Sentences with phrase «of generation of painters»

When asked what exactly was the mythic calling of his generation of painters, Barnett Newman famously responded, «Instead of making cathedrals out of Christ, man, or «life,» we are making [them] out of ourselves, out of our own feelings.»

She is one of a generation of painters who explore the different possibilities offered by the medium to displace reality, to undermine any attempts at faithful representation

The leading figures of the generation of painters that came to maturity after 1945 include Gerhard Richter (born 1932), Georg Baselitz (1938), Sigmar Polke (1941), and Anselm Kiefer (1945).

Not exact matches

2015.02.11 Emerging visual artists wanted to participate in RBC Canadian Painting Competition Next generation of Canadian painters are invited to submit work for 17th annual competition...

2017.02.23 RBC Canadian Painting Competition Welcomes 2017 Submissions Next generation of Canadian painters invited to submit work for 19th annual competition...

It has spotted connections between generations of painters that matched accepted theories.

Ubud is famous for its history of painters and artists that have woven the fabric of the community for generations.

The village is famed by a history of painters and artists running through the community for generations.

Ubud is about an hour's drive from the airport and once you reach De Munut Balinese Resort you will be in an oasis of the fascinating Balinese culture at its strongest and the incredible landscapes that surround you and has inspired the painters» and artists communities for generations.

This beautiful sleepy tropical village is famed by a history of painters and artists which has been running through the community for generations.

Ubud had a fascinating history devoted to the following of the Balinese Hindu religion, accommodating the royal family and compelling creativity in the form of painters, carvers, performers and dancers who have been inspired by this area for generations.

Ubud had a fascinating history of a devoted following of the Balinese Hindu religion, accommodating the royal family, compelling creativity in the form of painters, carvers, performers and dancers who have been inspired by this area for generations.

Coinciding with the exhibition Re-Generation, which maps the lasting effect of Josef Albers teaching on three successive generations of painters, is a small but exuberant show of paintings and works on paper by another teacher of color theory, painter Siri Berg.

She wrote that Mueller and a number of other painters were the «generation that essentially reinvented American abstract painting in the 1970s and»80s.»

«Generations of black abstract painters never seem to be celebrated,» says Valerie Cassel Oliver, senior curator at the Contemporary Arts Museum Houston, where she recently organized «Black in the Abstract,» a two - part exhibition that focused on the history of African American painters working in abstraction.

In a new video, produced by John Thornton, painter / curator Scott Noel discusses a lineage of observational painting that spans four generations from Edwin Dickinson to recent graduates of the Pennsylvania Academy of Fine Arts.

Manister's artistic worldview and method is underpinned by the humanist vision of the older generation, but his commitment to forging an individual practice is not hampered by the same kind of high - seriousness and obdurate self - belief often found with other painters working «after the fall.»

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

Sharon Butler interviews painter Louise Fishman on the occasion of three exhibitions: Louise Fishman at Cheim & Read, New York (through October 27), Louise Fishman, Five Decades at Tilton Gallery, New York (through October 13), and Generations: Louise Fishman, Gertrude Fisher - Fishman, and Razel Kapustin at Woodmere Art Museum in Philadelphia (October 13, 2012 — Janury 6, 2013).

Among a new generation of abstract painters who emerged combining color field painting with expressionism, the older generation also began infusing new elements of complex space and surface into their works.

Contemporary abstract painting lacks credibility because its success depends on the suppression of a generation of lyrical painters, censored since the mid seventies.

However, like other female painters of her generation, to this day she has not received the same level of recognition in international exhibitions as her only slightly older male colleagues Jackson Pollock, Franz Kline, or Willem de Kooning.

In his catalogue essay for the Hodler retrospective that was held at the Guggenheim Museum, New York, in 1973, Peter Selz describes the artist's hardscrabble roots, far removed from the comfortably bourgeois childhood homes of Édouard Manet (1832 — 1883) and Paul Cézanne (1839 — 1906), the revolutionary French painters of the previous generation:

Greenbaum is among a generation of women painters — Carrie Moyer and Amy Sillman are others — reclaiming abstract expressionism.

AT THE HEIGHT of the Abstract Expressionist movement, which has been referred to as the «Triumph of American Painting,» 1 a somewhat younger generation of painters, while interested in and often respectful of their predecessors, formed the conviction that an art based on the depiction of the natural world could make a serious and ambitious statement in the latter part of the Twentieth Century.

Helen Frankenthaler, the lyrically abstract painter whose technique of staining pigment into raw canvas helped shape an influential art movement in the mid-20th century and who became one of the most admired artists of her generation, died on Tuesday at her home in Darien, Conn..

