Sentences with phrase «of great painters who»

Barnett Newman is one of the great painters who backs the show at the Whitney as the quintessence of American creativity.

In the same tradition of great painters who settled in the Hamptons during the winter months to work without interruption and take advantage of the large spaces and one of the most beautiful lights of the Northeast (Jackson Pollock, Willem de Kooning and Robert Motherwell are just a few who come to mind), Kawai and her husband, photographer Justin Waldron, set camp in a modernist - style home and adjacent studio in East Hampton.

Many times I have laughed about the holiness feeling, the candles, the dim light, the smell of incense, accompanied by the art and expression of great painters who were more atheist that many of us here yet their work of art are hung on famous temples or cathedrals around the world.

Not exact matches

Did Vincent Van Gogh — one of, if not the, greatest painter in history — paint Doctor's Who» s preferred method of transportation into one of his impressionistic landscapes?

Ask any great song writer, author, painter anybody who creates ANYTHING and they will tell you, we do our best work when motivated by love (or pain - but that's usually because of love - so it's the same thing!).

However, for those familiar with the great painter's works, as well as the prevailing spirit of the Era of Enlightenment and the style of the other great artists of various mediums who used their craft to comment on the blights of the world around them, Goya's Ghosts speaks on a level that transcends just the story of two men looking after the welfare of a young, unfortunate woman caught up in the hysteria of power that marked the end of the Spanish Inquisition's stranglehold of power, as well as the outrageous hypocrisy in their manner of governance.

Though it's visually arresting, this film is not quite as deep as the source novel, a speculative piece of historical fiction about Johannes Vermeer's famous painting, but Johansson shines as the girl who inspires the great painter played by Colin Firth.

Stephen the Great was a religious and cultural man, and it was his influence that gave rise to a school of native painters who have bequeathed some true masterpieces of the fresco technique found on the 16th and 17th - century painted monasteries of Bucovina.

Having been immediately hailed by European critics as one of his era's greatest painters, Soutine, who was based in France for much of his career, was largely ignored in America until the Museum of Modern Art in New York hosted a small exhibition of his work in 1950.

If you just want to be the socialite darling, if that's what's driving you, I think your likelihood of being Truman Capote is greater; or Salvador Dali, who was an extraordinarily gifted painter in his 20s, but then hit his 30s and became a parody of himself.

Frequently pigeonholed as the last great English romantic painter in the vein of Constable and Turner, Hodgkin is more incendiary than that — a sunburst of an artist who exploded counterintuitively from a British visual culture temperamentally uneasy at depicting sensuality or expressing intellectual thoughts.

These essays have great importance for modern representational painters but for those of us who aren't connected to an art school or university these essays are likely to be hard or impossible to find.

This exhibition tracks the transitional period of the great twentieth century painter Arshile Gorky, who moved from figuration to abstraction with his drippy, brightly colored oil on canvases.

There he endured almost a decade of struggle before finding a few patrons, most notably Albert C. Barnes, the great Philadelphia collector, who catapulted Soutine to fame and fortune when he bought every canvas in the painter's studio in 1922.

• Tony Smith (1912 — 1980), sculptor who bridged AbEx and minimalism (dad of Kiki) Mel Kendrick (b. 1949), formalist process - based sculptor Chris Wilmarth (1943 — 1987), sculptor of steel, bronze, and etched glass Joel Shapiro (b. 1941), minimalist sculptor who flirts with figuration Christopher Wool (b. 1955), Neo-AbExer with a taste for graffiti and repetition Alex Hubbard (b. 1975), rising master of painterly materials and abstract coloration Josh Smith (b. 1976), Factory - like painter of great expressive volume Jacob Kassay (b. 1984), mirrored - painting - wunderkind - turned - sackcloth artist • Andy Warhol (1928 — 1987), Pop maestro and appropriationist world - changer David Robbins (b. 1957), artist and «Concrete Comedy» theorist David LaChapelle (b. 1963), lush photographer of celebrity decadence Ronnie Cutrone (1948 — 2013), Factory personality and East Village cult figure George Condo (b. 1957), Neo-Picassian painter of the grotesque Mark Dagley (b. 1957), Op abstractionist • Richard Serra (b. 1939), grand master of process art and the post-industrial sublime Grégoire Müller (b. 1947), painter of current - event appropriations Philip Glass (b. 1937), «Einstein on the Beach» composer Lawrence Chandler (b. 1951), composer, musician, and sound artist • Sol LeWitt (1928 — 2007), father of conceptual art, multitasking artistic outsourcer Adrian Piper (b. 1948), performance art innovator Mark Williams (b. 1950), monochromatic minimalist painter

