggest paper in town to destroy hi
Of Liberty while fighting off the attempts
of the rich woman owner of the biggest paper in town to destroy hi
of the rich
woman owner
of the biggest paper in town to destroy hi
of the biggest paper in town to destroy him.
Set in
fictional Wessex County in south - west England in the 1870s, Thomas Vinterberg's («The Hunt») adaptation
of Thomas Hardy's novel Far from the Madding Crowd chronicles the ups and downs
of Bathsheba Everdene (Carey Mulligan, «Inside Llewyn Davis»), a smart, headstrong
woman who is fiercely proud
of her independence when it comes to choosing suitors....
The story
of the fight for
women's right to vote is definitely a cinematically rich one but Sarah Gavron's film focuses on the
fictional character
of Maud Watts (Carey Mulligan) instead
of the real
women on the dangerous frontline
of the fight.
From the grief - stricken Kristen Stewart contemplating the existence
of her own spirituality as Maureen in Personal Shopper to the burgeoning determination that manifests slowly but surely in Mildred Loving's (Ruth Negga) incorrigible spirit in Loving as she seeks justice for her so - deemed illegal interracial marriage, to the existential despair
of Emily Dickinson (Cynthia Nixon) in A Quiet Passion that is largely shaped by the suffocating position
women had to endure in the 1800s — to say nothing of the micro-nuance on display in the tripartite Certain Women — I could ramble on for thousands of words about the things I've learned during this festival watching beautiful, brave, and flawed women characters try to move through their lonely fictional wo
women had to endure in the 1800s — to say nothing
of the micro-nuance on display in the tripartite Certain
Women — I could ramble on for thousands of words about the things I've learned during this festival watching beautiful, brave, and flawed women characters try to move through their lonely fictional wo
Women — I could ramble on for thousands
of words about the things I've learned during this festival watching beautiful, brave, and flawed
women characters try to move through their lonely fictional wo
women characters try to move through their lonely
fictional worlds.
IRIS is a collective
of women filmmakers founded by Kyle Ann Stokes, Elizabeth Kaiden and Nitza Wilon to champion the female voice through
fictional narrative film.
A U.S. Dramatic Special Jury Award for Musical Score was presented to: The Octopus Project for Kumiko, the Treasure Hunter (Director: David Zellner, Screenwriters: David Zellner, Nathan Zellner)-- A lonely Japanese
woman becomes convinced that a satchel
of money buried in a
fictional film is, in fact, real.
Ruby Sparks is about a
fictional woman come to life, a female - led version
of all those male fantasy movies such as Weird Science; Kazan exposes the limitations
of that fantasy (Dano plays a novelist whose heroine, played by Kazan, steps full - blooded into his life, whereupon he discovers that to exert total control over another human is less
of a gift than a nightmare).
Professor Marston and the Wonder
Woman is the
fictional behind - the - scenes flick about the creators
of the comic book heroine Wonder
Woman.
Speaking to Popsugar Australia, the Kenyan - Mexican actress revealed that the joy
of Wakanda — the
fictional African nation where Black Panther is set — is that «we see
women alongside men, and they're powerful in their own right, but them assuming their power in no way diminishes the males in their lives».