SPECIAL SECTION: 50 YEARS OF FILM COMMENT Born in 1962 and still going strong, Film Comment looks back on five decades
of film commentary and how we got from there to here
Not exact matches
Disaster
films nearly always contain some not - so - subtle
commentary on our mistreatment
of the environment, but this one was so topical upon its release that it could have been shown as a double - feature with An Inconvenient Truth.
NEW YORK (AP)-- George Romero, whose classic «Night
of the Living Dead» and other horror
films turned zombie movies into social
commentaries and who saw his flesh - devouring undead spawn countless imitators, remakes and homages, has died.
All
of his
commentary on the deleted scenes gave great insight into the making
of the
film.
The
film is a social
commentary on the lengths that humans will allow fear and misunderstanding to lead to the mistreatment
of another race.
The A / V Geeks» Skip Elsheimer will guide a fun night
of trivia and tongue - in - cheek
commentary on popular science - themed movies as well as samples from his vault
of 24,000 + short
films.
From engaging histories and research - driven treatises, to provocative exhibitions and popular
films, to mobile applications and podcasts, Science book and media reviews feature smart
commentary on a wide range
of timely scientific topics.
He gives running
commentary through the
film and we also catch a glimpse
of an active support group in session, led by him and his wife Rachael.
This idea,
of social
commentary illuminating an absurd aspect
of modern life, is precisely what director George Romero was stating with his pivotal
film, Dawn
of the Dead.
A tragically beautiful horror
film that works not only as a supernatural thriller but also as a
commentary on the failure
of man.
Brit Movie Tours offer a variety
of different guided tours with
commentary, trivia and insider secrets from
films such as The Da Vinci Code, Sherlock Holmes, The Bourne Ultimatum and many
of the James Bond movies.
About Blog The active and ongoing blog page
of «Every Movie Has a Lesson» containing current movie and
film reviews,
commentary, editorials, columns, previews, and awards talks.
About Blog Thoughts and
commentary on the world
of film.
There's an audio
commentary by Charlie Chaplin experts Dan Kamin and Hooman Mehran; the documentary The Tramp and the Dictator, which parallels the lives between Chaplin and Hitler; two visual essays; color production footage; the barbershop sequence from Sydney Chaplin's 1921
film King, Queen, Joker; the deleted barbershop sequence from Chaplin's 1919
film Sunnyside; the re-release trailer; and finally, a 30 page - booklet featuring an essay by
film critic Michael Wood, Chaplin's 1940 New York Times defense
of the
film, a reprint from critic Jean Narboni on the
film's final speech, and Al Hirschfeld's original press book illustrations.
With Beatriz at Dinner, the prolific duo confirm their talent for social
commentary and incisive wit after more than a decade
of close collaborations, including indie
films (Star Maps, Chuck & Buck, The Good Girl) and TV series (Freaks and Geeks and HBO's Enlightened).
Commentary Track: Director Anton Corbijn does spend a fair bit
of time explaining the more nuts - and - bolts side
of the
film — how this scene was
film, and where, and so on.
A
commentary featuring producer Jeremy Thomas and Ben Kingsley is your usual run -
of - the - mill back - patting session, though the pair does intermittently provide deeper insight into the making
of the
film, and it's admittedly fascinating to hear the soft - spoken and eloquent Kingsley articulate the process by which he gave life to Don Logan while he observes the sheer cruelty
of the character on screen.
There's an amusing love triangle (certainly more involving than what was witnessed in the recent «Twilight» saga),
commentary on waning humanism through tyrannical rule, and an unveiling
of the supremely negative influences
of politically slanted media, primarily as it defines celebrity — but it's all buried deep beneath basic adventures
of wilderness survival that are curiously manipulated back into the script for a twist and return to the first
film's plot.
The first disc contains the definitive version
of the
film, no matter what Scott says, along with the excellent
commentary.
Such a
film as this quite obviously has a number
of layers, layers that could easily have been traversed via the DVD release; a
film like Into the Wild is practically screaming for
commentary, so that we, as viewers, could have some idea
of the intent
of specific shots.
IMDB Link: American Wedding DVD Aspect Ratio: 2.35:1 DVD Extras:
commentary, outtakes, deleted scenes, unrated version
of the
film, kooky «unrated» extras, and a bar
of soap to wash that mouth out with.
On the negative side there's Barry Braverman's pointless documentary «The Making
of The Darjeeling Limited,» an unstructured 40 - minute slog
of on - set footage where Anderson directs, the stars
of the
film wait around Indian locations, and the crew builds sets and manages local extras, all devoid
of interviews or
commentaries.
The joint audio
commentary by Anderson, co-writer and star Jason Schwartzman, and co-writer Roman Coppola is more contrived and rambling, but does provide some interesting insight into the writing process and production
of the
film.
Paramount has chosen quality over quantity for the Blu - ray release
of «The Fighter,» with a strong collection
of bonus material headlined by an audio
commentary with director David O. Russell where he discusses the
filming of the movie and how it compares to its real - life subjects.
Commentary 3 — The Picture - Director
of Photography Darius Khondji, Prodcution Designer Arthur Max, Editor Richard Francis - Bruce, Richard Dyer and David Fincher talk about the look
of the
film itself, the color processes used on the print, the locations scouted for the various shots, the detail used in the studio backlot constructions, the style David wanted to achieve and succeeded in doing, the clothing, the grittiness, the absolute black Fincher always wanted in Alien 3 but could achieve until now and more.
