Sentences with phrase «of fight scene with»

My only problem is that during many of the fight scenes with the robots it is hard to tell which side the robot is on other than Optimus Prime and Bumblebee.

Here it finally does, a dull smattering of fight scenes with minimal plot attached.

I, very specifically, approached all of the fight scenes with as little training as possible, because I wanted these girls to be very relatable and very real.

Not exact matches

With these TV shows, I've shot a bunch of dinner scenes, and sex scenes, and fights.

Scenes of Joe fighting with contractors or negotiating rectory politics are pure comedy of manners, while scenes that take place at «the Great Badger, the Discount House with a heart,» veer more toward social sScenes of Joe fighting with contractors or negotiating rectory politics are pure comedy of manners, while scenes that take place at «the Great Badger, the Discount House with a heart,» veer more toward social sscenes that take place at «the Great Badger, the Discount House with a heart,» veer more toward social satire.

The antipornography fight gained its greatest momentum in 1975 with the appearance of «snuff» films in the U.S. Claiming to depict the actual killing and dismembering of female actors during explicitly sexual scenes, these films highlighted the link between sex and violence that frequently characterizes pornography.

I went out with the street preaching guys and watched them use the Way of the Master street fight skills to beat up unsuspecting patrons near the downtown scene in our nearest big city.

TD: Yes, and it's kind of tough too, to do a long fight scene with slow fight stuff.

Intensity is the name of the game here, with director Gary Ross going all Paul Greengrass with shaky, handheld camera - work getting up close and personal with every fight scene.

To make sure we're tuned in to the hopeless desperation of his characters, he fills most every scene with howling, fighting and screaming, usually with the music pumped up to the harshest levels.

By the time Stiller's character engages in a slapping fight with a pair of monkeys, Night at the Museum: Battle of the Smithsonian has incontrovertibly established itself as an endeavor designed to appeal solely to small children - which is undoubtedly a shame, given the strength of the cast and the promise of the movie's early scenes.

There are so many more variables for a fight scene when your heroine is in tune with the vibrations of sound, the molecules in the air, and the very rotation of the Earth.

No recent movie about The Troubles gives the audience the emotions, the pure hatred between the two forces, with the impact of «' 71,» the credit going not only to Jack O'Connell, known to us mostly for his role as the rebellious prisoners in «Starred Up» (never mind that the dialogue was largely indecipherable), but also to director Yann Demanage for setting up realistic seeming fight scenes, a series of breathless chases, and a sense of neighborhood that Demange found not in present day Belfast but in the English town of Sheffield.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

Maximus» incognito return to Rome to fight in the Colosseum (in front of the new emperor, Commodus), his quick rise to fame as the town's winningest warrior, and his big showdown with his old adversary fill the last act of Gladiator — as do a dazzling display of old - time Roman crowd scenes and stadium acts conjured with computerized magic that would have slayed old sandal - movie showmen like William Wyler and Cecil B. DeMille.

Showtime Boxing: The British sensation Anthony Joshua burst onto the global scene with a dramatic knockout of long - reigning heavyweight kingpin Wladimir Klitschko in the universally acclaimed 2017 Fight of the Year.

He did a great job with the robot fight scenes, but he also did a great job of giving the film heart.

They need more battle scenes with the fighting forces of the Dominion.

There are encounters with a comical predecessor of the KKK (led by a terrifically over the top Don Johnson), a small town sheriff who is not what he seems and, of course, the very proper southern gentleman / Mandingo fighting aficionado and plantation owner, Calvin Candie (Leonardo DiCaprio)-- and his right hand plantation man, house slave Stephen (Samuel L. Jackson, stealing every scene he's in in a scary, mean, dangerously funny role).

The result feels a bit like a lavishly produced, superhero - and supervillain - stocked standup comedy special, with fight scenes, chases and explosions spliced into footage of the hero telling you about the wild couple of weeks he just had.

In the latest installment of ALL ACCESS, SHOWTIME SPORTS takes you beyond the ring and into the gym with an unprecedented behind the scenes look at Mexican superstar Canelo Alvarez and Cuban southpaw Erislandy Lara as they prepare to fight for Honor & Glory.

In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the scenes into the dramatic and intense preparations of fight week with Mexican superstar Canelo Alvarez and Cuban southpaw Erislandy Lara, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.

For his elaborately choreographed fight scenes, Canutt developed a new, more realistic method of throwing punches, positioning the action so that the camera filmed over the shoulder of the actor receiving the blow, with the punch itself coming directly toward the lens.

