Sentences with phrase «of film as a whole»

The relationships that are built from his attachment to the doll are really the most important aspect of the film as a whole.

That's also true of the film as a whole, which is so elaborately plotted — crosscutting between past and future while keeping a good half - dozen subplots spinning in the air — as to seem more like a contraption than a movie.

In any shot that isn't a close - up, the transfer doesn't quite scream HD, although the aesthetic of the film as a whole, a definite throwback to the 70s style of indie filmmaking, doesn't necessarily lend itself as fair competition to a more polished 21st century production.

As it stands, even the politics of the scenario — such as the degradation and potential reaffirmation of women — are lost in the lethargy of the film as a whole, which largely clogs strong performers.

But that's a problem of the film as a whole.

As Abraham Lincoln, Daniel Day - Lewis is nothing short of mesmerizing, even in this brief introduction, and in a way this sequence is evocative of the film as a whole — it's overtly chatty, with little interest in anything beyond the dynamics of two people communicating with each other.

This simple line of dialogue contains within it a clear summation of the film as a whole, including its core themes and contradictions.

Is this indicative of the film as a whole?

These little offshoots serve as a representation of the film as a whole.

The opening shots imply that the floridly romantic «style» is not necessarily that of the film as a whole, but an idea of the kind of visual representation a group of isolated, intelligent, impressionable, hormonal young women might make.

This geographic intimacy is captured vividly by cinematographer Hélène Louvart, who also shot «The Wonders» and documentaries «Pina» and «The Beaches of Agnès,» (among others; whether capturing a boardwalk fireworks show or the thick clouds of a vape bar, «Beach Rats» has an experiential, almost docudrama aesthetic whose lived - in authenticity is in keeping with that of the film as a whole.

That's a lot of advisors for one media star, and it's representative of the nature of the film as a whole.

I'm still not sure what to make of the film as a whole.

The comedy in this one scene is hardly indicative of tone of the film as a whole, as it leans further on slapstick than the natural give and take charm of its actors.

With lackluster acting and stiff drama, the momentum of the film as a whole drags whenever the Burnford family is featured in their plight to find their beloved pets.

For almost the whole film, all of the action takes place within the house; this has two far - reaching effects that speak to the quality and complexity of the film as a whole.

Always Shine Almost too obviously fiendish in its presentation; from the opening shot and frenetic credits Takal makes it clear how confrontational much of the film will be, perhaps to the detriment of the film as a whole.

This opening scenes quickly establish the tone of the film as a whole — mixing sadness and comedy to approximate something like life itself.

The disc presents scene - specific commentary by film professor and Melville expert Ginette Vincendeau, who talks over three extended sequences from film in what is more audio essay than commentary, offering an overview of the film in the context of Melville's career and discussing the major themes and stylistic qualities of the film as a whole.

Not enough to ruin enjoyment of the film as a whole, but the last half hour is little more than a protracted chase scene that threatens to undermine what Dante had constructed so well up to that point.

Perhaps it is meant as some sort of character development, but in the case of the film as a whole, these romantic dalliances are a distraction to more important issues that struggle to come to light.

It has its share of powerful moments, but they are fleeting rather than indicative of the film as a whole.

This is much funnier than Lyne's version, but the early 60s censorship necessarily mutes the sexuality which seems to lessen the impact of the film as a whole (though Kubrick is to be admired for what he did manage to put across despite the restrictions, which, admittedly, weren't what they used to be and this film helped degrade a little more).

Not exact matches

As titillating as it might be to read Andreessen's text messages to Zuckerberg, however — in which the former quotes from a 1950's film noir with Burt Lancaster, remarking «The cat's in the bag and the bag's in the river» — the whole thing feels like a bit of a sideshoAs titillating as it might be to read Andreessen's text messages to Zuckerberg, however — in which the former quotes from a 1950's film noir with Burt Lancaster, remarking «The cat's in the bag and the bag's in the river» — the whole thing feels like a bit of a sideshoas it might be to read Andreessen's text messages to Zuckerberg, however — in which the former quotes from a 1950's film noir with Burt Lancaster, remarking «The cat's in the bag and the bag's in the river» — the whole thing feels like a bit of a sideshow.

Furthermore, they can easily parody the whole position so that (as one critic, a friend of mine who is not unsympathetic to the wider process conceptuality, has phrased it) talk about divine memory may be taken as nothing more than indicating God's continually re-playing some old film or continually listening to some old soundtrack.

With the advent of the professional youthworker, there also came the danger that the church as a whole and parents of teens in particular would feel that they couldn't do the discipling job, that we needed people who watched the same films, wore the same clothes, could bear to listen to the same music, and could actually get as far as Level 2 on a computer game.

But on the whole the film promotes an ideological reaction against all establishments rather than an understanding of oneself as personally, and inevitably, involved in society and its establishments and therefore also in the crucifixion.

