Sentences with phrase «of form and color»

The sound embodies the very best qualities available from the thin membranes of planar magnetic drivers, carving out every secret, each lonesome detail, and every rushing burst of form and color from your most complex music, stretched across a sprawling soundstage.

Whether taking into account the impeccably orchestrated geometries of Mondrian or Barnett Newman's expansive vistas of form and color, Little divines, not history per se, but possibility.

Their common language is abstraction: the expression of thought, meaning and feeling through a personal invented language of form and color.

An appreciation of form and color?

In these works, Joel Shapiro extends the investigations of his recent suspended sculptures [Pace Gallery, 2010; Museum Ludwig, 2011; Rice University Art Gallery, 2012] that explore the dispersion of form and color in space, exchanging the three - dimensional space of the gallery for the two - dimensional plane of the paper, and industrial cordage and pigment - soaked wood forms for aqueous eruptions of line and color in gouache and charcoal.

The monumentality of the figures and elements that compose my paintings does not follow the rules of perspectives, but simply helps me to create a general harmony... I am entirely unfettered in my use of form and color.

Concentrating primarily on landscape and still life painting, Cox uses soft, quiet northern light to create a radiance and tranquility through intuitive rendering of form and color.

Working chiefly with colored pencil on paper and collage — often at large scale — his intuitive sense of form and color is simply overwhelming.

In visual experience, it is the intuitive faculty to sense qualities of formal and spatial relations or tensions, and to discover the plastic and psychological quality of form and color.»

Wonner's mastery of form and color is as apparent in his figurative works as in his intricate still life paintings.

Exemplified by Red and Blue, Gottlieb's painting balanced this pure exploration of form and color with a gestural expressionism akin to Jackson Pollock and Franz Kline.

As before, Stella creates a hard - edged version of Abstract Expressionist dynamism with deliberate manipulations of form and color that have no metaphorical intent.

Judd himself recognized Malevich's primacy in an reprinted essay from the exhibition catalogue: «It's obvious now that the forms and colors in the paintings that Malevich began painting in 1915 are the first instances of form and color.»

Bladen's sculpture plays upon this dualist drama with the restraint inherent in his choice of form and color.

Simply put, if an artist has succeeded in the studio time and again with a combination of form and color, he or she knows where the dash of cobalt goes and how to make it stick with authority, just as an experienced athlete can anticipate the play and outsmart younger players who rush around the field unthinkingly.

The current installation, which the artist has refered to as a kind of dreamscape, continues this investigation into the dynamics of form and color and extends further his attempt to conjur in the viewer an array of psychological and perceptual associations.

The 26 - year - old Brooklyn - based artist has been steadily building buzz in the art world for his polyglot paintings, which distill a broad range of influences from street graffiti to art history into alluring compositions of form and color that are proving irresistible to collectors.

For the next half - century, working in a small apartment - studio on the Left Bank, Ms. Jaffe refined and extended her inquiries into the drama of form and color — always at a distance, literally and figuratively, from the currents of American art.

Its analysis and interpretation of visual perception seemed to reflect the concerns of 19th - century Impressionists and also those of 20th - century modernists, who famously reduced the portrayal of their subjects to the most basic elements of form and color.

Though his focus on form and relationships is more obvious in his three - dimensional work (mostly made up of freestanding folded sculptures and totem - like large - scale outdoor sculpture), the relationships of space and the inextricability of form and color is essential to his painting as well.

Most likely nature - scenes, the subjects are abstracted in such a way to examine the quaint contemplation of form and color.

After the mind games of conceptualism, abstraction is back — in an interesting range of approaches, as artists reactivate the possibilities of form and color Amei Wallach

If you stand up close to Merrill Wagner's painting «Overcast» at her current exhibition Thoughts of Form and Color at Sundaram Tagore Gallery, be careful when backing up.

