Sentences with phrase «of graffiti culture»

Lahr (Germany) About Blog MOLOTOW ™ is a part of the graffiti culture for 20 years.

Lahr (Germany) About Blog MOLOTOW ™ is a part of the graffiti culture for 20 years.

Lahr (Germany) About Blog MOLOTOW ™ is a part of the graffiti culture for 20 years.

«Creative Crossroads» brings together Handler and Lamboy, two artists whose style illustrates the impact of the graffiti culture of the late»70s and»80s on contemporary art.

Entitled Versus, the new exhibition from the Spanish duo features paintings, drawings, and sculptures that form a cohesive body of work showcasing their signature combination of classical art and elements of graffiti culture.

As a motif, the crown became a staple of the graffiti culture of the late 1970s and early 1980s, used by fellow artists to denote admiration for their peers.

The simplistic visuals, pulsating musical score and intuitive gameplay controls make it an ideal pickup for both fans of graffiti culture and stealthy turn - based strategy games.

Lahr (Germany) About Blog MOLOTOW ™ is a part of the graffiti culture for 20 years.

Lahr (Germany) About Blog MOLOTOW ™ is a part of the graffiti culture for 20 years.

Not exact matches

When debate about an artist's merit no longer seems to have any point, one is left either with an icon of culture, too sacred to enjoy, or with a target of satire, brought down to our more humdrum level by a vaudeville lampooning of the unapproachable totem, as when graffiti artists paint a moustache on reproductions of the Mona Lisa.

It wasn't just a genre of music, it became a culture involving rapping, DJing, B - boying (a form of breakdance) and graffiti art.

With funding from the Austrian Ministry for Science and Research and the Culture Division of the City of Vienna, Norbert Siegl spent months studying the «gender - specific differences in frequency and thematic content» of the graffiti in the toilets at the University of Vienna.

Fumeroism embodies the evolution of late 20th century post graffiti art culture.

by Jefferson Robbins The skeleton key to George Lucas's American Graffiti isn't in its setting — the cruising culture of exurban southern California, 1962, as witnessed by young participants with the»50s at their back and Vietnam ahead.

The actual goal of many of these programs, Laura Gauld says, is to reduce graffiti, bullying, and the various other outward signs of an aimless school culture.

Including rap lyrics in a unit on poetry, or graffiti as a jumping off point to talk about the history of art establishes a bridge between youth culture and academic pursuits.

Fumeroism embodies the evolution of late 20th century post graffiti art culture.

Our mission is to progress the graffiti and street art culture by creating a cultural space and community of artists, fans, and like minded organizations.

Fumeroism embodies the evolution of late 20th century post graffiti art culture.

Graffiti is now a recognized contemporary art form, thanks in large part to the popularity of hip - hop and urban youth culture.

Ranging from graffiti legends to the richest living artists in the world, these remarkable collaborations have varied from a mix of fine art paintings to photographs and comics and helped Supreme be at the forefront of incorporating art into street culture.

Like his late contemporaries Keith Haring and Jean - Michel Basquiat, Kenny Scharf has been a key figure in the translation of street - art culture from the walls and train yards of New York City to the fine - art galleries of Chelsea, applying the graffiti burner's tools of trade (spray paint, acrylic, scrawled words) to canvases.

Taking up the iconography and subject matter inherent to Western culture and making use of crude painting techniques blended with the vandalistic language of graffiti, Lister appropriates and reformats codes and languages in order to create a new proposal of grotesque contours brimming with creative energy.

Focusing their program on artists who are pushing the limits of contemporary art while having a strong connection with graffiti culture, the British and Dutch artists» abstracted compositions were the perfect fit for the gallery's summer 2017 show.

Few contemporary artists have developed a visual vocabulary as immediately recognizable as the Chicago - born artist Christopher Wool's — and what's remarkable is that he was able to achieve this distinction across a number of different series, from his influential text paintings to his elegantly minimal canvases marked by fences and other repetitive forms to his dynamic gestural abstractions that borrow from graffiti culture.

The exhibition will feature paintings, mixed media sculptures, and interactive installations by 50 of the most dynamic artists and will emphasize Los Angeles's role in the evolution of graffiti and street art, with special sections dedicated to seminal local movements such as cholo graffiti and Dogtown skateboard culture.

A small side room of the exhibition is devoted to a new VR piece by KATSU that is an «homage» to the Tenderloin area of San Francisco, a region «with deep roots in graffiti culture» that is slowly being sanitized and gentrified.

