I have moved further and further away from any kind
of gestural mark making because I do nt want to interfere with the viewers experience at all.
She uses a varied
range of gestural marks to create expansive and abstract forms that reveal internal and external body systems.
Wool saw differently the
possibilities of gestural mark - making on a surface and even used photographs of his own paintings as sources for new paintings.
The older painter's black paintings (of which Stella owned one) were instrumental to the first stripe paintings» monochromy and
refusal of the gestural mark.
He defaces the collaged items by painting a tan square over most of the group portrait and adding a
series of gestural marks — some elongated or scribbled like childish finger painting, others smeared horizontally with an overloaded brush — and allows the excess paint to drip downward like the trace of uncontrollable passion, an expressive device that he shares with Norman Bluhm.
His paintwork plays with our
expectations of gestural mark making — drips, pours, and freely brushed elements often being revealed as controlled and lovingly - recreated representations of the «real «thing.
Often featuring nymph - like women and allusions to fairy tales, her paintings examine adolescent ennui through a particular
language of gestural mark - making.
In these works he interweaves photographically derived imagery with
networks of gestural marks, using egg tempera, oils and encaustic in various combinations.
The composition of «Blast II» is based on the striking juxtaposition of tranquility and dynamism: set against a plain white background, a green disc dominates the upper part of the canvas, while hovering above a volatile black mass
of gestural marks below.
Expanding her range of mark making in scale shifts and close ups, Ferris couples syncopated brushstrokes with airbrushed oil paint to create surfaces that combine the topography of textiles with the
banter of gestural mark making.
A selection of the artist's small collaged drawings, sparsely populated by sketched, cartoonish images of jewels, magazine cutouts and a USDA food pyramid amid an
array of gestural marks, hint at the roots of the large paintings» abstract forms.
The color works feature ragged organic forms with intense color edges that fade towards the center overcast with a unifying
web of gestural marks that bind the compositions.
Stanley Whitney has been exploring the formal possibilities of color within ever - shifting grids of multi-hued blocks and all - over
fields of gestural marks and passages, since the mid-1970s.
Inspired by Tang Chang's
combinations of gestural mark making and writing, artist Oscar Murillo and curator Orianna Cacchione discuss the relationship of text, image, and abstraction in modern and contemporary art.
Stanley Whitney (born 1946, USA) has been exploring the formal possibilities of colour within ever - shifting grids of multi-hued blocks and all - over fields
of gestural marks and passages since the mid-1970s.
For four decades, Stanley Whitney has been «exploring the formal possibilities of color within ever - shifting grids of multi-hued blocks and all - over fields
of gestural marks and passages.»