It is almost impossible to see how the artist who made the Charred Journal Firewritten series of 1951 could have become a great painter.

It was also Baldwin who taught me to consider connections between different forms of art through his relationship with the great painter Beauford Delaney, an artist whose work I would eventually own.

Hans Burkhardt Hans Burkhardt in Mexico Jack Rutberg Fine Arts September 23 - December 23, 2017 Widely regarded as one of the great Mexican painters of all time is Hans Burkhardt, who, oddly, was a Swiss - born painter who grew up in Los Angeles.

Yes, this is critical, and yes, this is long overdue but Marshall, who grew up in Birmingham Ala. 1955 during the Civil Rights Movement and then moved to Los Angeles in 1965 when Watts went up in flames, has absorbed both American history and African American history to become one of the greatest history painters of our time.

The American painter and ceramicist is in the process of being «rediscovered,» which is great news for anyone who loves a good abstract painting.

British painter Lucian Freud is a great figurative artist with an immense following who was always going in and out of style in his 70 years of working.

The exhibition is offered as a tribute to Woodmere's longtime trustee, Frances M. Maguire, a painter and sculptor who works in the tradition of the Carles legacy and continues to be one of the great champions of the arts of our city.

Considered one of the 20th century's great still - life painters, Chaim Soutine, who died in 1943, was a double outsider — an immigrant Jew living in Paris and a modernist.

By showing him alongside his many imitators, this exhibition cast Caravaggio in a league of his own, and was a rare instance of a female painter — in this case Artemisia Gentileschi — being acknowledged as one of the very few who came close to matching the great master.

And he closes with an appreciation of «the greatest American painter of the twentieth century» who was «intimately concerned with the bleakness of our spirituality in the absence of God» namely, Mark Rothko.

We were also interested in the fascinating connection Alex Katz has had to poetry since the «50s, working with John Ashbury and Frank O'Hara, so that's why we paired him with Etel Adnan, who is not only a great poet but also a wonderful painter who puts a sort of energy and magnetism into her little paintings and leporello notebooks.

Now, however, we live in such a hybrid time of figuration and abstraction that Cecily Brown or Marilyn Minter, who are the great figure painters of today, are always borrowing techniques, looks, feelings, and scale from abstraction.

David Reed is a grandmaster — no painter has contributed as much in terms of expanding the vocabulary of abstract painting and maintaining its relevance during this era of marginalization, although there are many in New York who currently enjoy greater status.

Speaking of hope, one of the great developments of the past half - decade has been a broad effort among curators to look back into history and recuperate artists, often painters, who had been left out of the official narrative due to their race, gender, sexuality, nationality, or otherwise outsider status.

Think of Ed Paschke, the great American painter who died in 2004, was a formalist in wolf's clothing, or the most abstract of Photo Realists.

The artist, who died in 2011, was possibly the greatest realist painter of his time.

Three formidable realist painters — two of them well - known modern artists and a third who's currently active in the East End art community — bring the great outdoors into the inviting llle Arts gallery space in a summer show that prompts a happy response.

