Mounted side - by - side right around the exhibition space, with black sectors butted up against glowing colour, they have something of the effect
of film frames.
According to Axel Peemoeller, who worked with Greek designer Dimitris Papazoglou on the project, the identity draws on «key characteristics related to cinema: the projection screen, the repetition
of film frames, the sense of movement and time, and cinema theatre seating.»
Helpless H.I. is thrust from one outlandish situation to another throughout, the wide - angle lenses warping the edges
of the film frame and bending the fragile borders of H.I.'s topsy - turvy world.
Not exact matches
A second and third installment
of Avatar are in the works, and at a recent comic convention Cameron said the
films may be shot at a higher
frame rate than the industry standard to make the
film seem even more real.
Given the painstaking
frame - by -
frame choreography
of a
film like this, it seems Anderson failed to entirely consider how this might come off to an even remotely skeptical viewership.»
As the
film progresses and the ball starts moving away from its center position
of the image because
of poor camera work, the algorithm can essentially rotate each key
frame so that the ball magically appears in the same spot in every
frame.
In the first instance, then, I shall, as it were, be stopping the
film and examining a single
frame, pointing to various
of its details and suggesting their overall significance.
This is because her life radiates beauty: through her hospitality to friends and strangers alike, through her joyful laugh, through her care
of those in need, through her passion for education, through her love
of framing things on
film through the lens
of a camera, through her ability to be patient with her doofus husband, through her genuine love for God, through her sacrificial generosity to those with less than we have, and even through her stubborn refusal to let me get away with any
of my trademark snark.
In France, Henri Bergson noted that reality is a dynamic flux, like a cinema, from which abstractions, like single
frames of the
film, are made; for intelligibility the abstractions must be referred back to the élan vital from which they were originally drawn; intuition is more perceptive
of reality than abstractions.
That's one question the
film subtly explores — Oyelowo is marvelous, no doubt, and Young places him dead center in the
frame over and over, thereby conveying the weight
of the movement depending on him.
Near the bar there's the large wicker basket overflowing with game balls; the Caddyshack poster signed by the
film's stars is in the home theater (used exclusively, alas, for watching game video); and in the weight room, a wall is lined with
framed photographs
of the proprietor schmoozing with some
of football's most recognizable faces.
In a highlight
film of his career that was shown at a testimonial dinner for him last year, Marino appears on camera, full
frame, with a few earnest opening remarks about how he'd like to be remembered as a team man who worked as hard as he could, and as a team leader, etc..
Vicky Abeles, the mother
of three kids who were scorched by the heat
of extreme academic competition,
framed her
film as a cautionary tale.
With the new software, the
frame rate
of the same
film could be determined in about five minutes.
Another time sink Kowash helped alleviate was reading the size
of the shockwave from
frame to
frame, something that could take days to complete manually for each
film.
The motion
of these markers could be tracked using six infrared cameras
filming at 200
frames per second while the player was throwing.
Plateau hypothesized that when you dip a rigid wire
frame into a soap solution, the surface
of the soap
film formed on the
frame represents a minimum mathematically possible area, no matter the shape
of the
frame.
Software developed by LLNL computer scientist Jason Bender scans each
frame of the
films to automate the measurement process.
To achieve the high - definition needed for the big screen, Domino takes images which have been shot on movie
film and converts them into a video format by breaking each
of the 24
frames per second into a mosaic
of 3000 × 2000 picture points.
And whereas the sequence
of events around the eruption in the
film was accurate, Lopes says, the time
frame was somewhat accelerated.
Scientists have succeeded in «
filming» inter-molecular chemical reactions — using the electron beam
of a transmission electron microscope (TEM) as a stop -
frame imaging tool.
While
filming the elusive Basilisk lizard, which can sprint on water for up to 100 feet in moments
of danger, photographers ventured deep into the Brazilian rain forest with a super-slow-motion camera shooting at 2,000
frames per second, 80 times as rapid as a traditional camera.
After
filming an actor making a variety
of expressions indicating, say, «happiness», an expert animator selected 10
frames showing different variations
of the expression and manually set the servos in Jules's face to match.
The modulators can refresh their patterns at 240 hertz, or 240 times a second, so even at six patterns per
frame, the system could play video at a rate
of 40 hertz, which, while below the refresh rate common in today's TVs, is still higher than the 24
frames per second standard in
film.
Working with Gregory Sutton
of the University
of Bristol, UK, Burrows
filmed the gears at 5000
frames per second and confirmed that they mesh with each other (see video, top).
Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop
frame — guests signed a wooden heart, and dropped them into a
frame)(made by ourselves)-
Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite
film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures
of my grandfathers on them.
Which yes, the movie 100 percent tugs on every ounce
of nostalgia you have for the original
film, even mirroring many
of the scenes,
frame by
frame.
Even the
films poster is beautiful, the kind
of classic colourful movie poster you could
frame and hang on your wall.
Gamble fuck what Thomas Edison might have said, holy shit man, the average filmgoer to the average
film blogger, show me this barrage
of complaints about
frame rates, show me in the span
of Row Three, and all the shit that has been parsed over in 100 + threads about everything
film related or otherwise, where this great wealth
of historical proof exists where people, the masses,
film fans, have been complaining about
film rates.
It's really good, deserves respect for its treatment
of the subject matter, and is a great example
of what I love about 70s cinema, but I just didn't get blown away by it, Maybe I just wasn't quite in the right
frame of mind, or maybe I've just seen too many
films like this already, but I don't think it's quite as good as everyone else does.
Although the very last
frames of the
film made me smile, immensely, I left the
film with a bad taste in my mouth.
People have complained about
frame rates since the inception
of film.
At the core
of all his
films is heart, Love is in every
frame as honestly as it could be perceived.
(Among the
film's principals Wolverine alone suffers the torment
of having his consciousness exist in two time
frames at once, but the actor seems to be having fun).
The Hudsucker Proxy is the Coens» fifth feature in a decade, and you can see their tremendous artistic growth in every
frame of the
film.
With every
frame, he demonstrates the power
of the
film maker to distill complex events into fiercely indelible images.
Visually this
film is pretty well shot, with balanced, eye catching
frames, and beautiful visuals
of the Seattle landscape.
There's little doubt, too, that the
film's hands - off vibe is perpetuated by Abdalla's sleepy, far - from - charismatic turn as the one - note central character, and it's clear that The Narrow
Frame of Midnight's few moments
of electricity are thanks entirely to Choutri's captivating, Vincent Cassel - like performance.
The
film is
framed by a letter that Caroline, afflicted with a mortal case
of Scarlet Fever, is writing to her young «uns in 1775, a communication that tells the story
of a woman who despite her beauty and charm is not particularly liked by her new husband.
Little more than boring extended battle scenes between the two,
framed by the killing
of teenagers who usually deserve their demises, Freddy vs. Jason is one
of the year's worst
films.
When Dustin informed me
of Pajiba's
films of the 1980s retrospective, I was a little ambivalent to write on one
of the first
films I remember seeing theaters, Tim Burton's Batman (1989; I think the honor for the first
film I saw in a theater was Who
Framed Roger Rabbit).
Speaking
of James Cameron, I heard that he is actually planning at shooting the next AVATAR
film at an even high
frame rate (60 fps)
Clooney's presence and the little bits
of English are the only things that set Corbijn's
film apart from the clear influences
of Italian masters like Fellini and Antonioni in just about every
frame.
After some opening images — a shadowy blond figure, complete with trench coat and heels, dumping a corpse off a bridge — that immediately
frame its tale
of moneyed madness through the greasy lens
of B - movie schlock, the
film moves to an aging Durst (here renamed David Marks and played by Ryan Gosling) on the witness stand.
Every
frame pulses with hard - gained experience: it may be the most lived - in
film of 2012, and certainly counts among the most moving.
The ironic distance derived from the
film's
framing device and fourth wall — breaking helps emphasizes the drab ordinariness and the utter acceptability
of such cruelty.
While it has visual energy to spare, the movie is more relaxed and less flamboyantly playful than most
of Honore's other
films, unfolding with naturalistic grace — precise but unfussy
framing, fluid camera movements — and fewer New Wave - y winks and nods.
This is «Arrival» without any hint
of Amy Adams optimism, something Alex Garland's
film smothers, from first
frame to last.
Discounting the hokey
framing device
of host Robert Mitchum wandering through an attic full
of Huston memorabilia, this two - hour plus
film is a remarkable chronicle
of a remarkable man.
The mood is also helped by an excellent score by David Holmes that taps into a 70's caper vibe while Soderbergh employs a whole host
of stylistic, directorial flourishes; he cleverly plays with the time
frame throughout the narrative with complex use
of flashbacks and freeze
frames and puts a fresh spin on
film noir.