Sentences with phrase «of film degree»

In other words, you don't necessarily need to fret over your lack of a film degree.

Not exact matches

I came within one degree of Kevin Bacon separation when I talked with Dan Catullo, the creator of Landmarks Live, who filmed the Foo Fighters performance at the Acropolis.

So the question remains: Just how much of the narrative in «Zero Dark Thirty» is the result of the CIA's unprecedented degree of cooperation with Bigelow, and its attempts to get the film to promote the agency's preferred version of events?

So in the case of a 360 - degree video of a yellow ball filmed with shaky hands, Kopf said, Facebook can lock onto that ball and keep track of its original position.

It's called «Six Degrees of Kevin Bacon» and it refers to the fact that pretty much any actor or actress is most likely just a few roles away (or less) from having worked with Bacon, who has starred in more than 80 films and TV shows.

Through Tribeca Immersive's Storyscapes and Virtual Arcade — two programs that highlight the intersection of film and technology — traditional filmmakers used new methods like 360 - degree cameras and virtual reality devices to bring audiences deep into new worlds.

After graduating from Syracuse University with a degree in English and a concentration in film studies, she returned to her Alma Mater for her Masters in Digital Communications from the S.I. Newhouse School of Public Communications.

You don't have to watch any of the previous Marvel films to fall into the world of Black Panther (although it does improve the experience to a degree).

Among the many important conversations this film brings to the fore, RELEVANT saw an opportunity to highlight in a satirical way some of the ways that colonialism has (and continues to some degree) to influence Western missions.

Zoos would be regarded as barbaric as 14th century prisons, and we would subordinate our own desires for immortality to the cold hard reality of an uncaring Universe in which every species on the planet lives in a narrow 7 mile wide soap film below which there is 1,000 degree magma and above which there is the near absolute - zero vacuum of outer space.

But the National Council of Churches has wisely kept the panel independent of outside pressures and, to a surprising degree, opened a new era of responsible, ecumenical, and theologically informed film criticism.

The films offer good gas barrier properties and the coatings can be tailored to provide varying degrees of moisture barrier, depending on the needs of the wrapped product.

John «Jack» Thompson, the former Westport Central teacher accused of secretly filming students at his Willsboro home, accepted a plea bargain on Thursday and pled guilty to four felony counts of unlawful surveillance in the second degree.

The X-Star Premium features a 108 - degree field of view camera which offers a whopping four video settings that are designed for specific filming purposes.

He was initiated into life in a laboratory in the final year of his degree, spending 6 months designing laser ablation experiments to make thin films of superconducting materials.

Amorphous films of contorted hexabenzocoronene form two visually different types of crystals when annealed at 240 degrees Celsius.

The resulting films contain stable hexagonal arrays of atoms that, until now, had only been seen at temperatures above 1,200 degrees Celsius.

Over the last five years Spriggs and his team of film preservationists have located about 6,500 films, scattered among the government's high - security vaults and in varying degrees of decomposition.

This chemical layer gives the daguerreotype a degree of resolution far beyond that of any commercial film or pixel scanner.

Even Michael Jackson reportedly used it to recover from second - degree burns he received during the filming of a Pepsi commercial.

He noted that the paper's authors were familiar with experimental research that indicated in a thin, free - standing film without a substrate, the polystyrene transition temperature is very low, as compared to that of bulk polystyrene, with a difference of about sixty degrees Celsius.

The team also placed the adhesive film on the feet of a miniature robot, which moved with ease up a 30 - degree incline.

Thus, although the conventional graphene fabrication method of chemical vapor deposition is widely used for the large - area synthesis of graphene on copper and nickel films, the method is not suited for silicon microelectronics, as chemical vapor deposition would require a high growth temperature above 1,000 degrees Celsius and a subsequent transfer process of the graphene from the metallic film to the silicon.

They discovered that when a single layer of iron selenide film is placed atop STO, its maximum superconducting temperature shoots up from 8 degrees to nearly 77 degrees above absolute zero (minus 196 degrees Celsius).

A series of ZnSnN2 films with varying degrees of cation ordering have been obtained via plasma - assisted molecular beam epitaxy (PAMBE).

I studied an Arts Degree with drama and screen as my majors, so I have an extensive knowledge of theatre and film history which never comes in handy.

The film is being created by Jenni Nelson as a part of her MFA degree in Documentary Film and Video at Stanford University.

So while working on the set of The X-Files guarding the honey wagons (while this can be interpreted as some sort of honey filled cart and while a search for this will give you a suction-esque type of machinery that literally sucks up human excrement but instead in reality is just a simple nice way of saying a trailer for actors and actresses) he was fired for following his dreams; writing out scripts in hopes that one day he would be able to put that film degree to good use.

