Sentences with phrase «of galvanized iron»

The fire tables have resin - coated woven bases, the sofa wicker is a beachy sea green, and the string lights are crafted of galvanized iron that will not rust.

In 1964 Judd turned to professional sheet - metal fabricators to make his work out of galvanized iron, aluminum, stainless steel, brass, and copper.

Through the interaction of the warmth and surface quality of the vibrant wooden curtain of cadmium red and the cool, dispassionate and industrial nature of the galvanized iron, Untitled (DSS 42) successfully portrays Judd's belief that contradictory elements can exist harmoniously and create an enticing visual experience.

DETAILS YOUâ $ ™ LL APPRECIATE Made of galvanized iron with a painted finish.

KEY PRODUCT POINTS Made of galvanized iron and ceramic.

DETAILS YOU»LL APPRECIATE Made of galvanized iron with a painted finish.

Not exact matches

It's about galvanizing the full arsenal of repair mechanisms in your body: stitching together microtears in your muscles, ironing out the fascia when it gets jangled, reinvigorating mitochondria so you're brimming with energy rather than feeling worn down or burned out.

It serves as a coating for iron; it galvanizes pipes; it is an ingredient in household burn and baby ointments; and it helps speed healing of the eyes w...

24» wide x 18.75» deep x 21» high Crafted of iron with a hand - applied galvanized finish.

Galvanized iron gives the Glasgow Frames relaxed look with just a bit of sheen.

This magnificent passage of painted red woodwork is crowned by an elegantly curved galvanized iron cornice and skirt.

Composed of two seemingly antithetical materials — wood and galvanized iron — this work would at first seem to go against Judd's statement in «Specific Objects» that his work be viewed as» [a] thing as a whole» rather than a conglomeration of parts.

Executed in galvanized iron, aluminum and wood this work explores Judd's concerns that art should be a holistic experience and one that truly encompasses and celebrates all aspects of its creation.

I threw out the piece of canvas and replaced it with galvanized iron.

John Chamberlain's galvanized iron sculpture imposed itself dramatically at the entrance while Dan Flavin's bold red florescent sculpture defined the corner of the back room and cast a glow over the entire space.

(23.7 cm) diameter Courtesy the artist and bitforms gallery, New York Amor Muñoz Mexican, born 1979 Rhythmic Manufacture, 2015/2017 Watercolor on paper, metronome, table, coverall, clock, and HD video with sound Performance at San Francisco Museum of Modern Art, July 12 — 15, 2017 Dimensions variable Video production: 32K Productions Courtesy the artist Camille Norment American, born 1970 Lull, 2016 Dynamic sound installation with pendulum microphone Dimensions variable Courtesy the Camille Norment Studio O Grivo (Nelson Soares and Marcos Moreira Marcos) Active since 1990, Belo Horizonte, Brazil Cantilena, 2017 Kinetic sound installation (wood, bamboo, MDF, copper pipes, brass rods and sheets, steel rods, violin and guitar strings, nylon wires, iron sheets, galvanized steel sheets, brass paper, electrical wires, and electric motors) Overall dimensions variable San Francisco Museum of Modern Art, Accessions Committee Fund purchase Susan Philipsz Scottish, born 1965 Night and Fog (Clarinet), 2016 Twelve - channel sound installation, 47 min.

Photo: John Jerome; Donald Judd, untitled, 1961, Liquitex and sand on plywood, with routed lines, 48 x 96 in; Donald Judd, untitled, 1961 - 1978, woodcut in ivory black on offset paper, 22 x 30.5 in; Donald Judd, untitled, 1962, oil and wax on canvas, 69 x 101 3/4 in; Donald Judd, untitled, 1963, Cadmium red light and black oil on wood with galvanized iron and aluminum, 50 x 42 x 5 1/2, installed on the Fifth Floor of 101 Spring Street, New York.

Images from top to bottom: Installation view of Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Poster for Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Donald Judd, untitled, 1963, cadmium red light and black oil on wood with galvanized iron and aluminum; Donald Judd, untitled, 1963, cadmium red light oil on wood and purple enamel on aluminum.

On the occasion of the current exhibit The Drawing Show: Lines in Charcoal, Ink, Watercolor, Galvanized Iron and Black Rubber (January 3 — June 30, 2012), the sculptor Alain Kirili and Contributing Editor Robert Morgan paid a visit to the Rail's headquarters to talk about his life and work.

Judd also added a vaulted roof in galvanized iron on top of the original flat roof, thus doubling the buildings» height.

Chinati's collection includes thirteen such works (all untitled, 1979 - 1980), made from a variety of combinations of red and blue anodized aluminum joined with galvanized iron, polished brass, or copper.

- Untitled (1966) galvanized iron, Museum of Contemporary Art, Los Angeles.

It is made of grass, potting soil, galvanized steel wire rope, iron armband, leather bands, recycled felt and nylon wire.

Works included: Roy Lichtenstein «Still Life with Picasso», 1973 Screenprint Edition of 90, 30 AP 30 x 22 inches Ellsworth Kelly «Study for «Red Orange Panel»», 1978 Pencil and collage on paper 30 x 27 3/4 inches Robert Smithson «Photomarkers, (Six Stops on a Section)», 1968 Photographs mounted with Plexi glass 24 x 24 inches SR1968 - 001 Constantin Brancusi «Brancusi dans l'atelier, autoportrait», 1915 Vintage gelatin silver print 9 x 6 3/4 inches Constantin Brancusi «Self Portrait», 1922 Vintage gelatin silver print 11 1/4 x 9 inches Andy Warhol «Self Portrait», 1966 Silkscreen ink and synthetic polymer paint on canvas 22 x 22 inches Andy Warhol «Buddhas», 1983 Graphite on paper 31 3/4 x 24 inches Courtesy of the Andy Warhol Foundation WA1983 - 001 Donald Judd «Untitled», 1966 - 7 Galvanized iron painted red (lacquer) 5 x 40 x 8 inches Courtesy Paula Cooper, New York JD1966 - 001 Weegee «The Critic», 1943 Vintage gelatin silver print 11 x 14 inches WE1943 - 001 Weegee «The Flower Seller», 1941 Vintage gelatin silver print 13 3/4 x 10 3/4 inches WE1941 - 001 Weegee «Mayor LaGuardia at 123rd Street Police Station With Officials on Night of Riot», 1947 Vintage gelatin silver print 10 3/4 x 14 inches WE2004 - 014 Weegee «Victory Celebration», 1945 Vintage ferrotyped silver print 11 x 14 inches WE1945 - 001 Weegee «Children's Performance, at the Palace Theater», 1940 Vintage gelatin silver print 10 1/4 x 13 1/4 inches WE2004 - 015 Weegee «Mother and Daughter, Tenement Fire, Harlem» [I cried when I took this picture], 1942 Vintage gelatin silver print 10 1/4 x 13 3/8 inches WE2004 - 012 Carleton Watkins «Mt. Broderick, Nevada Fall, 700 feet, Yosemite 1861», 1861 Albumen print from wet collodion negative 15 3/4 x 20 1/2 inches WAC1861 - 001 vitrine at gallery center - all works by George Ohr

I love the white planked walls, wood floors, galvanized ceiling fan, black iron bed, and pops of colors.

Everyone just happens to have a galvanized bucket full of wrought iron fleur de lis finials nearby, right?

An oversized antique clock, a painted iron bench and galvanized steel urns make a quirky architectural display, while pretty cushions and blankets add an air of gentle romance.