Throughout a career lasting over fifty years, Yvonne Thomas blended the intuitive freedom of Abstract Expressionism with the symbolic language of form and color.

In introducing Murray that evening, Varnedoe referred to her work «as dramas of form and color that accept, indeed demand, to play on the more austere terrain of high abstract art, in decisions about push and pull, bright and dark, fragmented and whole, planes and volumes, sculptural and painterly, that move us before we know what they are about.»

Totem Detail brings subtle variations of form and color into vivid focus while picking up on another common thread in Bulloch's work — that is, leaving the final interpretation in the hand's of the viewer.

We encounter graceful movement, a playful lightness and endless variations of form and color in these works, and a pulsating rhythm that is characterizing for all sculptures.

Upon initial inspection, the canvas bore some characteristics of Red Mesa, a work on linen, at least in terms of form and color.

As a printmaker, Judd investigated many of the same issues of form and color that are found in his paintings and three - dimensional works.

It is the paired - down interplay of form and color that makes Resika's work both abstract and evocative of our visual experience.

Peter Wüthrich makes reference to Minimalist sculpture and monochrome painting, simulating and creating landscapes and objects with playful use of form and color.

A pioneer of the Op Art movement of the 1960s and one of the most significant artists working today, Bridget Riley's dedication to the interaction of form and color has led to a continued exploration of perception.

In terms of form and color, his works are stimulated by the logos and trademarks of this period.

Propelled by inspiration from nature, the painter continues his exploration of form and color in a fresh way.

Despite differences in materials and discipline, both de Kooning's paintings and Chamberlain's sculptures explore the possible treatments of form and color, solid and transparent volume, and surface and depth as continually evolving and merging elements.

Optical painting may look anything but emotional in its content, but its direct engagement with the viewer underscores a deep - seated longing to connect... The genre has matured considerably over the past half - century, veering from cheap tricks toward labor - intensive analyses of form and color, and a deeper understanding of the act of seeing.

I'm struck by the incredible variety of forms and colors that I take in with a single glance.

He believed that «working without history is a kind of visual starvation» and that the Midwest Paint Group «included a sense of the abstract construction of the forms and colors and their rhythm in light and space.»

Flat, two dimensional surfaces and the simplicity of forms and colors define his aesthetics.

It also features abstract works, for which Richter draws from a changing repertoire of forms and colors to produce both small and monumental paintings.

[7] The progression of forms and colors in LeWitt's oeuvre proves that he was a firm believer that «once you reach the end of something, it opens the beginning of something else.»

«Thornton's seemingly impulsive combinations of forms and colors, scale and perspective, are always surprising, and call into question how the viewer deals with processing visual information.

Calas wrote of the artist «who will risk everything, who will be heroic, who will aim toward freedom and achieve magic, producing that alchemy of form and colors which transform an artificial object into an eye emanating light.»

Unlike gestural abstraction focused on action and the context of the artistic process, most notable in the painting style of Jackson Pollock and William de Kooning, color field painting took a different turn, concentrating on the intricate color interplays and subtle coherence of forms and colors.

«Little by little, I've reached the stage of using only a small number of forms and colors,» the artist reflected.

Paintings such as Field of Combat contain a relative multitude of forms and colors compared to her later works.

This sentiment of freedom and possibility, accompanied by a new faith in the self - sufficiency of forms and colors, became deeply rooted within our culture in the last fifty years.

Not exact matches

Inclusion is not about color, race and culture; it is about embracing the uniqueness of all individuals, eradicating oppression of all forms and inspiring a workforce that lines up at the door because they want to belong to an organization that believes in them.

Most of these tools offer libraries of free opt - in form templates complete with images, fonts and colors chosen by experienced designers, and many offer free trials or free accounts with basic functionality.

Brands, seeking to fill a segment overlooked by major consumer - goods product makers — people of color — landed Sephora as Form's retail partner, enabling it to burnish its beauty credentials and move past the one - size - fits - all approach of the category.