Recent updates: Added 1/14: First Showing (additional critic), Slashfilm (additional critic) Added 1/8: Birth.Movies.Death (additional critics), Parallax View, The Tracking Board Added 1/7: Film Journey, The Film Stage (additional critic), First Showing (additional critic) Added 1/5: The Film Stage (additional critics), In Review, Moving Picture Blog, The Playlist (additional critics), Slashfilm (additional critics), Taste of Cinema Added 1/3: CBS News, Den of Geek [UK], Film Pulse, The Film Stage (substituted individual lists for consensus list), Hidden Remote, The Playlist (additional critics), PopCulture.com, Reverse Shot, ScreenAnarchy, Slant (substituted individual lists for consensus list), Slashfilm, Wichita Eagle Added 12/31: artsBHAM, Cape Cod Times, CinemaBlend (additional critics), Collider (additional critics), Criterion [The Daily], Criterion Cast, The Film Stage, First Showing, Flavorwire, The Globe and Mail, The Hollywood Reporter / Heat Vision, Lincoln Journal Star, Monkeys Fighting Robots, NOW Magazine, Omaha World - Herald, Paste, People, ReelViews, Salt Lake City Weekly, San Antonio Current, Screen Daily, SF Weekly, These Violent Delights, Toledo Blade, Uncut, Under the Radar, Vancouver Observer, Vancouver Sun Added 12/29: The Arts Desk, Austin American - Statesman, Austin Chronicle, Awards Daily, Boston Globe, Boston Herald, CinemaBlend (additional critics), Cleveland Scene, Collider (additional critics), The Daily Beast, Deadline, Film Journal International, Houston Chronicle, Ioncinema, Las Vegas Review - Journal, New Orleans Times - Picayune, New York Post, Paper, The Playlist, San Diego City Beat, San Francisco Chronicle, San Francisco Examiner, St. Louis Post-Dispatch, Salt Lake Tribune, Seattle Weekly, Shepherd Express, The Stranger, Tallahassee Democrat, Toronto Star, Tucson Weekly, Tulsa World, Uproxx, The Virginian - Pilot, Washington City Paper, White City Cinema Added 12/27: Awards Campaign, Baltimore Beat, Buffalo News, Chicago Daily Herald, CinemaBlend, Collider, Film School Rejects, GameSpot, JoBlo, Metro UK, Newsweek, Observer, San Jose Mercury News, Seattle Times, Sydney Morning Herald, Tampa Bay Times, Thrillist, USA Today, Village Voice (Wolfe), Wired UK Added 12/22: Chicago Sun - Times, Den of Geek [US], The Guardian, Mashable, Metro US, Sioux City Journal, Star Tribune, The Verge, Wired Added 12/21: BBC, Chicago Reader, The Commercial Appeal, IGN, Las Vegas Weekly, TimeOut New York, Village Voice Added 12/20: A.V. Club, Crave, Esquire, The Independent, Spectrum Culture Added 12/19: The Atlantic, Birth.Movies.Death., CineVue, Newsday, NPR, WhatCulture Added 12/18: Arizona Republic, Yahoo! Added 12/17: Dazed, Flood Magazine, New Zealand Herald, Salon, ScreenCrush, The Star - Ledger (NJ.com), Time Out London, Total Film Added 12/15: BuzzFeed, Christian Science Monitor, Detroit News, Los Angeles Times, Philadelphia Daily News, Vox Added 12/14: Associated Press, Chicago Tribune, Consequence of Sound, Little White Lies, Los Angeles Daily News, RogerEbert.com, TheWrap Added 12/13: Evening Standard, Variety Added 12/12: The Hollywood Reporter, Huffington Post, PopCrush Added 12/11: CBC, The Observer [UK], Wall Street Journal Added 12/8: The New Yorker, Rolling Stone, Slant Added 12/7: Culture Trip, IMDb, The Ringer, Slate, Time, Us Weekly Added 12/6: Cahiers du Cinéma, New York Times, Vogue, Vulture (Yoshida), Washington Post Added 12/5: Scorecard launched with 15 lists.

Far from limited to the fight game, All Access will take you inside the personal lives of the fighters and behind the scenes of the provocative and often edgy world of boxing with unrestricted access, as only SHOWTIME can.

The silly antics continue in this sequel with even more fight scenes and the addition of more characters, albeit shallow ones.

Dornan fought so valiantly with his dialogue in parts one and two, but in this one he just looks spent, playing his scenes with a thousand - yard stare that reminded me of Cillian Murphy's PTSD - stricken soldier in Dunkirk.

All Access, Season 21, Episode 5: In this final installment of ALL ACCESS, go behind the scenes for a unique perspective on the spectacle of fight night with legendary world champion Floyd Mayweather and UFC superstar Conor McGregor.