He defined himself as a figurative artist who went through Abstract Expressionism, Geometric Abstraction and a number of other styles of painting, but who had always been a figurative painter because his greatest interest was in people.

Duccio, Botticelli, Crivelli — just three of the great Renaissance painters who placed architecture at the heart of their works.

Inspired by the hand scrolls and painted screens of early 17th Century Japanese artist Tawaraya Sōtatsu, who combined the traditional themes of the indigenous school of Japanese narrative scroll painting with the bold, decorative designs of the great screen painters of the Azuchi - Momoyama period.

At the time of the original Bacchus exhibition, Twombly often referred to Giulio Romano, the great Renaissance painter who made a room of the giants in Mantua at the Palazzo Te.

Who knows if someday, a great painter, looking with scorn on the often brutal game of supposed colorists and taking the seven colors back to the primordial white unity that encompasses them all, will not exhibit completely white canvases, with nothing, absolutely nothing on them.

Josef Albers was a renowned German abstract painter and color theorist, one of the most prominent and influential pioneers of 20th - century modernism, who dedicated a great deal of his life to art — either teaching it or producing it.

He was a great painter who produced a significant body of work over six decades, until his death in 1980, but his often vitriolic personality and self - imposed outsider status — he mostly refused to sign with a gallery — meant that he has always been seen as a secondary figure.

You decide upon the spot that you will join the great tradition of plein - air painters, following in the revolutionary footsteps of John Constable, who first left his studio to approach a landscape painting in glorious nature herself.

At the contemporary art annexe to the Kunstmuseum — Museum fur Gegenwartskunst there is an exhibition of the polymath conceptual artist filmmaker, painter and musician Rodney Graham [16-1-49] Canadian born artist who is a great narrative inventor of personas which can literally turn the world on its head — witness his upside down tree photos — this museum is a wonderful place within a stones throw of the Rhine

At the Gagosian Gallery in King's Cross, one Hans - Georg Bruno Kern, who changed his name to Baselitz after the Saxon village of Deutschbaselitz where he was born in 1938, also presents Farewell Bill, a suite of impressively large and loose self - portraits in honour of the great Abstract Expressionist painter Willem de Kooning.

He tried to move the debate from the old binary positions of previous decades, declaring that «the true painter, will be he who can wring from contemporary life its epic aspect and make us see and understand, with colour or in drawing, how great and poetic we are in our cravats and our polished boots».

Considered one of the greatest and most famous American painters, Jackson Pollock was a performer of sorts, an artist who dripped and smeared his paint onto the laying canvas through a series of movements and gestures, thus giving life to Action Painting.

Albers worked in a discipline traditionally viewed as feminine, she was a student and ardent admirer of South American weaving, thought of as a niche interest in the US («I will be accused of crass one - sidedness in my feeling of awe for the textile arts of Peru») and she was married to Josef Albers, who achieved great fame as a painter in the post-war era ---- all these things perhaps contributed to her relative neglect towards the end of the twentieth century.

In the early part of 1958, along with Philip Johnson, who had recently been told by Alfred Barr that Rothko was «the greatest living painter,» Lambert commissioned Rothko to produce a series of paintings for the smaller of two planned dining rooms at the Four Seasons Restaurant.»

She stands out among contemporary painters as one who created great loveliness on canvas with imagination and a fineness of sheer painting quality which is a joy to study.

This early judgment of the French «Impressionists» was not soundly based, in that it did not consider the fact that those great painters, who gave to the world a new translation of light and color, still «held true» to the basic principles of art.

And perhaps — it occurs to me now, I never thought about it in these terms, one role that I played was that I formed another kind of bridge between Europe and the American painters: I seemed to be the only European actually - although I didn't have any official position, I was just a man about town — the only European really who seems to have understood them, and not only understood them, but really they were my great enthusiasm.

It garnered the attention of the renown art critic Clement Greenberg, who said later, «I took one look at Mural and I knew Jackson was the greatest painter this country had produced.»