An intelligent and scary horror
film that makes a more than welcome
commentary on the horrors
of war and gender oppression in Iran, using a lot
of symbolism and keeping us in an increasing state
of anxiety as it moves in a deliberate, slow - burning pace towards a terrifying climax.
Finally, we have three scenes from the movie, each with
commentary by a different person (Satrapi, Paronnaud, and Mastroianni, who played the title role), and 11 minutes
of storyboard - to -
film comparisons with
commentary by Satrapi.
Many
of the scenes throughout the
film contribute little to the overall narrative, but were obviously kept in for a reason, and a
commentary or two could well have been a fascinating supplement to the movie proper.
Birdman or (The Unexpected Virtue
of Ignorance) is a brilliant directed
film by Alejandro González Iñárritu, who manipulates the camera to give the illusion that the
film is one continuous long take (which can get dizzying at times) giving a
film that is resonate to a modern day audience as it examins these fictitious characters and their
commentary on what it means to stay relevant.
But while the sequel benefits from Reynolds» superhuman charisma as the charmingly annoying, katana - wielding protagonist, the
film nevertheless feels too much like more
of the same: more
of the same gross - out gags, more
of the same irreverent jokes, more bits where Deadpool has to regrow severed limbs to the disgust
of everyone around him, more running
commentary on the movie he's in....
Each
of the three
films (Fellowship
of the Ring, The Two Towers, and Return
of the King) takes two discs each and features a DTS - HDMaster Audio 6.1 channel soundtrack, along with multiple audio
commentaries for each
film.
If you like
commentaries, director Guillermo del Toro provides detailed insight into the
film that is still entertaining to listen to, and the rest
of bonus features go into even more detail on how the
film was put together.
The
film, by seasoned cinematographer Dror Moreh, is a feat —
of access and
of passionate and appropriately unsettling political
commentary.
Set in Cyprus and following the down - on - his - luck Yiannis as he tries to smuggle his dog Jimi across the buffer zone separating the Greek and Turkish sides
of the island, the
film is a «laidback charmer» with «droll comedy, understated political
commentary and an adorable scene - stealing canine,» according to Allan Hunter
of Screen Daily.
But unlike the rigorous skepticism
of films like Blood Simple, Fargo, and Burn After Reading, I Don't Feel at Home in This World Anymore uses its allegorical narrative to further a simplistic political message meant to give it an aura
of timely social
commentary.
Feature
Commentary: Unkrich, Molina and Anderson offer a friendly and informative commentary that covers all the different iterations of the story (starting from several scrapped openings to
Commentary: Unkrich, Molina and Anderson offer a friendly and informative
commentary that covers all the different iterations of the story (starting from several scrapped openings to
commentary that covers all the different iterations
of the story (starting from several scrapped openings to the
film).
Apatow's
film overflows with great, smart
commentary on who Shandling was and how much
of an enigma he remained all his life.
The aliens who created this environment are not shown as the
film ends on this very mysterious note, which has been a source
of much
commentary and has inspired meanings ranging from: it's all rubbish to something divine has happened.
Peaking early, Swift never quite matched his earlier accomplishments in later years, although glimmers
of his low - key social
commentary could be seen in such
films as Candleshoe (1977) and the short - lived TV series Grindl (1963).
Sure, there was some
commentary about war profiteering early on in the Iron Man
films, and Captain America: The Winter Soldier glanced upon the idea
of selling out privacy and freedom in the name
of security.
Various Clarke, Kubrick, and science fiction authorities are interviewed throughout the video, providing interesting
commentary on their favorite scenes in the movie, as well as insights into the specific personalities
of the creators
of the
film and the book.
The features start out with a wonderful feature
commentary from Coogler and production designer Hannah Beachler which goes into not only the look and action
of the
film, but also a lot
of the themes and motivations
of the characters.
Unlike 12 Rounds, CutThroat Island's audio
commentary with Renny Harlin is very interesting to listen to as you get a lot
of background on the trials involved with
filming a production
of this magnitude.
Music by Questlove and Om «Mas Keith, and
commentary from prominent African - American artists and activists who were influenced by the struggle — including Erykah Badu, Harry Belafonte, Talib Kweli, and Melvin Van Peebles — give the historical footage a fresh, contemporary resonance and makes the
film an exhilarating, unprecedented account
of an American revolution.
Maybe then, if some
of them become become directors, they won't just be ripping off Tarantino and P.T. Anderson and causing Roger Ebert to write worried
commentaries about the state
of modern
film, but will know the source that it all comes from
Spielberg starts off the discussion with
commentary about he didn't want to create just another «War Is Hell»
film, and the featurette continues with a look at the creation
of the
film, from location scouting to on - set direction to costuming.
Rodriguez is always a welcome figure for any
commentary for behind - the - scenes documentary and he helps keeps the discussion going covering numerous aspects
of the
film.
You're not going to learn much about the making
of the
film, because this
commentary is all about the cast enjoying themselves and reliving favourite moments in the
film.
The best
of the odd - numbered Star Trek
films, Insurrection doesn't boast nasty villains or terrible dangers but plays like a great extended TV episode, with a compelling plot that works as a smart political
commentary on Western imperialism.
This runs for ten scenes
of the full
commentary and includes the footage
of the
film playing in a smaller window.