Her work consists
of fine lined drawings to hyper bizarre dream - like paintings with influences bleeding out of the i
Not exact matches
The pen and display have more than 4,000 levels
of sensitivity, so writing feels more natural —
drawing lightly will leave
fine lines while a hard - pressed hand will create darker ones.
Of course, you have to
draw a
fine line with this.
«Our objective is not to diminish legitimate expression
of political or religious views, but rather incitement to terrorism — and there is a
fine line there that the legislation will try to
draw,» Kenney said in an interview Tuesday.
That there is a basis
of fact somewhere behind it all need not be doubted, but he would be a bold man who should presume to
draw a
fine line between fact and symbol.
Working on
fine motor control
of the pencil for writing a good exercise is
draw and erase on the chalk board — we did it with some
of the starting
lines for letter formation and had a lot
of fun with it.
Some parents are
fine with this, budgeting the expense into the overall cost
of their children's college educations, while others
draw the
line at funding a beer - soaked week
of partying.
Commiserating about the trials and tribulations
of new parenthood is all
fine and good, but where should you
draw the
line?
They are required to tread a
fine line and by
drawing the ire
of both sides must be getting it right much
of the time.
Not surprisingly, the congressman seems to think the current system
of drawing legislative and congressional
lines words just
fine, thank you very much.
There are many, many more sources
of science information and the fact is that if we were still publishing print articles that were
of the same length that we had back in those days, and if we were largely illustrating the magazine with lots
of black and white photographs and small
fine line drawings — as wonderful as those are — the fact is it would not look very appealing to most
of the people, who enjoy Scientific American and benefit from it now.
The
fine tip
of Maybelline's waterproof liner makes it easy to keep a steady hand and
draw on a precise
line that can easily be built upon.
Starting from the inner corner
of the eye,
draw a very
fine line as close as possible to the lash
line.
Inspired by the smooth
lines of a calligraphy pen, this waterproof liquid eyeliner by Marc Jacobs
draws the
finest lines with perfect definition.
Thomas Q. Napper
draws a
fine line between sports and drama delving into the bleakness and destitute life
of Johnny, overshadowed by the seedy underbelly
of the boxing circuit.
There isn't anything new that Swimming Pool delivers that hasn't been done before, playing in the same creative pool as neo-Hitchcockian auteurs have frequently done, with
fine lines drawn between fiction and fact that is summed up in an ending
of irony that leaves you unsettled as to what was going on all along.
Kant
draws a
fine line between the concepts
of altruism and touches a sensitive nerve, as he evaluates that being altruistic distinguishes a narrow margin between a narcissistic tendencies when it is not supported by a true sense
of duty, in fact if unexamined, may even lead to behavioural and attitude patterns closely bordering to neo-colonialism, and actions based on immoral motives; double agenda's that we allow the governments to
draw.
«The all - new Optima is a new strand in Kia's growing design DNA with a blend
of simple and fluid
lines and elegant but uncomplicated shapes that
draw the attention
of the eye in much the same fashion as a perfectly - tailored
fine Italian suit,» said Peter Schreyer, chief design officer, Kia Motors Corporation.
Although Gloeckner's fictionalized diary isn't rendered exclusively in panels, her intermittent
fine -
lined black - and - white
drawings are essential to the gravity
of the story, so it seems comfortably at home on this list.
One
of the drawbacks
of the Sony Stylus is that it is not pressure sensitive, this means you can not
draw light and
fine lines by just pressing down.
Author Elizabeth Freedman, an MBA and corporate career consultant, gets nitpicky with the newly hired, helping
draw the
fine lines of the workplace, like the difference between...
Creators Keiji Nakazawa, creator
of the popular Barefoot Gen, has announced he's retiring because cataracts and retinopathy prevent him from
drawing fine lines.
On the upside, given the volatile nature
of today's international political climate, there's a wealth
of stories to
draw from that could give Sam or a brand new protagonist a lot
of leeway in exploring the
fine line and moral ambiguities associated with political espionage.
