Sentences with phrase «of global contemporary art»

The Solomon R. Guggenheim Museum presents Lasting Images, a focused selection of recent acquisitions from the museum's growing collection of global contemporary art that will be on view at the museum for the first time, October 14, 2013, through January 12, 2014.

This exhibition brings together a selection of works from the Guggenheim's collection of global contemporary art.

The A-Z of Emotions Drawing on Iniva's extensive knowledge, the selected artists have been carefully chosen for commission in order to reflect the richness of global contemporary art.

Another view of the the Global Contemporary Art Museum (GCAM) in North Adams, Massachusetts.

At a moment of much debate about the status of global contemporary art, this exhibition examines how artworks drawn from the contemporary collection of Patricia Phelps de Cisneros navigate this complex issue by embracing appropriative strategies for making art.

Inspired by Tang Chang's combinations of gestural mark making and writing, artist Oscar Murillo and Smart Museum Curator of Global Contemporary Art Orianna Cacchione discuss the relationship of text, image, and abstraction in modern and contemporary art.

The main gallery on this level presents works created after 1950, including a section for the display of global contemporary art.

Orianna Cacchione, Smart Museum Curator of Global Contemporary Art with the assistance of Mary Pansanga and Tyler Blackwell.

Registered bidders from 47 countries across five continents demonstrated the continued strength of the global contemporary art market, with 22 lots selling for over # 1 million and 33 for over $ 1 million.

Since 1913, Art in America has delivered in - depth coverage of the global contemporary art scene, identifying trends and producing a record of key developments.

They are bound by their shared participation in the activities of global contemporary art.

Time seems to flow in cycles, and so on the eve of 18th Street's 25th anniversary, we meet again at a crossroads: one path illuminated by the hot flame of the avant - garde and DIY traditions of Los Angeles; the other by the cool, neon glow of the global contemporary art market.

The market for Lucio Fontana, the prolific Argentine artist who spent the most important part of his career in Italy, peaked last year during the October Italian sales when 26 works were offered and 21 sold for a combined total of # 36.6 m. With a large body of work — the slashes — that is both easily recognizable and was created in a seemingly endless variation of color and slashes, Fontana looked to be riding a wave of interest in Italian abstract artists to become a market - driving figure, a bellwether of the global Contemporary art market.

This exhibition depicts a group portrait of the Chinese contemporary collectors and showcases an overview of the global contemporary art landscape.

Aboudia's energized portrayal of the street culture of urban Africa takes full flight in «African Dawn», creating a powerful synthesis of historic and current events and propelling Aboudia to the forefront of global contemporary art.

Not exact matches

Dwight Furrow examines the contemporary fascination with food and culinary arts not only as global spectacle, but also as an expression of control, authenticity, and playful creation for individuals in a homogenized, and increasingly public, world.

It is here that potential future art house stalwarts combine with the late night classics of tomorrow, and that a global panorama of the best contemporary work sits alongside challenging sidebars and endearing retrospective programming.

The Foundation has created groundbreaking independent institutions in each of its three investment areas, including The Broad Center, which develops leaders to help transform America's urban public schools, the Broad Institute, a global leader in genomics, and The Broad, a museum in downtown Los Angeles devoted to showcasing great contemporary art.

Bold and powerful forms and proportions are, upon closer inspection, contrasted with aspects of traditional Japanese craftsmanship expressed in a contemporary way,» said Alfonso Albaisa, senior vice president of global design at Nissan Motor Co., Ltd. «The exterior's combination of western and eastern concepts continues inside the Xmotion, where advanced connectivity and autonomous technologies mix with modern Japanese digital art and cultural craftsmanship.

Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a new, global perspective on Science Fiction.

In addition to the 1988 Courbet retrospective, Nochlin organized other seminal shows, like «Women Artists: 1550 to 1950» at the Los Angeles County Museum of Art, which she curated with Ann Sutherland Harris in 1976, and «Global Feminisms: New Directions in Contemporary Art,» which she curated with Reilly for the Brooklyn Museum's Elizabeth A. Sackler Center for Feminist Art in 2007.

A product of the Cultural Revoltuion, his early works, such as Hospital Series and Mask Series, drew the global art world's attention to Chinese contemporary art.

