Sentences with phrase «of film excerpts»

Winner of the 2011 Venice Biennial Golden Lion, Christian Marclay's The Clock is a cinematic tour - de-force that unfolds on the screen in real time through thousands of film excerpts that form a 24 - hour montage.

The coverage on BBC One also featured a variety of film excerpts with swearing, including The Riot Club, The Death of Stalin and The Florida Project.

Not exact matches

The music from western culture was designed to induce a range of emotions from calm to excited, and from happy to anxious or sad, and included both orchestral music and excerpts from three popular films (Psycho, Star Wars, and Schindler's List).

Fellini: I'm a Born Liar is a documentary on Federico Fellini's life and work by filmmaker Damian Pettigrew, who combines vintage interview footage of Fellini, new conversations with those who worked with him (including actors Donald Sutherland and Terence Stamp), and excerpts from Fellini's films (some of them previously unseen outtakes) to create an insightful portrait of a remarkable creative mind.

Using archival photos and film, including performances by Simone over a period of more than three decades, excerpts from the singer's diaries, and interviews with family members, friends and musical colleagues, What Happened, Miss Simone?

The film uses excerpts from Italian B movies, rare performance footage and candid interviews with Baker, musicians, friends, battling ex-wives and his children in what turned out to be the last year of his life.

Excerpts from the note read — «I am struggling to find the words to express my gratitude at this moment, but I will try... Deep down we all hoped that people would come to see a film about a fictional country on the continent of Africa, made up of a cast of people of African descent.

Eighty - one minutes of archival - film excerpts from the political career of President Richard M. Nixon

The site features the standard promotional bumf, but does a good job of showing off the film's lavish technical credits, particularly Consolata Boyle's costumes and Alexandre Desplat's lovely score, which is actually more delicate than the selected excerpt here suggests.

An excerpt from Magnolia's description of the film says: «Following a long fascination with [Scientology] and with much experience in dealing with eccentric, unpalatable and unexpected human behavior, the beguilingly unassuming Louis Theroux won't take no for an answer when his quest to enter the Church's headquarters is turned down.

While the main event of the film certainly did happen, as well as some of the scenes (some of them, excerpted from the documentary, are shown during the end credits), the film as a whole does tend to traverse familiar territory as far as feel - good sports films go, especially with the final game where all of the loose ends comfortably fall into place.

In this excerpt from his introduction to the Criterion release of Bresson's Pickpocket, Schrader calls the movie «the most influential film in my creative life» and explains how his obsession with the ethereal crime tale led to his writing Taxi Driver.

Return to Oz fans will be glad to hear that film is given mention and it is one of several properties looking sharp in HD excerpts.

Music frequently plays a crucial role in Denis's films, exemplified by Beau Travail (1999), which expertly mixed a Tindersticks score, excerpts from Benjamin Britten opera «Billy Budd» and Corona's catchy dance hit «The Rhythm Of The Night» to powerful effect.

The non-animated menus incorporate Diego Velázquez's The Rokeby Venus (which figures in the film), watercolor - ish artwork, and photography from the film, along with excerpts of Corrine Bailey Rae's score.

Blu - ray and DVD, with plenty of supplements: new interviews with Otto Preminger biographer Foster Hirsch and music critic Gary Giddins, a featurette on graphic designer Saul Bass and his long collaborative relationship with Preminger, excerpts from a 1967 episode of «Firing Line» featuring Preminger, newsreel footage from the set, and excerpts from a work - in - progress documentary on the making of the film, plus stills, a trailer and booklet with a new essay and an archival article.

Four brief deleted scenes, a rote featurette, an audio recording of Stillman reading an excerpt from the film's novelization (a great read on its own, by the way), and a handsome booklet featuring a brief essay by novelist David Schickler round out the set.

Home Video Notes: The Breakfast Club Release Date: 2 January 2018 Criterion releases The Breakfast Club on home video (Blu - ray) with the following extras: - Audio commentary from 2015 featuring actors Anthony Michael Hall and Judd Nelson - New interviews with actors Molly Ringwald and Ally Sheedy - New video essay featuring director John Hughes's production notes, read by Nelson - Documentary from 2015 featuring interviews with cast and crew - 50 minutes of never - before - seen deleted and extended scenes - Rare promotional and archival interviews and footage - Excerpts from a 1985 American Film Institute seminar with Hughes 1999 radio interview with Hughes - Segment from a 1985 episode of NBC's Today show featuring the film's cast - Audio interview with Molly Ringwald from a 2014 episode of This American Life - Trailer - PLUS: An essay by critic David Kamp

In this wonderful interview excerpt, courtesy of Youtube user andyrodd077, legendary independent filmmaker George Kuchar opens up on his time in the New York film scene.