This groundbreaking show was one of the very earliest to bring graffiti into an established art gallery, and has attained legendary status in the history of Bristol's street art and music culture.

Drawing from the art - historical lineage of cubism, graffiti, cartoons, figurative painting and gestural abstraction, and appropriating subjects from mythology, advertising, print culture and consumerism, Aaron Curry's eagerly awaited survey exhibition at CAPC musée d'art contemporain de Bordeaux next summer is as much about the breakdown of the human condition as it is the absurdities that define the perils of human evolution.

Stimulated by aspects of popular culture, Nielsen assimilates graffiti, music, videos and performance within his practice as a glass artist creating a form of kitsch that is continuously experimental.

A participant in the graffiti scene since his mid-teens, he is also known by his tag name REAS and has had an enormous effect on people of his generation around the world as a symbol of the driving force behind the underground culture of the time.

Considering Andy Warhol's and Keith Haring's artistry, the New York - based artist Brian Donnelly, or internationally known as Kaws, is a prolific contemporary artist who has pushed the art of appropriation significant steps forward embracing pop culture with a wide range of influential artistic projects from toys, to clothings, graffiti, paintings, sneakers and videos.

Emerging with the New York City graffiti and street art movement of the 1980s, Scharf's imagery draws upon pop icons, media advertising and consumer culture of the 1960s, including TV cartoon characters such as the Flintstones and the Jetsons.

It has evolved from that into street and graffiti art, and, from there, wall drawing has become so much a part of contemporary visual culture.

Smith, whose grandmother had a talent for interior design and whose mother is a former fashion editor, taps into her personal associations — popular culture, graffiti and calligraphy, her family, and her hometown of Baltimore — to create eclectic and energetic work.

Although evoking the spirit and tradition of folk art, these works are also celebrating the urban lifestyle, particularly graffiti and sign painting culture through use of spray paint or latex paint.

Born in San Antonio, Texas, Curry studied in Chicago and in Los Angeles where he still resides.Known Primarily for his large, flashy sculptures made of painted wood and aluminum, Curry's work is a puzzling exploration of popular culture as well as consumerism, and it features a rather dense range of aesthetic references — from graffiti and comics to Cubism and Pop Art.

I particularly enjoyed the floating geometry of a gold rectangle against broad blue swathes of action painting, vocalizing on top of power chords, even as I wish he had abstained from the graffiti culture's obligation to tag everything with his initials right when the surface of the painting was shimmering with a certain delicacy.

CHG represents a diverse collection of international artists, primarily influenced by today's pop culture and collectively encompassing style genres such as New Figurative Art, Pop Surrealism, Neo Pop, Graffiti and Street Art, and Post-Graffiti.

Expanding upon Murakami and Juxtapoz magazine's interest in flattening high and low cultures, this exhibition includes work by artists whose practice has been shaped by a variety of sub-cultures including skate, surf, graffiti, street art, comics, design, illustration, painting, and digital and traditional arts.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Iggraffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Iggraffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and IgGraffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Juxtapoz x Superflat was conceived by the renowned Japanese artist Takashi Murakami and co-curated with Evan Pricco, Editor - in - Chief of Juxtapoz Art & Culture, a legendary San Francisco - based magazine committed to contemporary art, design, fashion and graffiti.

They are interested in pieces ranging from the area's graffiti culture to a wide array of vibrant pop art influences.

In 2011 his work is featured in DEFINITION: The Art and Design of Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by well - known graffiti artist and designer Cey Adams, 5 Cities / 41 Artists: Artadia O8 / 09, Artadia: The Fund for Art and Dialogue by Franklin et al Sirmans, NOPLACENESS: Art in a Post-Urban Landscape, as well as In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection in 2012.

Within his work he embraced the complexity and hybrid nature of urban culture — mixing everything from graffiti and Chinese calligraphy, to West Coast and East... Read More

He has contributed major texts to well over a hundred art books, monographs and exhibition catalogues and dedicated much of his energies to charting the visual vernaculars of youth culture, including graffiti and street art.

Joanne Howard's installation lines the walls of Glyndor's restroom, pairing Wave Hill's history and ecology with contemporary graffiti culture.

Inspirations: Historical portrait photography + digital culture + the textures, graffiti, layers, and colors that I see on the walls and surfaces of New York City

Inspired by graffiti and pop culture, his works of art sometimes include a little paint to add colour where necessary.

Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.