Sentences with phrase «of filmmakers»

There are a number of filmmakers who really love making images.

Whenever I see somebody write very personal attacks on the works of filmmakers I just wonder what the purpose of that really is.

I felt very lucky to be a part of such an amazingly talented group of filmmakers with such a broad range of diverse projects across all genres.

But the fact that such a question is raised at all is a testament to the accomplishment of the filmmakers in tackling material that is so well - known.

This is just the beginning for this talented team of filmmakers.

He is also one of a decreasing number of filmmakers that still shoot movies on film instead of digital.

And it allows for both absolute creative control on the part of the filmmaker over all the marketing material, and you're closer to your money.

There aren't many directors willing to start their sophomore film with fifteen dialogue - free minutes, but that's the kind of filmmaker this is — one willing to take risks.

I'd love to be wrong, but lots of filmmakers can talk a good game before a remake / reboot comes out.

2015 has been a rich and rewarding year of discovering new cinema talents and being excited by the ongoing creativity of filmmakers whose work continues to enrich our lives.

All signs point to another strong festival, with a top tier list of filmmakers likely to make the journey.

In addition to the entertainment, you'll be supporting our local community of filmmakers.

The Departure is an excellent example of a filmmaker finding a perfect wavelength with her main character.

I got to tell so many of the filmmakers I love how much their work means to me.

The whole interview is highly recommended for any fans of this filmmaker, or of fantasy and horror cinema in general.

The anthology was produced with the full support of the filmmakers and estates and the help of many generous contributors.

They need to be unique and true voices of the filmmakers behind them.

A feeling of a filmmaker pushing not only the cinematic language, but his themes to the highest levels.

And maybe the biggest reason to respect the hell out of this filmmaker.

Do you believe that provoking an emotional response from the audience is the primary goal of a filmmaker?

Once again, this is probably the intent of the filmmakers that some audiences may love, but for me, the movie just left me wanting more.

I don't think that is the intention of the filmmakers.

It's the only scene where you're aware of the filmmaker's hand, but the sequence still has its moments.

And even the greatest of filmmakers aren't likely to be able to give us images, performances and moments that exceed the ones we've been imagining forever.

None of those filmmakers are quite as locked off as us.

They show the early evolution of a filmmaker who was about to make his most widely acclaimed work.

The only real interesting things to discuss here are the choices of the filmmakers.

The zoo was founded in 1983 by a crew of filmmakers.

It is never easy to follow a successful debut and the pressure that goes with that can distract the best of filmmakers.

What they appreciate is the filmmaking and the challenge of the filmmakers, and they are really lovers of film.

First up is probably our most anticipated of the lot because of the filmmakers involved.

To the credit of the filmmakers, Fury is a movie that left me emotionally exhausted at the end.

The work that defined the genre for the subsequent four decades of filmmakers, none of whom was able to surpass it for style or suspense.

Here are 10 movies we're looking forward to, based on the trailers and track record of the filmmakers and actors involved.

What emerges from this interview is a clear sense of each filmmaker's personal perspective on the nature of cinematic storytelling and the role of high technology in the filmmaking process.

If you have a history of not being open to certain types of filmmakers, you may be missing out.

It's one of those situations where you feel that instead of the filmmakers asking themselves if they could make a better movie, they needed to ask themselves if they should.

This diverse group is made up of filmmakers, producers, and writers, most of whom have non-profit, education, and artistic backgrounds.

It's a balance few such films can ever respectfully achieve and this group of filmmakers understands that it all lies in the details.

While some material is tongue in cheek, the majority of it feels like unwanted short stories or art school projects used to help hone the craft of filmmakers.

It's the fault of the filmmakers that his importance is not properly translated to the screen.

Perhaps the most important lessons we can learn is, as one of the filmmakers put it, educators can begin to make changes without more resources.

Our annual film festival considers the film's point of view, subjects or background of the filmmaker.

These are like the missing links in the cracks of a filmmaker's evolution.

It makes you wonder who these idiots of filmmakers are trying to market to.

But I'm not talking about the pedigree of the filmmakers.

Almost There displays the vulnerability of both filmmaker and subject in such a way that process and product are woven together.