Sentences with phrase «of gender oppression»

In 2015, we expanded our outreach program to include a broader mission of combatting cultural gender inequality in Nicaragua and overcoming the negative effects of generations of gender oppression, particularly in the domestic setting.

They travel with her in the landscape of Calvin's doctrine and assess whether his dramatic account can make sense of their specific experiences of gender oppression and also convey an empowering grace that heals their brokenness.

Not exact matches

This is just as true for people with a conservative theology of gender as for egalitarians: we should all be able to agree that, as humans created in God's image, the oppression of women is unacceptable.

There still exists inequality and oppression in the Church regarding women religious, propounded by the use of gender - specific language:

A respected diversity trainer and consultant in conflict resolution, Johnson possesses a keen understanding of the mechanisms of societal oppression (based on race, gender, sexual orientation, economics, etc.) and seeks to approach these from the context of spiritual oneness.

The «good old days» so often longed for were also times of racial oppression, gender discrimination, and theological confusion.

For the growing churches of the South, the Bible speaks to everyday issues of poverty and debt, famine and urban crisis, racial and gender oppression, state brutality and persecution.

One might argue that this was all due to capitalism, but oppression of people because of race, gender, and sexual orientation raises questions that are not well treated by class analysis.

Feminists have long argued about whether the most basic human oppression is a function of gender, class or both.

Focusing on sex trafficking, gender - based violence, and maternal mortality, the authors masterfully incorporate colorful stories of real women who have both suffered from oppression and triumphed over it in order to make the case that «women aren't the problem but the solution.»

Blacks agreed to the importance of class and gender analysis of oppression.

Author Jeanette Winterson believes we should expand marriage to include «communities where those who do not wish to marry or form one - to - one unions could live in congenial company, pooling resources and moving beyond both marriage and the binary oppressions of gender.»

As I said many times before, gender is a system of OPPRESSION, not an IDENTITY.

«A lot of progress has been made in the steps taken to protect the rights of women and the girl child and in the war against the oppression of the female gender.

Together, we will cultivate a radical practice that tends to the parts of us that have been denied AND confronts the systems of oppression of race, class and gender that are in the way of our transformation.

I blog on topics including queer and trans identities, gender and sexuality issues in the law, international human rights, sexuality in diverse groups, and the intersections between different types of oppression.

An intelligent and scary horror film that makes a more than welcome commentary on the horrors of war and gender oppression in Iran, using a lot of symbolism and keeping us in an increasing state of anxiety as it moves in a deliberate, slow - burning pace towards a terrifying climax.

The stirring story of a young trans woman battling the prejudice of her lover's family after his unexpected death, it strikes a chord when the #MeToo movement is spotlighting gender oppression and abuse across the spectrum.

«While conversations about privilege, and experiences of gender - race - class oppression are being recognized, spoken about, and now considered legitimate concerns in many spaces, in so many spaces, the opposite is true,» writes Dominique Dryding.

Finally, says McCarthy, while these practices should be a part of every class, they are especially important in a class that is discussing race, gender, class, or oppression.

While the Race, Culture, Class, Gender report demanded that future teachers adopt the «white - privilege,» «oppression and marginalization» understanding of American society, Dean Quam cast it this way,

Dr. Elizabeth Kozleski chairs the special education program at the University of Kansas, where she leads the specialization on the intersecting oppressions of disability, race, ethnicity, language, gender and sexuality in education and society.

but in an american audience, you can't get past the titillation and gender / feminist oppression because the argument is invalid without sex coming into a discussion and becoming filtered on one side of a long standing argument that has nothing to do with the topic at hand.

In her own act of resistance, Walker's The Jubilant Martyrs of Obsolescence and Ruin showcases the artist's signature satire and sardonic imagery to directly address the history of oppression and injustice experienced by Black Americans in the South with the persistence of racial and gender stereotypes and ongoing efforts to advance equality in America.

Valie Export has her usual quotations of obscure pop culture with obscure implications about gender and oppression.

