A suite
of gelatin silver prints makes use of cauliflower heads, sumptuously presented on silver salvers.
F (1959), and a collage
of gelatin silver prints by the artist dating from 1962.
New Film Stills present a series
of gelatin silver print photographs made in 2013 ranging in scale from 40 - by - 30 inch to 8 - by - 10 inch.
She carried these objects from one medium to another, inking over photographs and using charcoal and acrylic to echo
some of her gelatin silver prints.
Experimenting with her stash
of gelatin silver print photographic paper, used thirty years ago to create a series evoking Cuban surrealist painter Wifredo Lam, she adds subtle gradations of color, from lavender and peach to silver.
NASA HQ caption on the verso
of the gelatin silver print.
Other significant additions include a suite of 25 photographs from Lewis Baltz's seminal 1971 series The Tract House; a rare early self portrait by Sally Mann from 1976; Laurie Simmons» 1987 gelatin silver print, Walking Camera (Jimmy the Camera); Lorna Simpson's 1991 Coiffure, a triptych
of gelatin silver prints and ten engraved plastic plaques; Chuck Close's daguerreotype portraits Cindy Sherman and Self - Portrait, both from 2000; and Hiroshi Sugimoto's Oscar Wilde (2000), all of which complement works by these artists already in the collection.
This sewn collage
of gelatin silver prints was created by American photographer Christopher Makos.
With carefully crafted compositions reminiscent of the symbolist photographers, and swathes of meticulously printed deep black tones characteristic
of the gelatin silver process, Langer's images nonetheless resist the bounds of medium, as much Hopper and Raymond Chandler as Steichen.
Snake format artist's book
of gelatin silver prints with colored ink washes, watercolor, and machine stitching.
Since then, the Museum has become a major repository of his photographs, including one of the world's largest holdings
of gelatin silver prints from his seminal book The Americans.
Signed and dated «Witkin...» in pencil l.r., titled in pencil l.l. Diptych
of gelatin silver prints, collaged elements, More...
Presentation House Gallery is pleased to present an exhibition
of gelatin silver prints by Kohei Yoshiyuki.
Ginsberg captioned
each of the gelatin silver prints in handwritten script, further integrating his photographic and textual mediums.
Carrie Mae Weems's striking triptych
of gelatin silver prints, Chocolate Colored Man, 1989 - 90, was purchased by a collector for $ 68,750, above a high estimate of $ 50,000.
SIMRYN GILL, My Own Private Angkor, 2007 — , from a series
of gelatin silver prints, 39 × 38 cm.
The exhibition is comprised
of gelatin silver prints of Busse's photographs taken in his native rural northern Germany which are then altered via darkroom processes and photographic inks, haunting hybrids that document the seen and unseen.
On show at the Hôtel Pont Royal in Paris, this exhibition by the French photographer Louise Skira brings together a group
of gelatin silver photographic works in black and white on the world of painting and music.
Sugimoto is a master of the long exposure and the large - format camera; the scenes are static and preserved, but in the true black and white tones
of his gelatin silver prints, they are not entirely lifeless, either.
On show at the Hôtel Pont Royal in Paris, this exhibition by the French photographer Louise Skira brings together a group
of gelatin silver photographic works in black and white on...
To save it he used black and white analogue photography — during the show we will display a beautiful selection
of gelatin silver prints.
For example, I'm imagining Meiko Smiling amongst a google image search for «beauty» or one
of your gelatin silver prints from Angola to Vietnam turning up in a search for 1 -800-flowers.
Here's what did work: Glenn Kaino's glittering mass of arrows in flight at Honor Fraser's booth, a demure suite
of gelatin silver prints showing Carrie Mae Weems dancing in a nearly transparent white nightgown, Galerie Brandstrup's laser - focus on young painters (including Michael Kvium and Christer Glein), and Chris Wiley's quirky photographs mimicking and framed with quotidian substances (never has Astro - Turf served a better purpose than a picture frame) as part of Nicelle Beauchene Gallery's entry into Armory Presents.
Yet a devoted band of film fans still adhere to the traditional method
of gelatin silver printing.
Not exact matches
Its basic structure is that
of ordinary black - and - white film: an emulsion
of silver bromide grains, which are very light sensitive, dispersed in animal
gelatin.
In 2006, McCaw began making exposures on vintage
gelatin silver papers to create one -
of - a-kind solarized positive images.