She has participated in global exhibitions at Vizcaya Museum and Gardens, Miami, FL; 2014 La Biennale de Montreal, Montreal, QC; Young Art Museum, Davie, FL; Farnsworth Art Museum, Rockland, ME; Museum of Contemporary Photography, Chicago, IL; National Center for Contemporary Art, Russia among others.

The prizes will be awarded by Christopher Bedford (Dorothy Wagner Wallis Director, The Baltimore Museum of Art), Omar Kholeif (Manilow Senior Curator and Director of Global Initiatives, Museum of Contemporary Art Chicago) and Suzanne Cotter (Director, Mudam Luxembourg Musée d'Art Moderne Grand - Duc Jean).

Carlos Salas is one of Colombia's best - known contemporary painters, and some of his monumental abstract paintings will be included in this semi-survey, Carlos Salas: Latin America and the Global Imagination, which also addresses questions of cross-cultural traditions in today's art.

2010 Whitney Biennial, Whitney Museum of American Art, New York, NY Greater New York: 5 Year Review, MoMA / PS1, Long Island City, NY Framed, Indianapolis Museum of Art, Indianapolis, IN Emerge, Museum of Contemporary Art Chicago, Chicago, IL Uncertain Spectator, Experimental Media and Performing Art Center, Troy, NY Sweat, Patricia Low Contemporary, Gstaad, Switzerland F * Utility, Arena 1, Santa Monica, CA Better When Broken, Seventeen Gallery, London, England A Basic Human Impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy Mirror, Mirror, Postmasters Gallery, New York, NY Gim me Shelter, Mixed Greens, New York, NY Knock Knock, Fred Torres Collaborations, New York, NY A Reluctant Apparition», Sue Scott Gallery, New York, NY Global / National, Exit Art, New York, NY Escape from New York, Patterson Arts Council, Patterson, NJ COMPOSE!

Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG Art Foundation, New York, NY (2012); Because We Are, Station Museum of Contemporary Art, Houston, TX (2010); and Sh (out): Contemporary Art and Human Rights, Gallery of Modern Art, Glasgow, Scotland (2009).

2016 Mentors, Curated by Rick Herron, CFHILL, Stockholm, Sweden New Revolutions: Goodman Gallery at 50, Goodman Gallery, Johannesburg, South Africa Tomorrow Never Happens, Samek Art Museum, Bucknell University, Lewisburg, PA Future Perfect: Picturing the Anthropocene, University Art Museum, SUNY, Albany, NY 9th Berlin Bienniale, KW Institute of Contemporary Art, Berlin, Germany Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York, NY Imitation of Life: Melodrama and Race in the 21st Century, HOME, Manchester, UK Luis Gispert + Jacolby Satterwhite, Lundgren Gallery, Palma de Mallorca, Spain Electronic Superhighway, Whitechapel Gallery, London, UK Disguise: Masks + Global African Art, Brooklyn Art Museum, Brooklyn, NY

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Faart in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art FaArt Fair.

The Future Generation Art Prize is a biannual global contemporary art prize to discover, recognise and give long - term support to a future generation of artisArt Prize is a biannual global contemporary art prize to discover, recognise and give long - term support to a future generation of artisart prize to discover, recognise and give long - term support to a future generation of artists.

As part of START London 2017, the Global Eye Programme will present Vietnam Eye, a curated section of the fair celebrating Vietnamese contemporary art.

The Global Eye Programme is an initiative that Parallel Contemporary Art founded in 2009 - the creative vision of founders David and Serenella Ciclitira.

Drawing on the Met's collection of European sculpture and modern and contemporary art with a selection of important works from national and international museums and private collections, the exhibition will examine sculpture from 14th century Europe to the global present.

Artnet The Online Marketplace And Magazines's Clique, from left: Ben Davis, national art critic, Artnet News; Christie Chu, assistant managing editor, Artnet News; Ben Genocchio, editor in chief, Artnet News; Cait Munro, culture reporter, Artnet News; Thierry Dumoulin, vice president, marketing; Jessica Zhang, regional manager of greater China; Mops (the dog), mascot; Sophie Neuendorf, global director of partnerships; Jacob Pabst, CEO; Calvin Sharpe, office manager; Gracie Mansion, senior specialist, contemporary and modern art; Gamliel Beyderman, director, business intelligence / data science; Bree Hughes, specialist, photographs.

