Sentences with phrase «of gallerygoers»

For unlike, say, Marina Abramovic, who once spent 12 days living on a series of high platforms in a Chelsea gallery, showering, napping and standing about in what Roberta Smith in The New York Times called «full - tilt endurance - art mode,» above the heads of gallerygoers in nearly every way, Ms. Kasper is a boots - on - the ground sort of person.

Not exact matches

Smartly dressed gallerygoers spilled out of brightly lit spaces all in a row Thursday, on what seemed like an evening of openings.

Across the plaza at Charlie James, the crowded but hushed gallerygoers took in the intensely moving A Place Called Home, where Nery G. Lemus» mix of watercolors, sculptures, and electronic media poignantly tackled the subject of immigration.

New York gallerygoers, on - the - cusp artists and fashion notables flooded Chelsea's Center 548 on Monday for a night of performances — both musical and non — and art auctions to benefit Ballroom Marfa, the highly - esteemed nonprofit space for contemporary art, film and music based in Marfa, Texas.

But as the years progressed and gallerygoers became accustomed to stumbling upon plexiglass boxes and stacks of red bricks by his colleagues, Mr. Stella went in the opposite direction.

As for photographs of Robert Smithson's Spiral Jetty (1970) and Michael Heizer's Double Negative (1970), two Earthworks that Dwan sponsored, not many institutions can call attention to these pieces near a window through which gallerygoers can view Heizer's Levitated Mass (2012), which is permanently installed just outside, on LACMA's grounds.

Wallis's book had an indelible effect on those who were either disinclined to embrace the blatant corniness of the Neue Bilde and transavanguardia (the other movements claiming the attention of young gallerygoers) from first exposure to their theatrical tantrums or whose minds were quickly changed.

There has never been a gallery that could satisfy any gallerygoer all the time, and even those who have been dismayed by the spectacles engineered by Dan Colen, Damien Hirst, and Mike Kelley at Gagosian in recent years will point out that Gagosian has also mounted beautiful exhibitions of the sculpture of David Smith, and shows of paintings by Picasso and Monet that are routinely and quite accurately described as «museum quality.»

I Know What You Did Last Summer helped launch the careers of Jennifer Love Hewitt and Freddie Prinze Jr. «I Know Whom You Showed Last Summer» (the title of Oehlen's exhibition) won't launch anyone's career, but it may lead Miami gallerygoers to take a closer look at two artists, Albert Oehlen and Malcolm Morley — or at least that's Clearwater's plan.

In her latest show of work, Lachowicz references not the plaques of Carl Andre or boxes of Donald Judd, readily recognized by gallerygoers, but a particular film from early in Clint Eastwood's career, High Plains Drifter (1973).

And understanding what has happened is an urgent matter, not only for the painters whose work still dominates many of the contemporary galleries but also for the gallerygoers and museumgoers who still look to their work.

What has been referred to as the confusion or chaos of MoMA's Polke show is so much a matter of spectacular dissonances and layerings that it produces no real disquietude in a gallerygoer, but rather what might be called a pompier disquietude — a confusion that is an academic rerun of the old Dadaist confusions.

The most popular work seemed to be some wacky tennis tables by Wang Jianwei, which despite the fact the one of them is shaped like a concertina, were in use by gallerygoers.

For museumgoers or gallerygoers, who were more accustomed to keeping their distance from artworks and to observing sculptures on pedestals, the effect of walking on a work of art was challenging.

Meanwhile in New York, gallerygoers are the beneficiaries of a competition between two blue - chip galleries, each appealing to collectors interested in buying or selling Picassos.