Special Features Andrei Tarkovsky's short film adaptation of Ernest Hemingway's «The Killers,» made when he was a student in 1956 Interview from 2002 with writer Stuart M. Kaminsky about both films Piece from 2002 in which actor Stacy Keach reads Hemingway's short story «Screen Directors»» Playhouse radio adaptation from 1949 of the 1946 film, starring Burt Lancaster and Shelley Winters Interview from 2002 with actor Clu Gulager Audio excerpt from director Don Siegel's autobiography, «A Siegel Film,» read by actor and director Hampton Fancher Trailers PLUS: Essays by novelist Jonathan Lethem and critic Geoffrey O'Brien

Informative and thorough, the piece opens with background on creators Stéphane Aubier and Vincent Patar, with excerpts of their student short films and the «A Town Called Panic» TV show

The following short excerpt from this supplement is particularly remarkable for being in color (much of the footage is in black and white, like the film itself), which lends an entirely new perspective on some classic images.

It's the first film to be partially shot with a 120 frame per second rate (most films are shot with at 24 fps) and excerpts were recently shown at the National Association of Broadcasters Show in Las Vegas last month who were reportedly blown away.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

An added bonus is that the film's full U.S. theatrical trailer is found near the start of the Charlie Rose excerpt.

PLUS: A booklet featuring a new essay by film scholar Peter Matthews, excerpts from Algeria's National Liberation Front leader Saadi Yacef's original account of his arrest, excerpts from the film's screenplay, a reprinted interview with cowriter Franco Solinas, and biographical sketches of key figures in the French - Algerian War

Also on board for Saturn 3 completists are 10 minutes of excerpts from a crappy old VHS recording of the network - TV version of the film.

Galleries of production stills, production art, filmmaker biographies, posters, lobby cards, merchandise, set documents (call sheets and the like), and a screenplay excerpt of the film's climax (Felton had a beautiful command of language), three radio spots, storyboard - to - screen comparisons for the scuba and squid scenes, an outtakes reel, and 20,000 Leagues Under the Sea's 1954 theatrical trailer finish off this exhaustive treasure chest of a DVD.

Mills pays homage to the books, music, and films that shaped him with title and year - crediting text accompanying excerpts from the likes of Godfrey Reggio's Koyaanisqatsi to Judy Blume's Forever.

Both consider Battle as the end not just of The Hobbit trilogy but the film saga that began with Lord of the Rings, a series liberally excerpted here in both clips and behind - the - scenes.

It includes brief but welcome footage of the real people and even excerpts a couple of the cast's previous Weinstein films (Blue Valentine, Mrs. Henderson Presents), but sadly The Prince and the Showgirl goes unlicensed (even its trailer would have been fitting).

To give you an idea of the treasures you will discover, Rob has kindly agreed to let me run an excerpt of the chapter in which he discusses «Murder by Contract» (a taut and chilling film noir) with director Antonio Campos.

Extras: Two optional English narrations, including one by actor Roy Scheider; audio commentary from 2008 featuring Schrader and producer Alan Poul; interviews from 2007 and 2008 with Bailey, producers Tom Luddy and Mata Yamamoto, composer Philip Glass, and production designer Eiko Ishioka; interviews from 2008 with Mishima biographer John Nathan and friend Donald Richie; audio interview from 2008 with co-screenwriter Chieko Schrader; interview excerpt from 1966 featuring Mishima talking about writing; «The Strange Case of Yukio Mishima,» a 55 - minute documentary from 1985 about the author; trailer; a booklet featuring an essay by critic Kevin Jackson, a piece on the film's censorship in Japan, and photographs of Ishioka's sets.

Supplements include an alternate version of the song «Rahadlakum» (in B&W) from the archives, an audio - only deleted song, two excerpts from the TV series MGM Parade about the film, the 1955 short The Battle of Gettysburg and Tex Avery cartoon The First Bad Men, and trailers from the film and the earlier 1944 version of the musical.

