Sentences with phrase «of film frames»

Mounted side - by - side right around the exhibition space, with black sectors butted up against glowing colour, they have something of the effect of film frames.
According to Axel Peemoeller, who worked with Greek designer Dimitris Papazoglou on the project, the identity draws on «key characteristics related to cinema: the projection screen, the repetition of film frames, the sense of movement and time, and cinema theatre seating.»
Helpless H.I. is thrust from one outlandish situation to another throughout, the wide - angle lenses warping the edges of the film frame and bending the fragile borders of H.I.'s topsy - turvy world.

Not exact matches

A second and third installment of Avatar are in the works, and at a recent comic convention Cameron said the films may be shot at a higher frame rate than the industry standard to make the film seem even more real.
Given the painstaking frame - by - frame choreography of a film like this, it seems Anderson failed to entirely consider how this might come off to an even remotely skeptical viewership.»
As the film progresses and the ball starts moving away from its center position of the image because of poor camera work, the algorithm can essentially rotate each key frame so that the ball magically appears in the same spot in every frame.
In the first instance, then, I shall, as it were, be stopping the film and examining a single frame, pointing to various of its details and suggesting their overall significance.
This is because her life radiates beauty: through her hospitality to friends and strangers alike, through her joyful laugh, through her care of those in need, through her passion for education, through her love of framing things on film through the lens of a camera, through her ability to be patient with her doofus husband, through her genuine love for God, through her sacrificial generosity to those with less than we have, and even through her stubborn refusal to let me get away with any of my trademark snark.
In France, Henri Bergson noted that reality is a dynamic flux, like a cinema, from which abstractions, like single frames of the film, are made; for intelligibility the abstractions must be referred back to the élan vital from which they were originally drawn; intuition is more perceptive of reality than abstractions.
That's one question the film subtly explores — Oyelowo is marvelous, no doubt, and Young places him dead center in the frame over and over, thereby conveying the weight of the movement depending on him.
Near the bar there's the large wicker basket overflowing with game balls; the Caddyshack poster signed by the film's stars is in the home theater (used exclusively, alas, for watching game video); and in the weight room, a wall is lined with framed photographs of the proprietor schmoozing with some of football's most recognizable faces.
In a highlight film of his career that was shown at a testimonial dinner for him last year, Marino appears on camera, full frame, with a few earnest opening remarks about how he'd like to be remembered as a team man who worked as hard as he could, and as a team leader, etc..
Vicky Abeles, the mother of three kids who were scorched by the heat of extreme academic competition, framed her film as a cautionary tale.
With the new software, the frame rate of the same film could be determined in about five minutes.
Another time sink Kowash helped alleviate was reading the size of the shockwave from frame to frame, something that could take days to complete manually for each film.
The motion of these markers could be tracked using six infrared cameras filming at 200 frames per second while the player was throwing.
Plateau hypothesized that when you dip a rigid wire frame into a soap solution, the surface of the soap film formed on the frame represents a minimum mathematically possible area, no matter the shape of the frame.
Software developed by LLNL computer scientist Jason Bender scans each frame of the films to automate the measurement process.
To achieve the high - definition needed for the big screen, Domino takes images which have been shot on movie film and converts them into a video format by breaking each of the 24 frames per second into a mosaic of 3000 × 2000 picture points.
And whereas the sequence of events around the eruption in the film was accurate, Lopes says, the time frame was somewhat accelerated.
Scientists have succeeded in «filming» inter-molecular chemical reactions — using the electron beam of a transmission electron microscope (TEM) as a stop - frame imaging tool.
While filming the elusive Basilisk lizard, which can sprint on water for up to 100 feet in moments of danger, photographers ventured deep into the Brazilian rain forest with a super-slow-motion camera shooting at 2,000 frames per second, 80 times as rapid as a traditional camera.
After filming an actor making a variety of expressions indicating, say, «happiness», an expert animator selected 10 frames showing different variations of the expression and manually set the servos in Jules's face to match.
The modulators can refresh their patterns at 240 hertz, or 240 times a second, so even at six patterns per frame, the system could play video at a rate of 40 hertz, which, while below the refresh rate common in today's TVs, is still higher than the 24 frames per second standard in film.