2015 To Be Young, Gifted, and Black, Goodman Gallery, Johannesburg, South Africa Disguise: Masks + Global African Art, Fowler Art Museum, UCLA, Los Angeles, CA; Seattle Art Museum, Seattle, WA Screen Play: Life in an Animated World, Albright - Knox Art Gallery, Buffalo, NY Mirror Stage: Visualizing the Self After the Internet, Dallas Museum of Art, Dallas, TX America is Hard To See, Whitney Museum of American Art, New York, NY Radical Presence, Yerba Buena Center of the Arts, San Francisco, CA When the Stars Begin to Fall, Institute of Contemporary Art, Boston, MA Weird Science, Marianne Boesky Gallery, New York, NY Queer Fantasy, Moran Bondaroff, Los Angeles, CA

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecArt Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projecart practices through innovative curatorial projects.

«Uncontained,» Whitney Museum of American Art, New York, NY, February 8 — April 29, 2007 «Hammer Contemporary Collection,» Hammer Museum, Los Angeles, CA, January 16 — April 8, 2007 2006 «The Bong Show or This is Not a Pipe,» curated by Beverly Semmes, Leslie Tonkonow Artworks + Projects, New York, NY, December 9, 2006 — January 20, 2007 «The Unhomely: Phantom Scenes in Global Society,» curated by Okwui Enwezor, Second International Biennial of Contemporary Art, Seville, Spain, October 26, 2006 — January 15, 2007; cat.

This screening preceded a symposium on Leon Golub's work and its relevance in contemporary global politics at the Royal College of Art, Battersea.

Today an internationally - recognized cultural destination, The Bronx Museum of the Arts is committed to presenting new ideas and voices in a global context and making contemporary art a vital, relevant experience.

, Contemporary Arts Museum, Houston (2012); ILLUMInations, Venice Biennale, Venice, Italy (2011); 21st Century: Art in the First Decade, Queensland Art Gallery, Gallery of Modern Art, Brisbane, Australia (2010); Flow, Studio Museum Harlem, New York (2008); and Global Feminisms, Brooklyn Museum, New York and Davis Museum and Cultural Center, Wellesley, Massachusetts (2007).

It returns to Primary Structures in order to disrupt its canonicity, revealing the parochialism of the mid-1960s New York art world from the contemporary perspective of global art.

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

It is also invaluable artistic material for academics redefining art history by integrating these pieces into the canons of British and global contemporary art.

Interestingly Cameroonian art professionals have established themselves among the list of movers and shakers of the African and global contemporary art scene.

Over the past few decades, German artist Thomas Bayrle has quietly laid the seeds for much of what fascinates us about contemporary art's engagement with the worlds of popular culture, standardisation and global culture today.

But wandering over to Brussels» pioneering contemporary art centre (fittingly housed in an old art deco brewery) ArtReview gets a dose of the art concerns of a time when the global contemporary art world was just coming into being.

Moving beyond conventional ideas of the African continent and its «counterpart», «the Western hemisphere,» this year's Focus will provide a glimpse of international artistic production from contemporary African viewpoints: emerging curators, artists, galleries and art spaces that connect scenes and markets through global networks.

Addressing this global experience, and through his current ties to the contemporary artists and galleries that comprise the local art community, Gross is able to contextualize the influence Los Angeles has on the larger art world and how the ideas of these local artists are being championed in contribution to a global discourse.

This publication introduces and presents the work of a global cast of painters selected by an international panel featuring some of the most prominent names in contemporary art (including the painter Cecily Brown, curators Tony Godfrey, Yuko Hasegawa and Gregor Muir, and writer - critics Suzanne Hudson, Barry Schwabsky and Philip Tinari) offering an intelligent snapshot of the best new talent in painting from across the world, gathered through an open call for submission that drew over 4,300 entries.

She was a staff writer for Rhizome and her other writings on contemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery ancontemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT Preart and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery and MIT PreArt Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery anContemporary Art series published by Whitechapel Gallery and MIT PreArt series published by Whitechapel Gallery and MIT Press.