Sentences with phrase «of film direction»

For example: far from providing a satisfying conclusion to the franchise's third installment, you get the feeling that Nate and Sully's desperate escape from the crumbling ruins of Iram in Drake's Deception would come across as rather hackneyed in a blockbuster movie — something ripped straight from the Michael Bay school of film direction.

On the opposite end, young «uns and grown - ups alike will be touched by the poignantly understated — surprisingly so — finale, yet again highlighting the Pixar people's strength in scripting and all facets of film direction.

His work was selected by Clement Greenberg for the New Talent exhibition at the Kootz Gallery in 1949, and a screening of his film Directions: A Walk After the War Games took place at the Museum of Modern Art.

Not exact matches

The direction of the «Ant - Man» film should cause some concern since Wright — who was so passionately involved in the project for nearly a decade, teasing it at Comic Con conventions for years — left when the film is due out in almost a year's time.

At the time of departure, Favreau told MTV he was under the impression Marvel wasn't sure of the direction in which the company wanted to take the film.

But even as his films went in different directions, at the heart of each was a single thread: Martin Scorsese was looking for something.

Last week, Deadline reported that a new installment of the Chronicles of Narnia franchise will take a different direction from the earlier, Disney - influenced films.

At the exact moment that Wilmot gives up on God, Mary Pickford faints while making a film under the direction of D. W. Griffith.

Probably more impressive than the direction of the film is Lucas's achievement with the script.

If Ridley Scott's dark, dystopic film Blade Runner is the popular image of the future American city, here seemed to be a city evolving in a different direction.

The film offers a straight linear tear in the transverse direction, so consumers can just push a hole in the top of the package and easily pull it open.

Mix ground pork, scallions, garlic, soy sauce, salt, wine, sugar, oil, ginger, and pepper with chopsticks in a medium bowl, stirring in one direction until it all comes together and a light film forms on the sides of bowl, about 20 seconds.

The movement is brought to life through «The Experiment,» a film debuting today, featuring van Buuren and under the direction of Philip Andelman — who has worked with Beyoncé, Rihanna, Jay - Z, John Mayer and Lenny Kravitz.

Other assistants showed films of OU players running the USC offense, while Oklahoma's players sat attentively and shouted, «I've got him,» «Direction,» «East,» «Cover,» «West, West.»

There are obviously several directions the next two films could go in, but I think that there is too much potential with Kylo Ren to leave him out of Episode IX.

Netflix has commissioned 10 episodes from the 2018 season, and the production team will film and reveal the intense fight for the heart, soul, and direction for the future of this multibillion - dollar business.»

Schneiderman had, at the direction of Cuomo, himself been probing Vance's office over questions about its handling of groping allegations against film mogul Harvey Weinstein in 2015.

The film creeps up to the edge of predictability on several occasions before veering off in another direction altogether.

The placeholder title card that introduced the film, however, was «Client 9: The Rise and Fall of Eliot Spitzer,» an apt summary of the direction of Gibney's film.

The quantum description of what happens to light going through a polarizing film sounds only slightly different: The light is made up of individual particles called photons, and like a wave, the photons can each have a direction of oscillation.

«In the fine liquid film surrounding the hyphae, bacteria can move with much greater speed and direction and cover more distance than in soil water without hyphae,» says Tom Berthold, first author of the study and a doctoral researcher at the UFZ Department of Environmental Microbiology.

An image of the house, along with a film of Fuller's 1933 Dymaxion Car — a whalelike jet - propelled vehicle that could travel in any direction, in air or on land — appears in Best of Friends, a beautifully integrated exhibition that examines the friendship between Fuller and the sculptor Isamu Noguchi.

These efforts indicated that accentuated patterns can be achieved, but they are unfortunately highly irregular in the spread direction of the film.

To do that, all researchers need to do is to place a muon detector, such as tile - sized special photographic films, underneath, within, or near an object and count the number of muons coming through the thing in different directions.

The spinning disc is covered with a thin magnetic film and a read - write head hovering above it which «senses» the direction of the magnetic regions (or bits) on the disc.

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The rebellion, in a dark place, moves into a positive and hopeful direction by the end of the film.

The key features of James Martini cinematogrpahy that most cetainly would appeal to a client whether an artist or production company is that not only will their film / video shine with the aid of a very creative artistic direction, story boarding and editing, but there is a highly professional full film making experience & service.

