Sentences with phrase «of graphite on her canvases»

Although Martin uses a ruler to apply delicate lines of graphite on her canvases, the resulting image avoids the hard - edge clarity of many geometric paintings.

Not exact matches

A self - portrait and a portrait of an elderly woman, both clothed and on seven - foot tall canvases from 1983, plus a number of intense, graphite pencil - on - paper portraits display skills that few young artists today are bothering to acquire.

Untitled # 5 Artist: Agnes Martin 1912 - 2004 Date: 1994 Classification: painting Medium: Acrylic paint and graphite on canvas Dimensions: support: 1525 x 1528 x 35 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © estate of Agnes Martin

Happy Holiday Artist: Agnes Martin 1912 - 2004 Date: 1999 Classification: painting Medium: Acrylic paint and graphite on canvas Dimensions: support: 1525 x 1525 x 40 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © estate of Agnes Martin

Façade of a Catalan Pilgrimage with Self - healing Bears and a Falling Flower / 2014 / acrylic and graphite on canvas / 84» x 72» / PLS INQ

JULIE MEHRETU, «Co-Evolution of the Futurhyth Machine (after Kodwo Eshun),» 2013 (graphite, ink and acrylic on canvas) JM 0790.13.

It includes the following: a series of five etchings realised with master printer Gregory Burnet in New York (Untitled, 2013), an ensemble of 16 works on paper (Mind Breath Drawings, graphite, 2012) and finally a mixed group of 11 drawings and paintings on canvases (all untitled, in graphite, acrylic and, except for three, ink, 2012).

A series of drawings in gouache and graphite by Argentinian artist Irene Kopelman (b. 1974) will be on view at Labor, documenting her month - long expedition to the Manu Biosphere Reserve, a UNESCO World Heritage site and one of the largest protected forest areas in Peru, while Zeno X Gallery will feature a rare «war drawing» on canvas by Kim Jones (b. 1944), which refers to the artist's time in Vietnam.

Soon after the month - long Corcoran Gallery solo exhibition, Jane Frank began to apply not just spackle but a variety of other materials - sea - weathered or broken glass, charred driftwood, pebbles, what appears to be crushed graphite or silica, and even glued - on patches of separately painted and encrusted canvas (canvas collage)- to her jagged, abstract expressionist paintings.

Though Ward has traditionally worked on paper in a mixed media format of charcoal, oil pastels and graphite, this show will also introduce collaged works presented on canvas.

Oil and graphite on canvas, This work is part of a series called Space interrupted.

«Whirlwind» is an abstract oil and graphite on canvas painting executed in subtle shades of black, cream, burnt umber and rusty peach by Post War arti...

Agnes Martin, American, born Canada, 1912 — 2004, The Cliff, 1967, acrylic and graphite on canvas, Collection of Virginia Dwan

I Love the Whole World Artist: Agnes Martin 1912 - 2004 Date: 1999 Classification: painting Medium: Acrylic paint and graphite on canvas Dimensions: support: 1524 x 1524 mm ARTIST ROOMS Tate and National Galleries of Scotland.

Neill creates works on canvas, linen and paper using a variety of mediums, including graphite, colored pencil, charcoal and paint.

ALMA THOMAS, «End of Autumn,» 1968 (acrylic and graphite on canvas).

The show also includes graphite works on paper and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing «the meander» to the edge of the canvas to create nearly monochrome black or white surfaces.

People in front of Maximilian Toth's «White Wash» (2012), graphite, grease pencil, spray paint, oil on canvas, at Fredericks & Freiser gallery / Photo: Hrag Vartanian

Another Twombly, Lot 51, «Mohammed Ali,» a oil paint, wax crayon and graphite on canvas that was executed in 1964 had an estimate of $ 800,000 to $ 1,200,000 and was passed at $ 650,000.

Featured image: Francis Alÿs in collaboration with Julien Devaux, Rafael Ortega, Alejandro Morales, and Félix Blume — Paradox of Praxis 5: Sometimes we dream as we live & sometimes we live as we dream — Ciudad Juárez, México, 2013 (detail of video still)-- Courtesy David Zwirner, New York / London Slider images: Francis Alÿs — Untitled, 2010 — Oil on canvas and wood — Courtesy David Zwirner, New York / London; Francis Alÿs — Untitled, 2013 — Marker, staples, graphite, and oil on vellum — Courtesy David Zwirner, New York / London

The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on aluminum, double - baked porcelain enamel on oxidized copper panels, and ink on glassine, to name some.

