The impact
of that win on the Academy was minimal (though the
film at least earned two Oscar nods it wouldn't otherwise have received), but the same can't be said
of last year's choice: shrugged off by audiences and boasting no heavyweight industry names, «The Hurt Locker» became the most
critic - steered Best Picture winner in Oscar history, as every major
critics» group in America lined up behind the indie Iraq drama to
raise its profile in the face
of the threatening populist shadow cast by «Avatar.»
ABOUT THE ALLIANCE
OF WOMEN FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movie
OF WOMEN
FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mov
FILM JOURNALISTS: AWFJ, a not - for - profit corporation, is an international association
of professional female movie critics, reporters and feature writers working in print, broadcast and online media, dedicated to raising the volume on women's voices in the film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movie
of professional female movie
critics, reporters and feature writers working in print, broadcast and online media, dedicated to
raising the volume on women's voices in the
film community by broadening opportunities for women who write about film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mov
film community by broadening opportunities for women who write about
film and supporting films by and about women — both in front of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the mov
film and supporting
films by and about women — both in front
of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition of outstanding accomplishments (the best and worst) by and about women in the movie
of and behind the cameras — through intra-group promotional activities, outreach programs and by presenting EDA awards in recognition
of outstanding accomplishments (the best and worst) by and about women in the movie
of outstanding accomplishments (the best and worst) by and about women in the movies.