This «play set» even seems to suggest that the cast of characters and their settings could be reorganized, creating new narratives that revolve around issues of oppression and power, race and gender, and moral ambiguity.

My work is rooted in a critique of white supremacy and the systemic oppression of people of color in the United States, and it is reactive to the violent, vicious, genocidal, and unapologetic way in which we differentiate between each other based on race, gender, and class.

The exhibition brings together a range of practitioners, some with a longstanding commitment to activism — such as Nancy Brooks Brody, an original member of the collective fierce pussy, and Vaginal Davis, who has long critiqued systematic oppression tied to gender, race, class, and sexuality — alongside emerging artists such as Sable Elyse Smith, Paul Mpagi Sepuya, and Chris E. Vargas, whose works variously plumb mechanisms of regulation.

The exhibition brings together a range of practitioners, some with a longstanding commitment to activism — such as Nancy Brooks Brody, an original member of the collective Fierce Pussy, and Vaginal Davis, who has long critiqued systematic oppression tied to gender, race, class, and sexuality — alongside emerging artists such as Sable Elyse Smith, Paul Mpagi Sepuya, and Chris Vargas, whose works variously plumb mechanisms of regulation.

In the work, Walker uses caustic, satirical imagery to reconcile the history of oppression and injustice experienced by African - Americans in the South with the persistence of racial and gender stereotypes and ongoing efforts to advance equality in America.

In arts, we can mark the exact moment in 1970s when Judy Chicago coined the term Feminist Art, and begun the practice of re-writing the dominant art history, to include the women along with the body of works dealing with women rights, emancipation from the patriarchy, changing the phallocentric values or switch power relations and reach gender equality in order to challenge any form of oppression and discrimination.

In collaboration with Kenya - based non-profit UHAI EASHRI, Burning in Water, a partner of Free Arts NYC, presented a group exhibition curated by Alexandra Giniger celebrating the right of all people to be free of abuse or oppression based on gender or sexual orientation.

She was a guest speaker for the Distinguished Visiting Artist Program, University of British Columbia, Indigenous Feminist Activism & Performance event at Yale, Native American Cultural Center and Women's Gender and Sexuality Studies, and the Indigenous Rights / Indigenous Oppression symposium with Tanya Tagaq at the School of Public Policy, University of Maryland, MD..

JANELLE POE Multidisciplinary artist and City College of New York MFA student in creative writing, Poe's writing explores the intersections of injustice, primarily race, class and gender, along with the nuances of privilege and oppression.

Dolgin is also a co-founder of Ladyfest Atlanta, an annual political arts festival that fosters collaboration and dialogue between local artists, activists, and community leaders around gender - centered oppression issues.

Corruption, political oppression, gendered violence and homophobia are things that African artists like Ousmane Sembene or Zanele Muholi have talked about through their work in the past, sometimes to the point of said work being banned due to controversy in their respective countries.

This context suggests the open, public - opinion poll mechanics of Justicia y Democracia are a logical extension of Mayer's explicitly feminist 1978 performance El tendedero / the Clothesline (featured at the Hammer) in which hundreds of local women aired frustrations with gender oppression in public, on note cards affixed with clothespins to a laundry line.

Text artists like Jenny Holzer and Barbara Kruger also used bold, graphic compositions to address questions of gender, culture, and oppression.

The International Justice Mission (IJM) is a global organisation that protects the most vulnerable from violence and oppression irrespective of their gender, community, caste, race, and ethnicity.

We have augmented our historical understanding of women's issues, patriarchy, and sexism, incorporating an analysis that recognizes the intersections of feminist and transgender experiences of gender - based oppression and struggle.

This class explores personal, political and clinical issues of race and gender in eating disorder treatment including differences between gender roles, sexual orientation and gender identity as well as specific risk and protective factors, the impact of oppression and assimilation stress on identity development, and culturally relevant treatment implications.

Ashley comes to Sound Discipline with a background in Gender Studies and International Development and a deep desire to contribute to work that challenges the systems of oppression and exclusion that permeate our institutions.

Oppressions that have been experienced along the lines of gender, race and class.