Enigmatic and organic, the
drawings are delicately realised in graphite and ink: Osiris is shown sitting on a watery black throne; a blindfolded figure with multiple top hats takes spectral shape against a network
of fine lines in a reference to the late performance artist James Lee Byars and his trademark costume.
1993 Les Amis des Musées de Verviers: Aspects de la mouvance construite internationale, Fondation Pro Mesures Art International, Verviers, Belgium (catalogue) Yale Collects Yale, Yale University Art Gallery, New Haven, CT Skowhegan 93, Colby College Museum
of Art, Waterville, ME (booklet) Building a Collection: The Department
of Contemporary Art, Museum
of Fine Arts, Boston, MA Artists» Photographs: A Private View, Blum Helman Gallery, New York Live in Your Head, Hochschule für Angewandte Kunst and Galerie Metropol, Vienna (curated by Robert Nickas, catalogue) The Tradition
of Geometric Abstraction in American Art 1930 — 1990, Whitney Museum
of American Art, New York 15th Anniversary Group Exhibition, Arthur Roger Gallery, New Orleans, LA
Drawing the
Line Against AIDS, AmFAR Art Against AIDS, Venice Biennale, Venice Looking at Collecting Today, Chateau de Tanlay, Burgundy, France Legend In My Living Room, Rhona Hoffman Gallery, New York I Love You More than My Own Death, Venice Biennale, Venice Italia - America, L'Astrazione Ridefinita, Galleria Nazionale d'Arte Moderna, San Marino, Italy (curated by Demetrio Paparoni, catalogue) New York Painters, Sammlung Goetz, Munich (catalogue) Legend in My Living Room, Rhona Hoffman Gallery, New York Wall Works, Edition Schellmann, Cologne, Germany Works on Paper, Kohn Abrams Gallery, Los Angeles Twenty Years, Daniel Weinberg Gallery, Santa Monica, CA Peter Halley, Todd Levin, Thread Waxing Space, New York (video project) Living with Art: The Collection
of Ellyn & Saul Dennison, The Morris Museum, Morris, NJ (catalogue) Color, Pamela Auchincloss Gallery, New York New York on Paper, Galerie Thaddaeus Ropac, Paris
Recent solo exhibitions
of Gego's work include Gego: Between Transparency and the Invisible, The Museum
of Fine Arts, Houston (2005), and The
Drawing Center, New York (2007); Gego: Defying Structures, Museu de Arte Contemporánea de Serralves, Porto; and Gego:
Line as Object, Hamburger Kunsthalle, Kunstmuseum Stuttgart, and Henry Moore Institute, Leeds (2013).
Other standout works include Drew Shiflett's constructed
drawing Untitled # 66, 2012 a rippling expanse
of handmade paper inscribed with a network
of fine lines that accumulate across its broad surface.
One, Degas: A New Vision at the Museum
of Fine Arts, Houston, is sprawling and comprehensive; the other, Picasso The
Line at the Menil Collection, spans every period
of the Spanish artist's long career but focuses on «Linear Picasso» as played out in about 100 works on paper — mostly
drawings.
What / Why: «The School
of the Museum
of Fine Arts, Boston's current exhibition, «Something Along Those
Lines,» features modern and contemporary artists whose works
draw on performative, sculptural and conceptual engagements with the
line, including Gego, Felix Gonzalez - Torres, Sol LeWitt and more.
Vernon Fisher, Joseph Havel, Terrell James, Dean Ruck:
Drawings, Devin Borden Hiram Butler Gallery, Houston, Texas Leandro Erlich, Terrell James, Joseph Havel and Dean Ruck: Four Artists from Houston, The Old Jail Art Center, Albany, Texas Showroom, The Arts Center
of the Capitol Region, Troy, New York Whitney Biennial
of American Art, Whitney Museum
of American Art, New York, New York Crossing State
Lines: Texas Art from the Museum
of Fine Arts, Houston.