As for leftovers, I saved the sauce separately from the pasta and veg, put it in the smallest container it could fit in, put cling film on it so that it touched the whole top of the sauce, and placed in the fridge.

It didn't appear as though the French defender was too concerned about it though as the camera panned round to show him in fits of laughter filming the whole thing on his phone.

And yet, I see the whole «orgasmic birth» thing as being just a small piece of the film, and believe it is titled the way it is to grab our attention.

Lunch Line was also recently selected as one of six films to participate in the Whole Foods «Do Something Reel» traveling film festival (the films will screen together at independent cinemas in more than 40 cities in Aprl / May).

We also include footage of real classes as well as films of the whole massage and yoga routine.

We also include footage of real classes as well as films of the whole massage routine.

This understated story - telling is indicative of the film of the whole, as nothing is laboured, false or out of place.

«I went there because I wanted a proof of the fact that the site was just fenced and there was a heap of sand there as Nana Addo was claiming... I went there with the MP of Salaga, with the Regional Minister and with the Police Department that was escorting the Regional Minister and we filmed the whole place and that is the story we put out for people to know and for Nana Addo to know that if they are relying on information by his propagandists then he is threading on dangerous grounds; because what we saw there was an exact opposite of what he sought to portray in his true state of the nation's address and what we saw vindicated the President's assertion that there was a 60 - bed hospital construction in Salaga.»

I loved filming the lookbook but still need to grasp the whole idea of talking whilst showing the pieces as I couldn't stop laughing at the sound of my voice, weird I know!!

Zach Galifianakis literally carried them through 96 minutes of «one thing after another,» and had he not been in this, the whole film might have been a bust as he earned nearly every bit of every star that I gave this film by himself.

As a whole, the film may not provide as many laughs or pure entertainment value as the Pixar gems we're spoiled with every Summer, but Ponyo delivers a unique departure nonetheless, giving a bit of cultural perspective, and a providing nice throwback to the glory days of animatioAs a whole, the film may not provide as many laughs or pure entertainment value as the Pixar gems we're spoiled with every Summer, but Ponyo delivers a unique departure nonetheless, giving a bit of cultural perspective, and a providing nice throwback to the glory days of animatioas many laughs or pure entertainment value as the Pixar gems we're spoiled with every Summer, but Ponyo delivers a unique departure nonetheless, giving a bit of cultural perspective, and a providing nice throwback to the glory days of animatioas the Pixar gems we're spoiled with every Summer, but Ponyo delivers a unique departure nonetheless, giving a bit of cultural perspective, and a providing nice throwback to the glory days of animation.

Time travel has always been a thing of science fiction but the rules for time travel in this film, as well as from the book, seem very reasonable and the whole idea of killing something off that shouldn't be, will kill everything.

While star Johnny Depp's singing earned mixed reviews — and the movie dropped or shortened some of Sondheim's songs — the film as a whole received plenty of critical acclaim as well as a Golden Globe for best picture (with Depp himself earning an Oscar nomination for his performance).

There are, one assumes, whole swaths of the book that develop Jack as an emotional character while he's not doing much of anything, but that doesn't — can't — work in a film.

No doubt, there is an uncomfortable number of logos being marketed to kids in the The Lego Movie, along with the obvious one that's in the title, but the film as a whole is very much in the spirit of Cloud Cuckooland: It's a place where the use of X-Acto blades and Krazy Glue breaks the rules but almost everything else goes.

I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.

Although it isn't really a significant film as a whole, there are enough good moments of interest and insights to make Trees Lounge a worthwhile experience for fans of slice - of - life independent flicks.

It just hums as Affleck and editor William Goldenberg («Heat,» «The Insider») have paced their storytelling with such finesse that even the most disparate elements of the film seem of a whole.

The film is limiting potential enough by conceptually simply studying on Oscar Wilde's sexual revelations and their subsequent consequences, rather than the whole of his brilliant life and tragic downfall, but when it comes to the execution, not enough studying is done in this often inspired, and just as often undercooked character drama which at least finds superficiality in its resonance.

Akin succeeds and the result is as emotionally difficult a film as I have seen in the whole of 2017.

Yeah, I enjoyed «Django Unchained» and «Skyfall» more, but as a whole, «Life of Pi» covers all the bases of what makes a real solid film.

Hitler: The Rise of Evil is imperfect, but as a whole, it's a good try at capturing Hitler's life on film.

It's ultimately clear, however, that Fear and Desire simply isn't able to justify its feature - length running time (ie the whole thing feels padded - out even at 61 minutes), with the movie's less - than - consistent vibe paving the way for a second half that could hardly be less interesting or anti-climactic - which does, in the end, confirm the film's place as a fairly ineffective first effort that does, at least, highlight the eye - catching visual sensibilities of its preternaturally - talented director.