Sentences with phrase «of green screen work»

Even Rachel McAdams, whose earth - bound character Christine, a nurse at the hospital, had a bit of green screen work to contend with for a fun set piece.

Some of the green screen work wasn't all that and a bag of chips either, it didn't take me out of the film, but I noticed.

Not exact matches

As Gillian Gibson, a GDS executive on the panel, admitted, many travel agents still work on the sort of green screens that wouldn't look out of place on the set of the movie War Games.

Denis Gaudefroy: «The new generation of developers do not want to work in green screen environments.

Little did I know 20 years later when I'd be in the industry really, really working, green screen and special effects would have become so much a part of the industry, that those classes were some of the most important classes that I took.

Computer graphics work similarly: A screen of pixels, each capable of reproducing red, green, and blue, can produce nearly all the colors the human eye can see.

He has been training a young puppeteer to learn Big Bird's mannerisms, but besides the increasing green screen work on Sesame Street, which Caroll doesn't care to do, most recent live appearances of Big Bird have still involved Caroll's performance skills.

Despite perilously under - lighting a few nighttime sequences, cinematographer Rachel Morrison shoots the country so full of life that it's genuinely hard to believe she didn't film a single frame of it in Africa (for a movie that's full of sloppy CG, the environmental green screen work is astonishing).

There's some very candid, fascinating footage here capturing the process of making the film (in, for a surprise revelation, not a real Parisian flat but a studio - built apartment replica surrounded by green screens, not at all dissimilar to David Cronenberg's use of similar magic for A Dangerous Method, not that you can tell in either film in its finished form, where the technology is seamless and unobtrusive), with Haneke working with the actors in a rigorous, nitty - gritty way that lets us see what infinitesimal precision he's looking for in performance, in movement, in blocking, and in composition.

Despite all that computer wizardry at work, the green - screen seams show and the herky - jerky pace mitigates against the kind of creeping tension that should inform this film.

Brolin's choice may come as somewhat of a surprise, given that most actors tend to prefer on - set, practical roles such as that of Cable as opposed to largely green - screen, CGI / motion capture work that requires little time actually on - set.

The CGI and green screen work is very bad and some dark night shots exhibit a bit of unsightly grain.

Super Hero Hype has two absolutely stellar galleries of photographs, one showing the group working on the Central Park set and another focusing on just Captain America (Chris Evans), Black Widow (Scarlett Johansson) and Hawkeye (Jeremy Renner) doing some green screen work and making their way through some NYC wreckage.

It is the nature of the beast that any filmmaking team doing this sort of movie (particularly in modern times unless you are Guy Maddin) has to be fully committed to such a thing to make it work, green screens and CGI would likely undermine things, but when done right, few genres have such built in potential for white knuckle tension.

You can tell that some money has gone into production design and locations instead of the cheaper, easier, less realistic green screen & CGI work most comedy makers would settle for.

The drawback is that Kunis never seems to actually buy into the mythos and world that were supposed to come out of all the green screen and CGI work; Tatum, by comparison, seems to be deep into a drama that feels out of place in a big popcorn film, and his character has little humor or charm underneath the brooding, gruff attitude, campy facial prosthetics and drag - style makeup work.

In a recent interview with Rolling Stone, which covered everything from working with a green screen to putting more black people in science fiction, Tessa Thompson talked about the development of her character Valkyrie in Thor: Ragnarok — and one key moment that got left on the cutting room floor.

With his 2011 experimental short Line Describing Your Mom (its title a humorous Anthony McCall reference), Michael Robinson — whose work we've shared before — assembles a pulsating stream of images and music from disparate elements that is driven by the constant visual rhythm of a flashing green screen and an entrancing voice - over of a woman detailing the nightmare that she has just woken up from.

Who will win: «The Jungle Book» will win and I can see why with the Disney clout and the volume of its entirely green - screen work.

No one seemed too convinced by my enthusiasm for «Green Room» (even if they professed admiration for Saulnier's previous work, «Blue Ruin»), but that might be because I claimed that I came out of the screening pleasantly wanting to kill somebody.

It was a particularly heartening year for homegrown cinema, as the oft - maligned UK film industry produced such gems as Andrew Haigh's 45 Years, Daniel and Matthew Wolfe's Catch Me Daddy, Debbie Tucker Green's Second Coming, and Rufus Norris's ambitious stage - to - screen transfer London Road.The cream of the crop for me, however, was Carol Morley's infinitely intriguing The Falling, a film that echoed the best work of Nic Roeg and established its director as one of the most exciting talents of her generation.

By the time Donen made The Grass is Greener, he perfected the use of clever set pieces, split screens, and double entendres to work around the restrictions imposed by the censors.

The film nonetheless has a distinctly «budget look» when the green screen backdrops and CGI scenery tends to stick out; despite solid practical production design work by Eve Stewart (Les Miserables), the overall effect is that Victor Frankenstein resembles a cheaper version of Guy Ritchie's Sherlock Holmes movies (and their version of Victorian England), visually speaking.

There's also a separate 10 - minute featurette on the film's green - screen special effects work (one gets to fully appreciate the imaginative nature of a ceiling - mounted spinning camera), a trailer, and a scrollable «concepts gallery.»