The paintings have a physicality that is described through the monochromatic brush strokes and the punctured holes
of the
drawn lines that pierce the surface
of the canvas, yet from a distance, they appear to be flat and suggest a
fine line drawing.
FOLEY brings together
fine line and obsessive precision in the disciplines
of drawing, cut paper, painting and photography.
1993 Merce Cunningham Dance Company Benefit Art Sale, 65 Thompson Street, New York, USA I am the Enunciator, Thread Waxing Space, New York, USA Darkness and Light, Blaffer Gallery, University
of Houston, USA (curated by Marti Mayo) Zeichnungen setzen Zeichen, Galerie Raymond Bollag 1, Zurich, Switzerland 44 Kunstler der Documenta IX: Arbeiten auf Papier Rewriting History: The Salon f 1993, Montgomery Glasoe
Fine Art, Minneapolis, USA Painting, Texas Gallery, Houston, USA
Drawing the
Line Against AIDS, Peggy Guggenheim Collection, Venice, Italy (Under the aegis
of the 45th Venice Biennale — Reinstalled at the Guggenheim Museum Soho, New York) XLV Biennale di Venezia, Italy, Tresors de Voyage (al Monastero dei Padri Mechitaristi dell» isola di San Lorenzo degli Armeni) Abstract — Figurative, Robert Miller Gallery, New York, USA Eight Painters: Abstraction in the Nineties, Carl Solway Gallery, Cincinnati, USA Living with Art: The Collection
of Ellyn & Saul Dennison, Morris Museum, Morristown, USA
«Absence
of Light» is the sequel to Bruce French's 2008 solo show and will feature signature
fine line drawings, translated into painting, sculpture and limited edition screen prints.
New York, NY - Robert Simon
Fine Art and Grand Central Atelier present an exhibition of contemporary paintings and drawings alongside old masters works, revealing the unbroken line of fine art in
Fine Art and Grand Central Atelier present an exhibition
of contemporary paintings and
drawings alongside old masters works, revealing the unbroken
line of fine art in
fine art int...
With their fields
of fine horizontal
lines and textures, usually achieved by
drawing a wide broom across the canvas, Mr. Whitten's 70's paintings present sauve, understated unities.
Drawing a
fine line between voyeurism and vigilance, Indian artist Abir Karmakar's second solo exhibition «Uncanny Space» at Aicon Gallery continues with his preoccupation
of...
He would serve in the Army, receive an MFA from the Cranbrook Academy
of Art, teach college art classes for over thirty years in East Texas, and become a Catholic deacon, all the while rejecting painterly abstraction to produce
fine -
lined drawings about love, anger, and passion, so richly layered they recall art by Christian mystics like Hieronymus Bosch, William Blake, and Henry Darger.
His work has been shown at numerous exhibitions, including Addis Calling Group Show, Addis
Fine Art (2016), Flying Spoons sculptural exhibition at Asni Gallery in Addis Ababa (2015),
Draw Me A Castle, Alliance Ethio - Française, Addis Ababa and Paris (2011), Future Makers international group photo exhibition at the National Museum
of Ethiopia and Goethe Institute (2012) and The
Fine Line Between, Lela Gallery (2008).
