Sentences with phrase «of gameplay objectives»

Not exact matches

RymdResa tries a lyrical approach of space exploration but unfortunately falls short of its endeavor due to its oversimplified gameplay and objectives as well as the almost total absence of the exploration sense.

I was so focused in bringing you nice people some gameplay footage of Dragon Quest Heroes: Long Subtitle that I wasn't paying attention to the health bar of the objective I was protecting.

It's the perfect middle ground between expanding the significance of the capture gameplay that dominates almost all of Battlefield's modes, and simplifying the immediate objective.

Most of these modes and game - types will feel familiar to those that played the first game (or just any competitive shooter in general), but even with their basic objectives, the additional modes offer a refreshing change of pace for those looking to go outside of Turf War (and into more competitive - minded) gameplay.

Raids and invasions on opposing provinces encompass the standard Dynasty Warriors hack and slash gameplay, while quests provide smaller, more goal directed objectives to accomplish that provide welcome respite from the extended button - mashing grind of the game's much larger battles.

Its gameplay has been critically acclaimed upon released, being praised for the variety of mechanics and interconnected systems that permitted a higher degree of player freedom when it comes to approaching objectives and completing quests.

The Good: Streamlined gameplay yet still familiar, open ended missions, great visuals, interrogating enemiesThe Bad: A glorified 90 minute demo, using sounds as clues to find objectives is difficult, fans of the more li... Read Full Review

The control schematic is very similar and the play style is also quite similar in the sense there are always numerous enemies and allies on the field, typically with a singular objective but with many side missions available to complete for a higher rank upon completion, the animation is smooth and fluid which allows for veteran players of the style to easily pick up the controller and feel right at home and the schematics are laid out in a very user friendly way so that even someone who hasn't played the style of gameplay before can learn quite quickly and without too much hassle.

With most Dynasty Warriors games and spinoffs, you have a good idea of what you're going to get going in: big maps with multiple objectives, huge amounts of enemy soldiers, and lots of hack - and - slash gameplay with flashy combos.

Absolutely dripping with Paul Verhoven style satire, Helldivers combines a range of objective - based missions with a nifty gameplay system called «Strategems», allowing players to input a series of commands to call down anything from extra ammo and scout drones through to APC's and hulking great mechs.

However unlike the traditional gameplay modes, there are a set number of objectives such as performing a certain move at a particular time which then offers the player access to some interesting unlockable items.

The Gardens & Graveyards mode in the upcoming Plants Vs. Zombies: Garden Warfare is an objective - based multiplayer mode in which the Zombies must capture Plants bases so we can watch five more minutes of gameplay footage from one of my most anticipated Xbox One games.

With that said, there are three main gameplay modes that includes Screamrider, Demolition Expert and Engineer (which are the career modes) and each has a set of objectives that must be completed with the game set in six different fun and colourful locations.

Indeed, barely a second goes by where one of its core elements doesn't bring to mind the superior experience offered by other games, from the shooting mechanics of Quake and Unreal Tournament, to the mobility tactics of Titanfall and Tribes, to Overwatch «s own objective - based gameplay, specific character classes, and «Loot Box» reward system.

Unfortunately, while the first hour or so with the game was entertaining, the repetitive objectives, environments, and gameplay make you feel like you are in some sort of insidious gaming Groundhog Day loop.

Summary: One of the best third - person stealth - gameplay video game packages available in 2016, with hand - crafted sandbox level design and tons of creative ways to approach mission objectives.

While the specific objective varies from level to level, destruction of the enemy's castle and troops via the projectile launcher is the primary gameplay mechanic.

Different playable classes, varied level objectives, diverse weapons, and a plethora of other gameplay options could have helped alleviate some of the repetition but unfortunately, none of that kind of content is featured here.

It has strategy to its gameplay, characters that play differently from one another, customizable equipment, numerous maps with tons of different objectives to fly through, and titans galore to slaughter.

Remakes the objectives of Metroid II with modernised gameplay of Super Metroid and style of Prime

Challenge Mode remixes gameplay segments from all six games, with plenty of scaling difficulty objectives for experienced players to conquer yet serving as a good starting point for new players, too.

An entirely new set of level objectives and puzzles await you when you play the villain, which should spice up both the story and gameplay.

There's not much word on the gameplay itself so far, but there will be a «multitude of different vehicles» and the objectives will center around «protecting their turf, their brothers and their machines from rival gangs».

The gameplay is traditionally that of an action platformer with controls and objective similar to what you'd expect.

Yet this is not an opinion I'm going to let color this review or effect my score of the game, instead I'm going to drop back into a more objective mode, because the biggest problem with Gigolo mode is that it's just really bloody boring from a gameplay perspective.

Again, though, it's a testament to the gameplay that the repetitive objectives don't feel like much of a problem, because even extracting a prisoner for the nth time in a side mission feels like a chance to play around in a different way.

Like Insurgency, the gameplay of Sandstorm rewards teamwork and objective - play over personal success.

Gameplay shifts as each side completes an objective, and teamwork and strategy are rewarded more than number of kills.

The stages themselves are much the same as you'd expect from a Dynasty Warriors game — as this is an expansion, the gameplay retains all of the same mechanics as before, crunching your way through thousands of enemy soldiers on large battlefields as you take down various officers to complete objectives and win the battle.

