Squeeze all the water out
of the gelatin sheets, then remove saucepan from the heat and stir in the gelatin.
Squeeze all water out
of gelatin sheets and add to the mixture, stir until gelatin has dissolved.
Not exact matches
To make Panna Cotta with
sheet gelatin: Soften 25g (approximately six
sheets) in a liter
of cold water for 5 to 10 minutes.
By: SIMONE VAN DEN BERG Ingredients: 2 tablespoons matcha powder 2 cups double cream 1 1/4 cup full fat milk 1 vanilla pod 1/2 cup sugar 3,5
sheets gelatin (or 2 tbsp dried) Directions: Put the double cream, milk, seeds
of the vanilla bean and sugar in a small saucepan and... Continue reading →
I have never used
gelatin sheets — actually never heard
of them until I read your recipe.
Gelatin sheets differ in strength but bizarrely most brands don't give you any indication
of how much to use, so it's a bit
of trial and error.
My formula is roughly one 5g titanium
gelatin sheet per cup (240 ml)
of liquid.
Start by soaking the
gelatin sheets in a bowl
of luke warm water.
1 can (13.5 -14 ounces) coconut milk 1 envelope (1/4 oz) unflavored
gelatin or 2
sheets bronze
gelatin 2 tablespoons sugar 4 ounces (2/3 cup) Collection Etienned wafers - Choose one
of the following: 31 % Cacao White Chocolate, or 38 % Cacao Milk Chocolate, or 61 % Cacao Semisweet Chocolate 1 teaspoon vanilla extract
Soak the
sheets of gelatin in cold water for 5 minutes (check package instructions).
Cook over the pot
of simmering water, whisking constantly until the mixture registers 165º F. Remove the bowl from simmering water and stir in the drained, bloomed
gelatin sheets.
Add the squeezed out
gelatin sheets or the mixture
of milk and powdered
gelatin and whisk until dissolved.
Hi everybody Where I live they do not sell powdered
gelatin so I used Dr Oetker Gelatin sheets, after some experimentation i succeeded by using 11 sheets of gelatin with 1/3 cup fresh lemon juice, a few drops of lemon essential oil and 5 of the tiny Canderel sweetener pills, they turned out really good, nice and firm and I do nt smell any gelatin odour
gelatin so I used Dr Oetker
Gelatin sheets, after some experimentation i succeeded by using 11 sheets of gelatin with 1/3 cup fresh lemon juice, a few drops of lemon essential oil and 5 of the tiny Canderel sweetener pills, they turned out really good, nice and firm and I do nt smell any gelatin odour
Gelatin sheets, after some experimentation i succeeded by using 11
sheets of gelatin with 1/3 cup fresh lemon juice, a few drops of lemon essential oil and 5 of the tiny Canderel sweetener pills, they turned out really good, nice and firm and I do nt smell any gelatin odour
gelatin with 1/3 cup fresh lemon juice, a few drops
of lemon essential oil and 5
of the tiny Canderel sweetener pills, they turned out really good, nice and firm and I do nt smell any
gelatin odour
gelatin odour at all.
I used 4
sheets of gelatin because we don't have the type that is powdered.
Portrait
of Girl with Fancy Dress, 1938 vintage
gelatin silver print 7» x 6»
sheet size / 6.25» x 4.25» sight size, signed and dated
Blindstamped with the artist's signature and chop mark on the mount l.r., identified on an Imogen Cunningham Trust label on the reverse
of the mount l.c.
Gelatin silver print, image /
sheet size 10 1/8 x 12 7/8 in.
Stamped «MAN RAY PARIS» in black ink on the reverse
of the mount u.c.
Gelatin silver print, image /
sheet size 7 7/8 x 4 7/8 in.
, silver
gelatin photograms mounted to
sheets of aluminum stand upright on the gallery floor, stabilized by rectangular white frames.