Extras: New program on the film's cinematography featuring a conversation between Lassally and critic Peter Cowie; excerpt from a 1982 episode of «The Dick Cavett Show» featuring Finney; new interview with actor Vanessa Redgrave on director Tony Richardson, to whom she was married from 1962 to 1967; new interview with film scholar Duncan Petrie on the movie's impact on British cinema; illustrated archival audio interview with composer John Addison on his Oscar - winning score for the film; new interview with the director's - cut editor, Robert Lambert; an essay by scholar Neil Sinyard.

PLUS: A booklet featuring a new essay by critic David Sterritt, an appreciation of the film by François Truffaut, and excerpts from Berri's memoir

Merely excerpted in the film as something to which Nicholas is subjected to as part of his CRS sign - up, the full, silent Psychological Test Film (1:07) flashes random varied video snippets and emotional words on screen.

A sharp piece that provides valuable Hammer film excerpts and interviews with a variety of authorities (including Stacy Keach, numerous mystery authors, and Spillane himself, who passed away in 2006), this is a most fitting inclusion.

Continuing on, we still have a lot of features including «Excerpts from Features Where Songs Originated», which focuses on the many of Singin» in the Rain's songs that originally debuted in earlier films.

The fun Rehearsals & Pre-Production (17:03) serves up Ansel Elgort's second audition (which sees the actor lip - synching by a mirror to the Commodores» «Easy», a song that his knowledge of got the movie prominently inserted into the film), an annotated rehearsal of the «Harlem Shuffle» coffee run, and hair / make - up / costume tests set to excerpts of soundtrack songs.

Unsurprisingly, much of «Life Itself» is given over to Ebert's democratizing and popularizing impact on the world of film criticism, with judiciously chosen clips («Bonnie and Clyde,» «Cries and Whispers,» «Raging Bull») and excerpts from those same films» respective reviews used to show how Ebert combined his encyclopedic knowledge of cinema with an accessible, plainspoken writing style that could be understood by anybody.

A montage commemorating the 90th anniversary of the awards included an excerpt of Roger Ebert's beloved speech in which he likened film to a «machine that generates empathy.»

All are suitably excerpted, as, thankfully, are the BTTF films themselves and Huey Lewis» «Power of Love» music video.

Henze's original film output is relatively sparse, but fans of The Exorcist will no doubt recognize him as the composer of «Fantasia for Strings» - the stirring, harsh work that was excerpted by director William Friedkin in his effectively chilling pastiche score, and placed over the movie's final credits.

The rest of the supplements are bite - sized pieces: «Welcome to New Penzance» features footage of the locations, «Set Tour with Bill Murray» is a quick 3 minutes, Bob Balaban introduces short segments of actress Kara Hayward (Suzy) reading excerpts from the (fictional) books featured in the film, and «Cousin Ben» features additional footage of Jason Schwartzman as Cousin Ben.

Special Features Audio commentary from 2002 featuring director Robert Altman and producer David Foster New making - of documentary, featuring members of the Cast and Crew New conversation about the film and Altman's career between film historians Cari Beauchamp and Rick Jewell Featurette from the film's 1970 production Art Directors Guild Film Society Q&A from 1999 with production designer Leon Ericksen Excerpts from archival interviews with cinematographer Vilmos Zsigmond Gallery of stills from the set by photographer Steve Schapiro Excerpts from two 1971 episodes of The Dick Cavett Show featuring Altman and film critic Pauline Kael Trailer PLUS: An essay by novelist and critic Nathaniel Rich

They feature colorful imagery from the film and excerpts from Joe Hisaishi's score, with the most memorable piece of music accompanying the Main and Scene Selection pages.

The Blu - ray and DVD editions both feature a new interview with film critic David Thomson, who offers a crash course introduction to the art and themes of Hawks (it runs about 17 minutes), the new 20 - minute program «Howard Hawks and His Aviation Movies» with film scholars Craig Barron and Ben Burtt, and excerpts from Peter Bogdanovich's 1972 interviews with Howard Hawks (audio only, about 19 minutes), plus the 1939 «Lux radio Theatre» adaptation of the film with stars Cary Grant, Jean Arthur, Rita Hayworth, Richard Barthelmess, and Thomas Mitchell all reprising their roles, and the trailer.

Even though a large part of Brakhage consists of excerpts from his work or footage of him speaking, the film is shaped by the comments of several key authority figures — particularly filmmaker Phil Solomon near the beginning and Sitney near the end — and their remarks shape our view of Brakhage.

At first glance, the film, with its lovingly appointed interiors and its excerpts of poetry on the soundtrack, might strike you as a dull and dutiful enshrinement of Dickinson's brilliance, another ordinary film about an extraordinary artist.