SOLO SHOWS 2014 EBK Gallery, Hartford, CT Amy Simon
Fine Art, Westport, Ct, Out
of Line William - Scott Gallery, Provincetown, MA, TRASHED 2013 The Orison Project, Essex, CT, TRASHED 2012 Garrison Art Center, Garrison, NY, Recent Paintngs William - Scott Gallery, Provincetown, MA, STICK IT 2011 Sarah Doyle Gallery, Brown University, Providence, RI, HOSE ME EO Art Lab, Chester, CT, STICK IT 2010 William - Scott Gallery, Provincetown, MA 2009 EO Art Lab, Chester, CT, Hose Me 2007 EO Art Lab, Chester, CT, Laid Rubber Diane Birdsall Gallery, Old Lyme, CT, Tie Me Down 2006 Diane Birdsall Gallery, Old Lyme, CT, Leaners and Hangers 2004 University
of Connecticut, Avery Point, Alexey Von Schlippe Gallery
of Art, Landscape 2002 University
of Connecticut, Avery Point, Alexey Von Schlippe Gallery
of Art, New Paintings 2000 University
of Connecticut, Avery Point, Alexey Von Schlippe Gallery
of Art, The C Word 1995 Viridian Gallery, New York, NY, Mixed Landscape 1991 Queens College Art Center, Queens, NY, Between Something and Nothing Pump House Gallery, Hartford, CT, Between Something and Nothing 1988 Bratton Gallery, New York, NY, Yesturday I Found My Soul 1986 Cummings Art Center, Connecticut Collage, New London, CT, Illuminated Paintings Artworks Gallery, Hartford, CT, Illuminated Paintings MUSEUM EXHIBITIONS 2011 Housatonic Museum
of Art, SLASH, group exhibition 2000 Stamford Museum and Nature Center, Stamford, CT (Juror: Lauren Ross, White Columns Gallery, NY, NY, NEW ART ANNUAL 2000) 1997 Stamford Museum and Nature Center, Stamford, CT Solo Show Award (Juror: Ann Philbin, Director
of The
Drawing Center NY, NY, New Art Annual 1997) 1996 Stamford Museum and Nature Center, Stamford, CT 4 Winners Stamford Museum and Nature Center, Stamford, CT (Juror: Jill Snyder, Director
of the Aldrich Museum
of Contemporary Art in Ridgefield, CT, New Art Annual 1996) Stamford Museum and Nature Center, Stamford, CT (Juror: Dorothy Mayhall, Director, Stamford Museum and Nature
In the late 1970s, he began his «excavations» — a series
of drawings using gesso, graphite, brushed paint, and a tjanting tool, which allowed him to apply hot wax to his works in a
fine, controlled
line.
Smith builds on his
drawings with thousands
of intricate
fine lines that make for hypnotizing shapes while Sheinkman, on the other hand, takes advantage
of the agile eraser on graphite covered paper to create a moody, moving image through the process
of removal.
Rosenthal's recent exhibitions include Mia Rosenthal: Paper Lens at the Pennsylvania Academy
of the
Fine Arts, a little bit everyday at Gallery Joe, 12th National
Drawing Invitational: Outside the
Lines, Arkansas Arts Center, Little Rock, AR,
Drawn to Nature at the Glyndor Gallery, Wave Hill, Bronx, NY, and Here and Now: Prints,
Drawings and Photographs by 10 Philadelphia Artists at the Philadelphia Museum
of Art.
There are two wonderfully sinuous
line drawings that Harvey made
of the bearded Brancusi, along with two photographs he took
of her in his famed Paris Studio, in Anne Harvey: Private Life at Steven Harvey
Fine Art Projects (May 10 — June 11, 2017).
There even is a tendency to
draw a parallel between Meppayil's works and the
fine line drawings of artist Nasreen Mohamedi.
Contrary to the aggressive pace
of Wheat's more recent paintings, these
drawings were intimately cast with delicate nets
of fine lines.