Equivalent - ES2 Late 1920s
Gelatin silver print
Sheet: 4 1/2 x 3 9/16 inches (11.4 x 9 cm) Mount: 12 7/16 x 9 11/16 inches (31.6 x 24.6 cm) Philadelphia Museum
of Art: From the Collection
of Dorothy Norman, 1985 ARG # STA1925 - 001 © 2014 Estate
of Alfred Stieglitz / Artists Rights Society (ARS), New York
Equivalent 1934
Gelatin silver print Image and
sheet: 4 5/8 x 3 5/8 inches (11.7 x 9.2 cm) Philadelphia Museum
of Art: From the Collection
of Dorothy Norman, 1967 ARG # STA1934 - 001 © 2014 Estate
of Alfred Stieglitz / Artists Rights Society (ARS), New York
Equivalent, Set C ₂ No. 4 1929 (negative); 1935 (print)
Gelatin silver print Image and
sheet: 4 5/8 × 3 5/8 inches (11.7 × 9.2 cm) Philadelphia Museum
of Art: From the Collection
of Dorothy Norman, 1985 ARG # STA1935 - 001 © 2014 Estate
of Alfred Stieglitz / Artists Rights Society (ARS), New York
Equivalent, Series XX No. 9 1929 (negative); 1932 (print)
Gelatin silver print Image and
sheet: 4 5/8 x 3 5/8 inches (11.7 x 9.2 cm) Mount: 13 11/16 x 10 7/8 inches (34.8 x 27.6 cm) Philadelphia Museum
of Art: From the Collection
of Dorothy Norman, 1967 ARG # STA1932 - 001 © 2014 Estate
of Alfred Stieglitz / Artists Rights Society (ARS), New York
HANS BELLMER Study for Georges Bataille's «L'Historie de l'oeil» [«The Story
of the Eye»] 1946 Four
of twelve (12) vintage
gelatin silver prints Dimensions, left to right: Image: 2 1/8 x 2 inches (5.4 x 5.1 cm)
Sheet: 2 1/4 x 2 1/4 inches (5.7 x 5.7 cm), Image: 2 1/8 x 2 1/8 inches (5.4 x 5.4 cm)
Sheet: 3 1/8 x 2 1/4 inches (7.9 x 5.7 cm) Total framed dimensions: 9 7/8 x 24 1/8 inches (25.1 x 61.3 cm) ARG # BEH1946 - 001
Signed and dated «Imogen Cunningham...» in pencil on the mount l.r., identified on a 1331 Green Street studio label on the reverse
of the mount l.c.
Gelatin silver print, image /
sheet size 9 5/8 x 7 1/2 in.
Signed and dated «Todd Webb...» in blue ballpoint pen on the mount l.r., titled and dated in ink on the reverse
of the mount u.c.
Gelatin silver print, image /
sheet size 9 1/2 x 7 1/2 in.
Through vintage
gelatin silver prints, contact
sheets, original issues
of Life, and a significant selection
of unpublished photos from the series, the exhibition examines unspoken conflicts between photographer, editor, subject, and truth.
Signed «BERENICE ABBOTT» in pencil on the mount l.r., stamped «PHOTOGRAPH / BERENICE ABBOTT / ABBOTT, MAINE 04406» and signed «Berenice Abbott» in pencil on the reverse
of the mount l.c.
Gelatin silver print, image /
sheet size 13 1/8 x 10 3/8 in.
Stamped «NEGATIVE / BY / EDWARD WESTON / PRINT / BY» in black ink and signed «Cole Weston» in pencil on the reverse
of the mount at center, titled and dated in pencil on the reverse
of the mount u.r.
Gelatin silver print, image /
sheet size 5 7/8 x 9 3/8 in., framed.
Stamped «MAN RAY / PARIS» in black ink on the reverse
of the mount u.c.
Gelatin silver print mounted to board, image /
sheet size 4 3/4 x 5 1/2 in.
Pictured: contact
sheet (Andy Warhol, unidentified men, street scenes), 1982
Gelatin silver print Gift
of the Andy Warhol Foundation for the Visual Arts © The Andy Warhol Foundation for the Visual Arts, Inc..