With the game's focus on spreading your team's ink over as much territory as possible during the course of a five minute match, I found myself having a great time with the objective - based gameplay.

We are a growing new company, we have a lot of experience and love for video games, we are truly gamers, and our objective is to provide beautiful looking games, amazing gameplay, with a good story, and the most important, our games will be very fun, us as gamers, we have played all kind of games for more than 20 years, so we completely understand the needs that gamers have from the industry, and we know how to make games fun.

I was so focused in bringing you nice people some gameplay footage of Dragon Quest Heroes: Long Subtitle that I wasn't paying attention to the health bar of the objective I was protecting.

36 stages, a host of objectives, 2 modes and some great mix - ups in gameplay make this game feel fresh way longer than you might think.

It is precisely this desire, I think, that Abraham is getting at when he talks about the aspects of gameplaying that do not persist under the «harsh light of objective analysis.»

When enabled, a hint system provides gameplay clues, such as the direction of the next objective.

In the Sandbox mode, 1 - 2 players can enjoy the familiar gameplay of solving objectives in eight new levels by summoning any object they can imagine and watching them interact in unexpected ways.

- character creation lets you choose skin color, face, eye color and haircut - later in the game you can get glasses, pants, shoes and other stuff - start off by meeting Tom Nook and his posse of Happy Home employees - this includes Lyle the Otter and Digby the Dog, who give advice and help to keep the game moving forward - Lottie the Otter is Lyle's niece and handles the front desk in the game - she welcomes you every time you boot up the game and tells you what to do next - gameplay starts off with placing furniture, but quickly evolves into something more - place a house on the world map and cycle through seasons to see what you like - house can modified with different roofs, doors, colors and more - every animal unlocks new furniture for you to use - completing a lot of requests is vital to getting a lot of content - characters will react to everything that you place and remove in the house - three pieces of furniture must be in or outside of the house and these need to implemented into the final design - if you don't follow this rule, your animal customer will not approve - add wallpaper, carpets, lamps, signs, music covers, paintings and much more - by completing special objectives in the office, which you pay for with Play Coins, you can even expand the feature set - set background sounds, choose curtains, change up furniture, display fossils and get a bigger variety of fish and paintings.

Missions are horribly repetitive as well with the entire games main missions amounting to «kill everything» or «Defend this Beacon» (By killing everything) and while the Crackdown gameplay keeps it frantic and fun it's hard not to find yourself becoming tired of repeating this objective over and over until the games finale, which follows the same trend.

Thinking about some sort of Binding of Isaac's gameplay (with lots of random stuff) or Another Castle, but endless with the objective of keeping alive the most as you can (this could be a «colisseum» scenario and enemies appearing constantly) or reaching as far as you could (similar to Jetpack Joyride, for example, but with your unique gameplay).

The key objective of escaping an area, along with the signature gameplay mechanics of scavenging, fighting, puzzle - solving and crafting are lifted directly from The Escapists and modified to fit the new zombie apocalypse survival setting.

In gameplay terms, this translates to large - scale battles involving cutting down hundreds of opponents who stand between you and your objectives — having to defend and support your own army, whilst routing the generals of the opposition and foiling their traps and schemes.

There are a variety of intriguing features that layers the gameplay elements including a set of five objectives that must be met in order to unlock a secret character with six secret characters available to unlock, while attempting to look for how to turn the power on, alongside the location of new weaponry, ammunition and upgrade stations.

Sure you have the typical objectives that point players in the right direction, but with vague descriptions and gameplay that is repetitive, as well as objectives that offer nothing in the way of story progression past the prologue, I can't help but feel the only real meat of the game comes from the uninspiring cutscenes.

My personal favourite of these domination based gameplays is a variation were the defenders have a set amount of lives that are used when the defenders respawn and are distributed over two objectives to defend.

Several more include the fact the Tomb Kings bring with them new Legendary Lords, a «raft of race - specific gameplay mechanics», new victory objectives, and new units comprised of skeleton minions, Tomb Scorpions, Necrosphinx (Necrosphinges?)

It's still fun to play through the main campaign however, as the gameplay is still very solid even though it plays pretty much the same as other CoD games, with players running about chaotic battlefields and taking out tons of enemy soldiers while completing objectives, such as capturing a base, holding a position and facing off against waves of enemies, avoiding snipers, destroying enemy equipment, and more.

The maps are quite large and give you variety of ways to tackle your objectives so that keeps the gameplay fresh for a while.

It's equal parts fun and frustrating, the latter compounded by the fact that the objectives change positions in a level should you be caught, meaning that there is never a proscribed «best» path to take, but the small size of the stages and the ease of quick plays on the Switch means you can feel productive in small sessions, which is great as the central gameplay loop can get old quickly.

Each level plays out from a top down view like a micro-stealth experience; starting mainly from your parked car (some levels spice this up a bit, but the concept is generally the same) the general gameplay flow goes something like this: check out where your objectives are, watch out for the patrol paths of any cops on the scene and plan your route.

Lara Croft GO's replayability stems from the collectibles such as varying types of gems that are scattered throughout levels which are required to unlock Lara Croft's outfits, therefore creating a gameplay design choice that provides a reward for exploring the secondary objectives contained within each of the 115 levels spread across 7 chapters including two post-release chapters which will have players returning to levels multiple times over.