It twists and turns multiple times throughout its short running time, borrowing heavily from a variety of films in the horror genre (and other genres as well), but under the sure direction and

Despite an interesting premise and excellent cast, the film flopped, but Arquette continued to work steadily the following year, with lead roles in the black comedy Goodbye Lover; Stigmata, in which she starred opposite Gabriel Byrne as the unwitting target of a supernatural phenomenon; and Martin Scorsese's Bringing out the Dead, a film starring Arquette's then - husband Cage as a burnt - out paramedic.Following the weightiness of the creepy Stigmata and the disturbing Bringing Out the Dead, Arquette took things in a decidedly lighter direction with her next two projects.

The film's default state is an ambient inertia that gestures vaguely in multiple directions without concerning itself with the hard work of constructing an argument, a convincing milieu, or even a compelling mood.

With a decent script and direction picked up by the writer of the previous two films, this is definitely a step in the right direction after the second instalment, but I think this film has a nice cap as a trilogy and does not need to continue.

One of Elvis Presley's best films, Viva Las Vegas benefits from the exuberant direction of MGM vet George Sidney, the young and sexy Ann - Margret as romantic interest, and over 12 melodic songs that take up half of the running time (only 85 minutes).

A much more restrained Xavier Dolan after his pretentious previous film, and he displays an assured direction and firm control of this suspenseful thriller, even though the narrative seems to move too fast as the characters start to act in ways that are not always convincing.

The cast here are well chosen in the parts they play and with effective direction, the film becomes a worthwhile viewing experience that is lots of fun from start to finish.

Corbijn isn't making a stereotypical Hollywood thriller, with the stakes spelled out in neon and the loud fight scenes spaced every few minutes, but he doesn't seem to realize there is such a thing as being too vague, and in his efforts to make some kind of art - house / thriller hybrid, he goes too far the other direction and creates a nicely rendered film with no emotional hook.

Aronofsky is never afraid to take risks with the story and his unflinching direction turns out to be one of the film's greatest assets.

Okay, the film's story is hardly needled - thin, but it is thin, with a limited sense of meaty consequence and direction that may be intentional, but is still kind of problematic, pumping the final product with natural shortcomings that it doesn't simply fail to dilute, but makes all the more glaring with the aforementioned issues in atmospheric and structural pacing.

The unanimously - praised film with a modest budget of $ 23 million deservedly won seven Academy Awards, including Best Picture, Best Director (the first for Spielberg), Best Cinematography (Janusz Kaminski), Best Adapted Screenplay, Best Original Score (John Williams), Best Editing (Michael Kahn), and Best Art Direction.

With 1970's Husbands, Gazzara made the first of four film appearances under the direction of his old Actors Studio buddy John Cassavetes.

A Bob Rafelson film about a young antihero struggling to make sense out of his life and find a new direction for it

One of those «look at me, I'm so trendy» early 90s films that flirted with bisexuality and / or a girl - guy - girl love triangle; the desperation here is palpable and the writing, acting and direction are all sub-sub-par.

The direction of the film is beautifully impressionist.

I was not one of A Beautiful Mind's historical accuracy Nazis, who used the film's marginalization of the real John Nash as a way to bash the film (for my money, it was the horrid screenplay and direction that made it such a painful film to watch, not its artistic rewriting of history), though the erasing of Turing in Enigma is rather distressing.

The excellent performance by Bjork (surprisingly excellent, might I add) and the genius direction of Lars von Trier work perfectly to make one of the best films that have graced the film screen.

The direction by Marc Forster (Quantum of Solace, Stranger Than Fiction) delivers a fast - paced zombie thriller, and with Brad Pitt front and center, there is a grounding of the film in seeming more intelligent and plausible than your typical scare flick.

Dax Shepard, who serves as co-director, one of the several producers, writer, and star of Hit and Run, appears to be heading in the right direction for actors - turned - directors with his off - kilter debut film.

Jason's choice to direct such a different kind of film gives him great merit... and the result is a multi-layered, rich very moving film that takes one in a myriad of emotional directions.

But Mr. Berg's listless direction brings the film so little point of view that it doesn't much matter who lives or dies.

That's the playing field at the start of the film, and the pleasure should be in watching the marbles roll in unexpected directions.