Sentences with phrase «of global capitalism»

That's a mighty big plunge for the centre of global capitalism.

In no way do I minimize the thousands of local efforts to bring some enjoyment to the world even now, in spite of the overwhelming dominance of global capitalism.

We are here for the long term — to participate in the eventual growth of global capitalism and capture as much of that return as we can.

In this instance it may not be the case that the acceptance of the free market as the means of pricing goods and services entails all the other features of global capitalism.

For the most part this control will be exercised for the sake of global capitalism.

He links solidarity with the marginalized to criticisms of global capitalism (an inadequate but unavoidable term).

Critics took it as a comment on the meltdown of global capitalism and the west's failure to cope with the threat of climate change.

At 18th Street's main gallery, Dizon will weave video that she has shot together with archival footage, text from philosophical, political, and literary sources, and sounds composed from field recordings, scores, and voice, into an intricate work that invites viewers to reflect upon diasporic subjectivity, postcolonial history, and the effects of global capitalism in the Philippines.

The one outcome the clever boys who invented new Labour never considered as they excised the socialism from their party was that we would witness a crisis of global capitalism in the first decade of the 21st century so severe that it would force both Britain and America into nationalising financial institutions.

The Crisis of Global Capitalism by George Soros.

What a huge leap to imagine that the ancient provision for Jubilee in Leviticus 25 has anything to do with the cancellation of Third World debt or with an implied critique of global capitalism.

A pivotal figure in contemporary art from the early 1970s until his untimely death in 2013, Sekula continuously questioned the function of the documentary genre and the consequences of global capitalism through his critical writings, photographic installations, videos, and films.

«But we need the political establishment in this country to stop slagging off a sector that is utterly crucial to the British economy and the current system of global capitalism — and after four years of navel - gazing since the crash, we have yet to come up with an alternative.»

Author Walter Mosley explores the mysteries of life, labor and freedom in the 21st century - from the failures of global capitalism and the impossibility of socialism, to technology's toll on humanity's understanding of itself, its needs and its limitations - and explains why building a future that serves humankind starts with destroying the ideological frames that reduce people to servants of a system, not masters of their potential.

The Mexico - City - based conceptual artist Minerva Cuevas explores the ways in which seemingly banal items like fruit, chocolate, and water reflect the practices and ideology of global capitalism.

Wiley's beautifully painted portrait of a young black male in the context of an NYPD mug shot doesn't have a shred of the radical politics of David Wojnarowicz's «One Day This Kid...» (1990), while DeBalincourt's sausage - fingered politicians in «ambitious new plans # 1» (2005) is adjacent to Mark Lombardi's damning exploration of global capitalism through the complex web of banking and finance.

Upstairs, Sara Greenberger Rafferty, New Works: Dresses and Books, presents a series of plastic works exploring symbols of global capitalism and individuality through images of fashion, books, diaries, and online shopping.

These generic signifiers of humanness are usually constricted by small urban spaces, caught in the crunch of rush hour, decimated by the pain of poverty, destroyed by the horror of war, trapped by the excesses of global capitalism.

Despite such controversies, neither country has been excommunicated by the bishops of global capitalism.

Lewis and Klein — no friends of global capitalism — portray the workers as revolutionaries, sticking it to the Man by doing an end - run around the evils of modern business.

Jeremy Corbyn, the Labour leader who is half - heartedly campaigning for the U.K. to remain the E.U., is almost certainly another closet Brexit supporter, a Socialist who sees the E.U. as the stooge of global capitalism, eroding workers» rights with its neo-liberal focus on the Single Market.

Grey's way out of the stranglehold of global capitalism is an unusual one, especially within feminist circles.

Longstanding patriarchal attitudes and customs only heighten the dehumanizing effects of global capitalism on these women.

Defenders of global capitalism argue that in time the impoverishment of the poor will end and the great abundance generated by the system will benefit all.

Whilst the preceding text highlights the sovereignty deficit resulting from globalisation, the contribution from the ATTAC, looks at new financial forms of global capitalism.

William Greider, strongly critical of global capitalism in his book One World Ready or Not, still believed there were remedies available if we were prepared to face up to them boldly.

The alternative to the top - down development programs of both global capitalism and state socialism is bottom - up development.

I doubt that it wants to become vulnerable to the speculative investments of global capitalism or develop an economy that is chiefly owned by outsiders.

In this issue, David Hart commends Pope Francis as a critic of global capitalism.

Bonds of loyalty allow us to resist tyranny, whether in the form of the utilitarian despotism of global capitalism or the universal moralism that regards our traditions as impediments to the realization of true justice.

Presumably, they either didn't accept that things were as bleak as Darling contended (but Carney's assessment bears out Darling's judgment) or reasoned that to acknowledge as much would reflect badly on Labour (but while reality can't be denied, as Bryant discovered, it can be explained, and better in terms of the inefficiencies of global capitalism than the Labour government).

Your new book, Living in the End Times, is about the demise of global capitalism.

Its grander themes, the culture of global capitalism and the relationship between parents and adult children, are excellent stuffing for oddly shaped poolside chaises and hideous hotel sofas.

The garish nature of global capitalism is the subject of this piece, Venetian Rhapsody (2017).

Today's «accumulation by dispossession» (David Harvey), a form of appropriation that involves not primarily the generation of wealth but rather taking possession of existing wealth, usually from the poor or the public sector, makes this slogan a perfect candidate for re-use in the context of global capitalism.

Reyle finds inspiration in his immediate environment, from the typical socialist architecture that dominates much of the landscape of post-war Germany to the flea - market finds that signify the march of global capitalism.

Marker, a three - channel video installation by Jacek Malinowski, is a fictional story of a member of an informal alter - globalist group called Markers, who try to free themselves from the fictive world of global capitalism.

These are open during ABMB week, along with an additional new show of the zany, surreal absurdist films and installations of Argentinian born, New York - based Mika Rottenberg whose obsessions swing from the mechanics and production processes of global capitalism to visceral body parts.

Gordon Cheung's first solo exhibition in Dubai, «Lines in the Sand», presents a series of large scale multimedia works that explore the shifting boundaries of the empires of global capitalism, and the manipulation of cartography and geography by superpowers to gain control over new territories, resources and trade routes.

The series transposes original fictionalised biographies that aim to dramatise instances in which disparate subjectivities appear, relate, contradict, and attempt to coexist, to form a picture of the fallout, failures and flatulence of global capitalism.

The interview reflects on the Whitney Biennial's commitment to social engagement and contemporary issues as well as on the question of biennials appearing as cultural partners of global capitalism, contributing to the branding of cities that host them, among other related topics.

Jarrar participates alongside artists from India, Europe and the Middle East to query the hubris of global capitalism which often operates in the guise of democracy.

Panning through the repressions of Soviet style communism to the inequalities and consumerism of global capitalism, Batjargal offers narratives concerned with the loss of traditional heritage.

Instead, there is an implicit acceptance of the continuing need for energy policies that can continue to support the growth imperative of global capitalism.