The estate of Burton Tremaine Jr., has consigned «Campbell's Soup Can (Pepper Pot),» by Warhol, a 20 - by -16-inch casein and graphite on canvas.

The paintings represent a striking variety of surfaces and materials including oil on canvas, pastel graphite and charcoal on paper, vinyl polymer paint on alu

Faraway Love Artist: Agnes Martin 1912 - 2004 Date: 1999 Classification: painting Medium: Acrylic paint and graphite on canvas Dimensions: support: 1525 x 1525 x 35 mm ARTIST ROOMS Acquired jointly with the National Galleries of Scotland through The d'Offay Donation with assistance from the National Heritage Memorial Fund and the Art Fund 2008 © estate of Agnes Martin

A large canvas by Agnes Martin, who considered herself an Abstract Expressionist — although her work is closely aligned with Minimalism — consists of faint, hand - ruled graphite lines on an off - white background.

Through gouache and graphite in his work on paper and acrylic on canvas, the works of Todd James challenges the boundaries between the viewer and what probably sees around him, trying to escape and get away from the current state of things, avoiding the contamination of the cruelest reality.

The gallery will also present graphite works on paper, and paintings from the 1990's, which demonstrate Knifer's consistent reductionism, pushing the meander to the edge of the canvas, creating nearly monochrome black or white surfaces.

Say Goodbye Catullus, to the Shores of Asian Minor (A Painting in Three Parts) by Cy Twombly (1994) Oil, Acrylic, oil / wax crayon, and graphite on three canvases

«Whirlwind» is an abstract oil and graphite on canvas painting executed in subtle shades of black, cream, burnt umber and rusty peach by Post War artist William Baziotes.

Paintings, graphite on canvas works, and sculptures carved in Balinese limestone l resonate with the «Fleurs Fantômes» paintings produced on the occasion of his residency at Domaine de Chaumont - sur - Loire responding to the architecture of its castle.

• English Sporting Paintings o Henry Thomas Alken (English, 1785 - 1851), four works from the series A Steeplechase at Market Harborough, Leicestershire, ca. 1840 - 50, oil on panel, each 10 × 14»: The First Fence; Taking a Brook; Bad Fall at a Paling Fence; and Coming up to the Finish o Sir Edwin Landseer (English, 1802 — 1873), A Terrier on a Step, oil on canvas, 7 ⅛ × 8 ⅛» o Sir Alfred J. Munnings (English, 1878 — 1959): Study of the Pytchley Bitch, 1928, oil on panel, 16 × 16»; Pilot, one of Freeman's Hunters, Pytchley, Brixworth, 1928, oil on board, 16 × 8 1/4» • European Paintings o Kees van Dongen (Dutch, 1877 - 1968), Haystacks, n.d., (possibly ca. 1904 - 05), oil on canvas, 19 ⅝ x 25 1/2» o Raoul Dufy (French, 1877 - 1953), L'Atelier au bouquet, 1942, oil on canvas, 25 ⅝ × 31 ⅞» o Paul Gauguin (French, 1848 - 1903), Still Life with Bowl, ca. 1889, oil on canvas, 8 x 12 ⅜» o Vincent van Gogh (Dutch, 1835 - 1890), Daisies, Arles, 1888, oil on canvas, 13 x 16 1/2» o Camille Pissarro (French, 1830 - 1903), The «Royal Palace» at the Hermitage, Pontoise, 1879, oil on canvas, 21 ⅜ x 25 ⅞» o Rene Princeteau (French, 1843 - 1914), Le Tilbury, oil on canvas, 15 ⅞ x 22 ⅛» o Georges Seurat (French, 1859 - 1891), Houses and Garden, ca. 1882, oil on canvas, 11 x 18 1/2» o Henri de Toulouse - Lautrec (French, 1864 - 1901), Norfdac, 1881, oil on panel, 9 1/4 x 5 ⅝» • European Drawings o Leon Bakst (Russian, 1866 - 1924), La Chasse, pencil and watercolor on paper, sight: 12 ⅛ x 18 ⅝» o Eugène Boudin (French, 1824 - 1898), recto: Deux Bretonnes en costume, verso: untitled graphite and watercolor sketch, 10 1/2 x 8 ⅛» o Alexandre - Gabriel Decamps (French, 1803 - 1860), Studies of Hounds, black chalk on grey paper, 6 3/4 x 10 ⅞» o Georges Seurat, Enfant à l'echarpe, black conte crayon, sight: 6 1/2 x 4» o Henri de Toulouse - Lautrec, Le depart, pen and ink and pencil, sight: 6 x 9 3/4»