Gelatin molecules will encapsulate each particle
of silver and add enough buoyancy so that it does not sink to the bottom.
The
gelatin molecules will encapsulate each particle
of silver and add enough buoyancy so that it does not sink to the bottom.
Creating an appreciation for the art
of silver gelatin black - and - white photography is a bonus.
Within a week
of MoMA's reinstall, the Metropolitan Museum
of Art unveiled «Open Access»: a shift toward becoming an ostensible museum without borders, wherein the digitized catalogue
of all public domain artworks from its collection, totaling more than 375,000 images — from Japanese woodblock prints, to studies by American modernist painter Arthur Dove, to Eugène Atget's
gelatin silver prints
of a Haussmann - izing Paris — are now accessible and downloadable to anyone with an Internet connection, anywhere, at any time.
Provenance: Collection
of the Artist Vivian Horan Fine Art, New York Ydessa Hendeles Art Foundation, Toronto Acquired from the above by the present owner Untitled Film Still # 49 signed, titled, numbered and dated «Cindy Sherman 5/10 1979 49» (on the reverse)
gelatin silver print 8 x 10 in.
Unidentified photographer Bill Cunningham Photographing Five Models, ca. 1968 − 76
Gelatin silver print New - York Historical Society Library, Gift
of Bill Cunningham
She is represented here by three photographs: two iconic platinum palladium prints
of tabletop still lifes and a mysterious
gelatin silver print
of a hand grasping at a silvery, conical form.
All images are
gelatin silver prints from the collection
of the Ackland Art Museum, The University
of North Carolina at Chapel Hill, © Burk Uzzle, American, born 1938.
Carrie Mae Weems Untitled (Woman standing in cemetery), 2003
Gelatin silver print, edition
of 5, 2APs 20 x 20 inches
MALICK SIDEBE, «Self - Portrait,» 1956 (
gelatin silver print in original frame
of reverse - painted glass, tape, cardboard, string).
Untitled # 278, 1950 - 55
Silver Gelatin print Edition 2
of 10 Purchased with funds from the Friends
of the Collections Committee, 2004.2
Highlighting the exhibition will be a rare Shaker «spirit» drawing from c. 1860, Alfred Stieglitz's From the Back Window, 291 - NY, Winter
of 1915, a new drawing Noon Whine by Richard Serra, and a vintage
gelatin silver print by the German photographer August Sander from 1928.
A coinciding special installation
of the award - winning film at Photo London (May 18 - 21) is presented alongside large - scale works and
silver gelatin prints.
HIROSHI SUGIMOTO, Sea
of Buddha 001, 002, 003,1995,
gelatin silver prints, three prints: 119.4 × 149.2 cm each.
Sally Mann, Deep South, Untitled (Scarred Tree), 1998,
gelatin silver print, National Gallery
of Art, Washington, Alfred H. Moses and Fern M. Schad Fund.
The exhibition will encompass the entirety
of Stephen Shore's work, from the
gelatin silver prints he made as a teenager to his current experimentations with social media.
Elizabeth Hayley's
silver gelatin prints on steel and brass, seek to trace a record and likeness
of the experience
of life lived on and surrounded by water, making references to the past and impermanence.
Ernest James Bellocq, Lee Friedlander, [Untitled], 1
of 10 Photographs
of Storyville Subjects, c. 1911 - 1913,
Gelatin silver print, Gift
of Lee Friedlander, 86.111.3
Vintage
gelatin silver print © Georgy Petrussov, courtesy
of Nailya Alexander Gallery
Upon the next wall hangs the black - and - white
gelatin silver prints
of smaller groups from the photo shoots at Stout Projects, representing the present Bushwick artists, gallerists, organizers and journalists.
Portrait
of Girl with Fancy Dress, 1938 vintage
gelatin silver print 7» x 6» sheet size / 6.25» x 4.25» sight size, signed and dated
Sally Mann, Ponder Heart, 2009,
gelatin silver print, National Gallery
of Art, Washington, Alfred H. Moses and Fern M. Schad Fund.
Mapplethorpe's
gelatin silver print — with its slick, luminous surface and intricate gradations
of black and white — gives Lyon's form the appearance
of a classical sculpture, frozen in mid-motion.
Sally Mann, Battlefields, Cold Harbor (Battle), 2003,
gelatin silver print, National Gallery
of Art, Washington, Gift
of the Collectors Committee and the Sarah and William L Walton Fund.