Gelatin silver print, 22 1/4 x 18 inches (565 x 460 mm) on 20 x 24
sheet, verso signed, titled, and numbered 3 from the edition
of 30.
Since 2007, she has processed
sheets of expired
gelatin silver paper in photographic chemicals in the darkroom.
Vito Acconci, Step Piece, 1970, five
gelatin silver prints and four
sheets of typewritten paper, mounted on board with annotations in black ink, National Gallery
of Art, Washington, Dorothy and Herbert Vogel Collection 1994.17.1
Silver
gelatin print, image 4 1/2 x 7 inches (146 x 216 mm), dry - mounted to a larger
sheet, signed, titled and numbered 84 from the edition
of 30 in black ink below image.
Close created these recent works using another historic technique that has been rarely seen in decades, Woodburytypes — images formed by pressing colored
gelatin onto a
sheet of paper in a mold.
The work is a unique
gelatin silver print negative -
sheets of expired
gelatin silver paper were placed directly in a custom - built camera outfitted with a vintage military lens that magnifies the sun's intensity and records its path as a gash that burns through the paper's emulsion layer and base.
Gelatin silver prints,
sheet sizes to 10 x 38 1/4 in., a set
of three and a set
of four stills within common frames.
Helmut Newton Self Portrait with Wife and Models, Paris, 1981
Gelatin silver print Signed, titled, date and annotated For Craig Krull in pencil on recto with Copyright Helmut Newton Monte Carlo Reproduction Prohibited stamps on verso Image: 11.125 x 11.125 inches;
Sheet: 16.5 x 12 inches; Framed Provenance: Acquired directly from Helmut Newton c. 1994 by Craig Krull Estimate: $ 25,000 / $ 30,000 Courtesy
of SANTA MONICA AUCTIONS
Stamped «MAN RAY / PARIS» in black ink on the reverse
of the mount u.c.. Two
gelatin silver prints mounted to a single board, image /
sheet sizes to 6 7/16 x 4 5/8 in.
Unsigned, inscribed «Cambridge» in pencil on the verso
of the mount u.l. Warm - toned
gelatin silver print mounted to board, image /
sheet size 5 1/8 x 4 3/8 in.
Five Photographs: David Lubbers (American, b. 1947), Willard and Murray Van Dyke, White Cliffs near Abiquiu, New Mexico, August 1981, signed «Lubbers» in pencil on mount l.r., titled in pencil on mount l.c.,
gelatin silver print, 10 x 12 5/8 in., matted, unframed; Walter Chappell (American, 1925 - 2000), Wild Mountain Plaza Blano, New Mexico, 1983, signed «Walter Chappell» in pencil on the mount l.r., titled and dated on the reverse
of the mount,
gelatin silver print, 10 5/8 x 13 1/4 in., matted, unframed; Susan Crocker (American, b. 1940), New Mexico»89 Acoma, 1989, signed and titled «Susan Crocker...» in pencil on the reverse,
gelatin silver print,
sheet size 19 7/8 x 16 in., matted, unframed; Joan Myers (American, b. 1944), Monument Valley Bush, 1979, printed 1981, signed and dated «Joan Myers, 1979» in pencil l.r., titled in pencil l.l., signed, dated, and identified in an inscription on the reverse, platinum - palladium print, image size 11 3/4 x 10 3/8 in., matted, unframed; and Michael A. Smith (American, b. 1942), Cedar Breaks National Monument, Utah, 1975, signed «Michael A. Smith» in pencil on the mount l.r., dated «1975» in pencil on the mount l.l., titled in an inscription on the reverse
of the mount,
gelatin silver print, 7 5/8 x 9 5/8 in., matted, unframed.
MAN RAY (1890 - 1976) Untitled Rayograph, 1922 unique
gelatin silver photogram signed in pencil (on the mount); annotation «Original Man Ray 23» in ink (on the reverse
of the mount) image /
sheet: 9 1/4 x 7in.