Working with Gregory Sutton of the University of Bristol, UK, Burrows filmed the gears at 5000 frames per second and confirmed that they mesh with each other (see video, top).
Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop frame — guests signed a wooden heart, and dropped them into a frame)(made by ourselves)- Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures of my grandfathers on them.
Which yes, the movie 100 percent tugs on every ounce of nostalgia you have for the original film, even mirroring many of the scenes, frame by frame.
Even the films poster is beautiful, the kind of classic colourful movie poster you could frame and hang on your wall.
Gamble fuck what Thomas Edison might have said, holy shit man, the average filmgoer to the average film blogger, show me this barrage of complaints about frame rates, show me in the span of Row Three, and all the shit that has been parsed over in 100 + threads about everything film related or otherwise, where this great wealth of historical proof exists where people, the masses, film fans, have been complaining about film rates.
It's really good, deserves respect for its treatment of the subject matter, and is a great example of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right frame of mind, or maybe I've just seen too many films like this already, but I don't think it's quite as good as everyone else does.
Although the very last frames of the film made me smile, immensely, I left the film with a bad taste in my mouth.
People have complained about frame rates since the inception of film.
At the core of all his films is heart, Love is in every frame as honestly as it could be perceived.
(Among the film's principals Wolverine alone suffers the torment of having his consciousness exist in two time frames at once, but the actor seems to be having fun).
The Hudsucker Proxy is the Coens» fifth feature in a decade, and you can see their tremendous artistic growth in every frame of the film.
With every frame, he demonstrates the power of the film maker to distill complex events into fiercely indelible images.
Visually this film is pretty well shot, with balanced, eye catching frames, and beautiful visuals of the Seattle landscape.
There's little doubt, too, that the film's hands - off vibe is perpetuated by Abdalla's sleepy, far - from - charismatic turn as the one - note central character, and it's clear that The Narrow Frame of Midnight's few moments of electricity are thanks entirely to Choutri's captivating, Vincent Cassel - like performance.
The film is framed by a letter that Caroline, afflicted with a mortal case of Scarlet Fever, is writing to her young «uns in 1775, a communication that tells the story of a woman who despite her beauty and charm is not particularly liked by her new husband.
Little more than boring extended battle scenes between the two, framed by the killing of teenagers who usually deserve their demises, Freddy vs. Jason is one of the year's worst films.
When Dustin informed me of Pajiba's films of the 1980s retrospective, I was a little ambivalent to write on one of the first films I remember seeing theaters, Tim Burton's Batman (1989; I think the honor for the first film I saw in a theater was Who Framed Roger Rabbit).
Speaking of James Cameron, I heard that he is actually planning at shooting the next AVATAR film at an even high frame rate (60 fps)
Clooney's presence and the little bits of English are the only things that set Corbijn's film apart from the clear influences of Italian masters like Fellini and Antonioni in just about every frame.
After some opening images — a shadowy blond figure, complete with trench coat and heels, dumping a corpse off a bridge — that immediately frame its tale of moneyed madness through the greasy lens of B - movie schlock, the film moves to an aging Durst (here renamed David Marks and played by Ryan Gosling) on the witness stand.
Every frame pulses with hard - gained experience: it may be the most lived - in film of 2012, and certainly counts among the most moving.
The ironic distance derived from the film's framing device and fourth wall — breaking helps emphasizes the drab ordinariness and the utter acceptability of such cruelty.
While it has visual energy to spare, the movie is more relaxed and less flamboyantly playful than most of Honore's other films, unfolding with naturalistic grace — precise but unfussy framing, fluid camera movements — and fewer New Wave - y winks and nods.
This is «Arrival» without any hint of Amy Adams optimism, something Alex Garland's film smothers, from first frame to last.
Discounting the hokey framing device of host Robert Mitchum wandering through an attic full of Huston memorabilia, this two - hour plus film is a remarkable chronicle of a remarkable man.
The mood is also helped by an excellent score by David Holmes that taps into a 70's caper vibe while Soderbergh employs a whole host of stylistic, directorial flourishes; he cleverly plays with the time frame throughout the narrative with complex use of flashbacks and freeze frames and puts a fresh spin on film noir.
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