In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the scenes into the dramatic and intense preparations of fight week with Floyd Mayweather and Marcos Maidana, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.

One of the most novel things Besson does is eschew big fight scenes the more powerful Johansson gets, as what's the point of getting into fisticuffs when you can simply freeze bad guys with your mind?

Bonus: • Audio Commentary with Producers Douglas Wick and Lucy Fisher • «Insurgent Unlocked» Featurettes • «From Divergent to Insurgent» Featurette • «The Others: Cast and Characters» Featurette • «Anatomy of a Scene: The Train Fight» Featurette • «The Peter Hayes Story» Featurette • «Divergent: Adapting Insurgent for the Screen» Featurette • Marketing Gallery • Previews

The tender and painful love scenes such as the New Year's Eve moment between Brian and Rebecca are directed with lots of humor as is the inevitable fight scene that breaks out when Brian's worlds collide.

The opening scenes with the Jedi fighting droids and hiding on the planet of Naboo.

In this final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the scenes for a unique perspective on the spectacle of fight night with legendary world champion Floyd «Money» Mayweather and UFC superstar Conor McGregor.

In the final installment of ALL ACCESS, SHOWTIME SPORTS takes you behind the scenes into the dramatic and intense preparations of fight week with pound for pound king Floyd Mayweather and Marcos Maidana, including never - before - seen footage from fight night and the rarely seen aftermath of world championship boxing.

From beginning to end, Rumble is filled with imaginative and breathtaking stunts (all done by Chan sans stuntman) and a succession of epic fight scenes that are hypnotic, exhilarating, masterfully choreographed and great fun.

From an opening scene in a prison fist fight to a staunchly bland climax finding him lost in an «unknown» realm when he's forced to shrink himself to fit between molecules (something resembling the resting place of Big Hero 6 mixed with the twilight hour of James Wan's «further»), Scott Lang is never a fully fashioned personality, some accidental prototype linked with schlocky zeal to the film's other do - gooder via a conflicted father / daughter bond.

The other Black Panther post-credit scene revealed that T'challa now plans on sharing Wakanda's high - tech resources with the rest of the world, but we know that at least one of the major battle sequences in Avengers: Infinity War, that has been featured in the trailers, is set in Wakanda, with Steve Rogers as Nomad teams up with Bucky / White Wolf and several of his Avengers buddies to take on the nefarious Outriders, an alien race who fights for Thanos (Josh Brolin).

Veteran action director Yuen Bun recaptures the style of gravity - defying wire - fu that Tsui helped popularize in the early»90s, enhanced with 3D that works seamlessly in the fight scenes, but proves effective in the blurry underwater sequences.

Schrieber brought some of his physicality to the scene, stopping a fight after a car accident, restraining a man with a baseball bat and -LSB-...]

Entertainment Weekly spoke with Ryan Reynolds about the film's naked fight scene, which saw him endure «eight hours of prosthetic makeup in places that no man needs to be there with a paintbrush.»

I don't know what's going down in this particular scene but Mark's running with his coffee in his hand and Bridget is getting kissed so I worry this leads up to a signature Bridget Jones «raining men fighting» situation but instead of Mark fighting Hugh Grant's Daniel Cleaver, he's throwing down with Patrick Dempsey.

This time around, we get the chance to see quite a large batch of fighting scenes, with Daquiao being the focus of the action.

Over in the past segment of the movie, Evan Peters has a single fight scene, but he almost steals the show with it.

Apart from the newbies, these are all heroes at the very top of their game with fight scenes almost hard to follow with so many people all doing what they're best at.

«Deadpool 2» opens with a bang, and director David Leitch talked to TheWrap about one specific fight scene at the beginning of the film that took a lot of time and effort.

Well probably the only thing for this reviewer were the fight scenes which crackle with realism, vigour and fluidity meaning there is none of the fast editing / shakycam technique that has become the signature style of Hollywood action films since the success of the Bourne franchise.

The fight scenes, many that there are, become works of action - packed art, most of them seemingly single shots loaded with right - and - left excitement.

Of course, the action itself is upped too, with daredevil Cruise climbing the Burj Khalifa in Dubai and the parking building fight scene at the climax.

There is a lot wrong with this movie; the stunningly overt product placement, the diabetes causing levels of saccharin, the kid (Dakota Goyo) is so annoying that you start wishing one of the robots to accidentally collapse on him... But then theres the fantastically realised robot fight scenes, the walking charisma machine that is Hugh Jackman, the stunningly beautiful Evangeline Lilly as his only friend, and a final fight that will have you cheering louder than the end of Warrior.