Stefan Szczesny September 13 — October 9, 2012 The exhibit explores the early 80s, when Szczesny emerged as one of the protagonists of a young generation of bold figurative painters in the German - speaking world who came to be known as «Neue Wilde.»

Sidibe influenced his contemporaries and inspired a new generation of artists including British painter Chris Ofili, who is based in Trinidad.

Typically what is referred to as the Second Generation included painters and sculptors of the late fifties, during the heyday of Abstract Expressionism, whose work seemed to be directly influenced and inspired by Willem de Kooning, Franz Kline, Hans Hofmann, Robert Motherwell, or Clyfford Still, or influenced indirectly by Adolph Gottlieb, Mark Rothko, and Barnett Newman.

His experimental approach to surface, texture and colour makes him among the most inventive painters of his generation.

She is no more representative of her generation than De Keyser is of his, but like him she has been a favorite of fellow painters, most notably, in her case, Mary Heilmann, whose gloss of Greenbaum's early work is worth quoting here, for the sake of its descriptive energy (which matches the nondescriptive energy of the paintings) and the way it highlights how Greenbaum's work has changed: «Joanne seemed to be remembering the atmosphere of a festive female experience of the 60s.

It's latest record million dollar sale price acknowledges what many have recognized for decades — Marshall is one of the great painters of his generation and his approach, «Blackness in the Extreme» (as he titled his Nov. 12 lecture at the Crystal Bridges Museum), resonates narratively and aesthetically.

Although not always acknowledged, his influence is visible in the works of a current generation of painters that includes, Joe Bradley, Dan Colen, Sergej Jensen and Oscar Murillo to name but a few.

It will continue with work by current mid-career painters as well as recent graduates who will play a central role in the next generation of American painting.

Joan Semmel's Erotic Series (or «fuck paintings») of the 1970s, subsequent nude self - portraits, and recent unflinching depictions of her aging body establish her as one of the most important feminist painters of her generation.

He attributed her to «the first of the generation of colour - field painters -LSB-...]

Taking issue with Harold Rosenberg (another important champion of Abstract Expressionism), who wrote of the virtues of action painting in his article «American Action Painters» published in the December 1952 issue of ARTnews, [3] Greenberg observed another tendency toward all - over color or Color Field in the works of several of the so - called «first generation» Abstract Expressionists.

Deininger is one of a new generation of abstract painters, aware of the rich history of abstraction, yet creating complex canvases originating from her sophisticated, knowledgeable and intuitive response to process, imagery, and materials.

From the «precursors» who developed Congo's first works on paper when it was still a Belgian colony to the 1970s «popular painters» who worked as sign painters and created comics, and a new generation of artists that emerged in the 2000s, this unique show offers an historic overview of Congo's artistic landscape.

Agnes Martin (b. 1912, Macklin, Saskatchewan, Canada; d. 2004, Taos, New Mexico), one of the most influential painters of her generation, left an indelible mark on the history of modern and contemporary art.

American painter Joe Bradley has distinguished himself among the artists of his generation with his mutable approach to art - making.

And it was not until the early 50's, well after the leading painters of his own generation had established themselves, that Porter began to exhibit regularly.

The exhibition showcased several artists representing two generations of Color Field painters.

Esteban Vicente's death in 2001 at the age of 97 marked the passing of one of the last surviving members of the first generation of New York School painters.

His work paved the way for a new generation of figurative painters, and his absence in the art world will surely be felt.»

Arguably — and often labeled — the greatest painter of his generation, Luc Tuymans signals in every canvas the necessary limits of the medium, even the coda to its drawn - out death: his reliance on fleeting photographic and filmic imagery, his refusal to spend more than one day on a canvas, and perhaps most of all, his indifference to craft bring the Belgian artist into head - on confrontation with painting, and endow his subjects — from the untouchable (the Holocaust) to the pedestrian (flowers, pigeons)-- with an unmistakable air of violence inflicted.

The exhibition presents large - scale oil paintings that are figurative, psychologically imbued, beautifully rendered, and wonderfully sublime by one of the most significant Realist painters of his generation.

Poons painted dots, Stella painted stripes and they both were apparently reacting against the Abstract Expressionist generation of relational painters.

Nevertheless she has not, until today, received as much attention in the international exhibition world as her only slightly older, Page 3 6 male, fellow painters Jackson Pollock, Franz Kline, and Willem de Kooning, a fate she shared with other women painters of her generation.

I'd place Pollock along with Hofmann and Morris Louis in this country among the very greatest painters of this generation.