Given the degree to which the film succeeded, artistically and financially, one would expect the creative minds behind it to be as happy with it as producers Douglas Wick and Walter Parkes are — it's a bad sign for your making - of doc when the most interesting folks to listen to are the studio weasels.

A few movies have attempted something like this before (most notably The Saragossa Manuscript, a Polish film from 1965), but not with this degree of deliberate insanity.

The way he seamlessly turns this sexual / mental illness into an issue of gender and of degree stands as testament that Michael Haneke, regardless of how hard it is to watch at times, can make some of the strongest remarks through films.

«Trite» really isn't doing justice to the degree to which [the film] has not a single thought, character, or line of dialogue that hadn't been run into the ground by the beginning of the»80s.

The movie, which follows four marines (Mark Wahlberg's Marcus, Taylor Kitsch's Michael, Emile Hirsch's Danny, and Ben Foster's Matt) as they get trapped behind enemy lines during a risky mission, certainly opens with a fair amount of promise, as Berg does a nice job of initially drawing the viewer into the familiar proceedings - although, by that same token, it's clear that the film would've benefited from a more in - depth look at the individual protagonists (ie the four men are, to an increasingly distressing degree, basically interchangeable).

Needless to say, this film is hardly as driven by its musical aspects as its 1969 counterpart, and makes sure to remind you by underusing Richard Addinsell's score, which, upon actually being used, is typically not fleshed out to the fullest, and is all too often tainted by a degree of conventionalism that further disengages, but ultimately does only so much damage to Addinsell's efforts, which are still spirited enough and recurring enough to play something of a hefty part in breathing some liveliness into this generally dry project.

This is a tear jerker film of the upteenth degree but as others have said, this is a story about sisters and true love.

The episodic bent of the film's first half - much of the narrative seems to follow the central characters as they fight one fire after another - does test the viewer's patience to a fairly demonstrable degree, and it's clear that Backdraft, by and large, works best when focused on the rivalry and relationship between the central figures (and how it ultimately affects their respective work).

When I said that the film hits particularly bland spells, I really did mean it, though I'd be lying if I said that the film ever slips into downright dullness, thanks to an adequate degree of colorful wit within Sherriff's, West's and Maschwitz's screenplay, which, at the very least, delivers on engaging characterization that is made all the more engaging by the portrayals of the characters.

To the film's credit, these facts are conveyed with a remarkable of degree of restraint though the fact that you actually see very little of this shocking mayhem doesn't make you feel any less sullied and violated for the mere idea of these crimes having penetrated your consciousness.

The film brings the painful plight of teenage prostitutes to light, refrains from inflicting any degree of blame or shame on them and points to ways they can reclaim their lives.

While the level of edginess or rauchiness has greatly varied from film to film, the vast majority lack even the slightest degree of subtext, which is ultimately what made Landis» work distinctive and subversive.

Again, the film's style is pretty frantic, but it's also refreshingly nifty, offering anything from editing snaps to comic panel and onomatopoeia bounces that Randall Miller, as director, utilized well enough to sustain a degree of entertainment value, kept up after style dies down by directorial plays on music.

But here, he pulls his punches to an enervating degree, somewhat timorously locating the majority of the film's actual conflict within the individual factions, as opposed to between them.

But the array of PG - 13 superhero films that preceded and followed, and that all seemed hypnotized by their own ashy solemnity to one degree or another, made the original «Deadpool» feel like a necessary counterweight.

I Don't Feel at Home in This World Anymore is perhaps most notable as the debut of Macon Blair as a director, who gained notoriety primarily as an actor featured prominently in the films of Jeremy Saulnier (Green Room), to which this film attempts to emulate to some degree.

When Hollywood tackles terrorism, it rarely offers the degree of ambiguity on display in In the Fade and I have never seen a studio - funded film opt for this kind of uncompromising ending.

They're competitive to a degree that almost annoys their friends (One of the film's unspoken jokes is that a character who's prevalent in the prologue isn't in the rest of the film, since, apparently, the couple's competitive streak finally got to him).

Far be it from me to expect any sort of cerebral experience from a slasher about a doll, but it's evident that a degree of thought DID go into this, which makes its overall failure as a horror film all the more disappointing.

This section is the only time that the film actually comes alive with some degree of motion and power, and Cooper Hooper fills the screen with gut - wrenching moments of bravery and cruelty that effectively channels the soul and spirit of the Hugo text.

The themes in the film are remarkably varied and explored with an impressive degree of depth.

By the end of the film, you could lay out a strong case in showing degrees of empathy for Berger, a lonely and virtually broke former idol, who's clearly yearning for connection he's ill equipped to receive, partly because of self - deception