Guillermo Kuitca The Tablada Suite IV, 1992 graphite and acrylic on canvas 76 1/2 x 49 1/4 inches (194 x 125 cm) SW 94213 Collection of Mr. & Mrs. Steven Mishaan

Guillermo Kuitca Poema Pedagogico II, 1996 acrylic and graphite on canvas 74 x 75 inches (188 x 190,5 cm) SW 97051 Collection of Mr. & Mrs. Gustavo A. Cisneros

Untitled # 5 Artist: Agnes Martin 1912 - 2004 Date: 1991 Classification: painting Medium: Acrylic paint and graphite on canvas Dimensions: support: 1829 x 1829 mm Presented by the American Fund for the Tate Gallery, courtesy of Milly and Arne Glimcher in honour of Anthony d'Offay and ARTIST ROOMS 2012 © Estate of Agnes Martin / DACS, 2018

1924 (first abstract painting, Chelsea) Artist: Ben Nicholson OM 1894 - 1982 Date: c.1923 - 4 Classification: painting Medium: Oil paint and graphite on canvas Dimensions: support: 554 x 612 mm Accepted by HM Government in lieu of tax and allocated to the Tate Gallery 1986 © Angela Verren Taunt 2018.

This artist is also known for paintings employing wads of chewing gum on canvas that reference the bombing of German cities in the Second World War, and for machined graphite sculptures of such banal objects as a water cooler or an air conditioner.

Jasper Johns, American, born 1930 a) Encaustic on canvas b) Oil on canvas c) Oil on canvas d) Oil and graphite on canvas e) Encaustic on canvas, Promised gift of Keith L. and Katherine Sachs.

A mixture of new and classic works, paintings by Queensland artist Allyson Reynolds will also be on display, alongside graphite drawings from Melbourne - based artist Jackie Case and a selection of Aboriginal canvases from Papunya and Ampilatwatja.

But what gained him international acclaim are McEwen's paintings created using wads of chewing gum on canvas that reference the carpet bombing of German cities and towns in the WWII, as well as his graphite sculptures of banal, everyday objects such as ATM machines, water coolers and air conditioners which recall the funeral solemnity of memorials.

ALMA W. THOMAS, «End of Autumn,» 1968 (acrylic and graphite on canvas).

Emphasizing primary colors, «Resurrection,» a 1966 acrylic and graphite on canvas, is an example of her vibrant, concentric circle paintings.

The selection of works in this exhibition range from painting on canvas to mixed media paintings that combine paper collage, paint, ink, chalk and graphite on canvas supports to unique acrylic paintings combined with ink on paper.

Houshiary typically immerses herself in one of the larger canvases for several weeks, executing the graphite «drawing» in a slow dance around the canvas, which is laid on the floor, or by bending into it as if in prayer.

Ken Weathersby, 169 (k & w), 2009 Acrylic & graphite on canvas, two panels, with removed and replaced areas 24 x 32 inches May 28 — June 27, 2010 Pierogi is pleased to present the first New York exhibition of Ken Weathersby's paintings.

Andy Warhol (1928 - 1987) Statue of Liberty signed «Andy Warhol» (on the turning edge) silkscreen inks, spray enamel and graphite on canvas 77 3/4 x 81 in.

From the gas blow torch involved in Bleckner's recent works; to the cement on Yektai's canvases; to the graphite at play in Matsutani's small and intimate Wave on panel; to the Puerto Rican coffee bean bags used in Bernhardt's paintings; each artist presents a use of material void of color and infused with a new interest and comfort of expression.

Image: Pat Steir, Or, 1973, oil, graphite, colored pencil, and rabbit - skin glue on canvas, Collection of Barney A. Ebsworth, 1997.86.1

Signed and dated «L. Mullican 1963» verso; bears the inscription «From the East» in graphite on canvas stretcher verso; retains partial San Francisco Museum of Art and Rose Rabow Gallery labels verso

Beginning by hand drawing graphite lines on gessoed surfaces using strings stretched tautly across the canvas, she enacted each line as a balancing act, requiring intense concentration and halting progress, evident in the visible tremors of the obviously hand - made final product.

The detailed graphite and pastel pieces of Jason Houck, the abstracted encyclopedias of Samuel Levi Jones, and Annie Hagar's acrylic paint on decorative canvases added to the firm's creative environment.