Brooklyn, NY EDUCATION 2012 New York Studio School, MFA 2009 Amherst College, BA 2008 Worcester College, Oxford SOLO EXHIBITIONS 2017 Works from the Louis - Dreyfus Family Collection, University
of Tulsa, Tulsa, OK 2015 Eleanor Ray: Paintings, Steven Harvey
Fine Art Projects, New York, NY 2014 Eleanor Ray: Paintings, Steven Harvey
Fine Art Projects, New York, NY TWO PERSON EXHIBITIONS 2016 Fred Reichman and Eleanor Ray, The Landing, Los Angeles, CA 2013 Julian Bell and Eleanor Ray, Steven Harvey
Fine Art Projects, New York, NY SELECTED GROUP EXHIBITIONS 2018 The Case Against Reality, Marinaro Gallery, New York, NY A Half Note Familiar, C for Courtside, Knoxville, TN
Line and Verse (curated by Ridley Howard), Andréhn - Schiptjenko, Stockholm 2017 Contemporary On - Site, Douglas Degges, Mariah Dekkenga, Ann Pibal, Eleanor Ray and Nancy Shaver, Curated by the Fuel and Lumber Company, Atlanta Contemporary, Atlanta, GA Talk to Me in Your Language, Lamart Offspace, Antwerp, Belgium Frame Work (curated by Lauren Whearty), Ortega y Gasset Projects, Brooklyn, NY 106 Green Presents: Somewhere, Atlanta Contemporary, Atlanta, GA For WLD: works from the William Louis - Dreyfus Foundation, Steven Harvey
Fine Art Projects, New York, NY 2016 Outside In, Steven Harvey
Fine Art Projects, New York, NY Landscapes Into Art, C. Grimaldis Gallery, Baltimore, MD Cold Summer (curated by Peter Shear), The Provincial, Kaleva, MI 106 Green Presents, Brennan & Griffin, New York, NY If Only Bella Abzug Were Here, Marc Straus, New York, NY 2015 Feast
of Planes (curated by John Lee), Andrews Gallery, College
of William and Mary, Williamsburg, VA Not in One Day, Rothschild
Fine Art, Tel Aviv, Israel Exhibition
of Work by Newly Elected Members and Recipients
of Honors and Awards, American Academy
of Arts and Letters, New York, NY Invitational Exhibition
of Visual Arts, American Academy
of Arts and Letters, New York, NY 2014 Beyond the Pale (curated by Sam McKinniss), Interstate Projects, Brooklyn BRIC Biennial: Volume I, Downtown Edition, BRIC House, Brooklyn, NY Cool and Dark (organized by Gwendolyn Zabicki), Comfort Station, Chicago, IL Between Matter and Experience, University
of the Arts, Philadelphia, PA 2013 On the Horizon (curated by Kellyann Monaghan), Adelphi University, Garden City, NY Door / room / window, Steven Harvey
Fine Art Projects, New York, NY I - Hsuen Chen, Ryan Sarah Murphy, Eleanor Ray (curated by Leslie Kerby), 308 at 156 Project Artspace, New York, NY 2012 A.I.R. Gallery's 10th Biennial (curated by Ingrid Schaffner), A.I.R. Gallery, Brooklyn, NY MFA Thesis Exhibition, New York Studio School, New York, NY AWARDS / FELLOWSHIPS 2017 Ucross Foundation, Wyoming Jentel Foundation, Wyoming 2016 The Edward F. Albee Foundation, Montauk, NY 2015 NYFA Fellowship in Painting Royal
Drawing School Fellowship, Dumfries House, Ayrshire, Scotland Residency Fellowship, The BAU Institute at the Camargo Foundation, Cassis, France Purchase Award, American Academy
of Arts and Letters 2012 Woodstock Byrdcliffe Guild, Woodstock, NY 2010 Vermont Studio Center, Johnson, VT
«We await the recommendations
of the Committee but it is a clear that there is a
fine line that needs to be
drawn between the right to Freedom
of Expression under Article 10
of the ECHR and the creation
of regulatory or statutory protection to ensure that there are effective deterrents in place to stop the influx
of inaccurate news stories that are invading our news feeds.»
COPRAC's valiant effort to give guidance to attorneys using social media also highlights the difficulty
of regulating its use, as it is a very
fine line COPRAC is
drawing between posts that are and are not advertising.
Being in a position to
draw the
fine line between privileged and non-privileged communications will be critical in the course
of regulatory investigations and criminal matters, specifically bribery matters where the SFO will expect full cooperation in the course
of its investigations.