A separate 22 - minute special effects featurette duplicates a bit of footage, but does showcase plenty of impressive green - screen work, from the Brooklyn Bridge sewquence and other street scenes.

While it features a live action lead in newcomer Ruby Barnhill - who unsurprisingly holds her own at the centre of this big budget, green screen heavy pic under Spielberg's direction - the titular character and his homeland of Giant Country are most reminiscent of the filmmaker's work on Tintin.

These are the money shots and they're sold impeccably by the special effects team, who manage well under Emmerich's patient eye, delivering vast, extended statements of doom, marked by outstanding detail and twisted imagination (however, the green screen work is the worst I've seen since A Sound of Thunder).

Fun yet informative, the making - of featurette «Ready for Their Closeup» (8:28) talks about working with real penguins on refrigerated sets with training, green screen, and CGI.

Working in the hills of rural Pennsylvania, Brent Green is a self - taught filmmaker, storyteller and visual artist whose films have screened, often with live musical accompaniment, at the Rotterdam Film Festival, the Sundance Film Festival, the San Francisco Film Society, MoMA, The J. Paul Getty Museum, The Walker Art Center, The Hammer Museum, as well as at warehouses, galleries and rooftops across the globe.

We could mention the heap of establishing shots of San Francisco that make no sense to the story, the out of place football throwing scene, the rooftop set with such painfully atrocious green screen work that words escape us, or the character of Peter — whose role is replaced midway after the actor left production due to other commitments, but like many things, the monstrosity that is The Room needs to be seen to be believed.

There are far too many laughs in «Sorority Rising» to enumerate everything that works about this sequel, and it's telling that the few botched gags stick out like sore thumbs — one overextended joke involving a marital miscommunication and some bad green screen inadvertently serves as a reminder that the rest of the movie is too funny to take for granted.

This sentiment continues on Disc 1 with «Robert Rodriguez Ten Minute Film School» (10 minutes), which is made up mostly of comparisons between the finished film and the on - set green - screen work.

Along with the students» study of weather instruments, this project would work well with creating a class weather forecast (using iMovie or DoInk and a green screen).

We will cover topics such as: Advantages of mixed reality, origin of the idea, Adapting Colin's streaming tech to work in Post Production, Camera Choice, Frame Rate, Slating & World Rotation, The Green Screen Stage & Shooting on Set, Capturing first person VR footage, Post Production & Compositing mixed reality footage, Footage Calibration & Alignment, Shooting Contraptions in the living room, Editing live action VR reactions, Unresolved Problems & Hope for the Future Attendee Takeaway The audience will understand how to create mixed reality livestreams and trailers for their own VR projects.

Sure, the on - screen action might get a bit frentic and competitive with four players, but it's fun taking on enemies and working together to get all of those green stars and clear those stages that are the trickiest.

Monster Escape places the solo HMD wearing in the position of chasing down one - to - four players sharing the television screen and using DualShock 4 controllers to evade the large green beast towering down upon them, whereas Ghost House has the players working co-operatively to hunt supernatural beings in a cartoon haunted house.

The artist films her work on a green screen, carefully directing her cast of characters to make movements, perform dances, or spell out her «video alphabet.»

Upon close inspection, the complexity of Green's work materializes as do her fascination with the nature of the screen and its capacity to alter the way we interpret the ubiquity of content on our iPads and smartphones.

Playing all the characters in the films herself, while working directly on every detail of post-production, Maclean's creative process involves studio based green - screen techniques, custom prosthetics, costume, and voice actors.

A green screen, where one can take selfies with the work, highlights the potential absurdity of selfie culture in terms of viewing art.

Coney Island Visions of an American Dreamland, 1861 — 2008 WNPR, Feb. 13, Coney Island and Bushnell Park's Carousel Artistry by Mallory O'Donoghue The Boston Globe, Feb. 12, Atheneum assembles a first - rate installation by Sebastian Smee WNPR, Feb. 12, Wadsworth Explores Coney Island, the «Microcosm of the American Experience» by Ray Hardman The Modern Art Notes (MAN) Podcast, Feb. 12, No. 171: Dennis V. Geronimus, Robin Jaffee Frank by Tyler Green WNPR, Feb. 11, Where We Live, An Arts Wheelhouse Examines Connecticut Museums The Boston Globe, Feb. 10, Coney Island comes to the Wadsworth Atheneum by Mark Feeney Apollo Magazine, Feb. 10, Five favourites from the Wadsworth Atheneum's new galleries The New Yorker, Feb. 9, Change Artist: The works of Piero di Cosimo by Peter Schjeldahl The Art Newspaper, February 2015, Wadsworth Atheneum restores spaces it very nearly lost by Julia Halperin The Hartford Courant, Feb. 2, «Coney Island On the Silver Screen» Series at Atheneum by Susan Dunne The New York Times, Feb. 1, Wadsworth Atheneum's New Spaces for Contemporary Art by Susan Hodara The Guardian, Jan. 30, Wadsworth Atheneum: oldest public museum in US comes back from brink by Martin Pengelly The Hartford Courant, Jan. 25, Three Satellite Shows Compliment Dynamic «Coney Island» Exhibit at Wadsworth Atheneum The Hartford Courant, Jan. 18, Renovated Wadsworth Galleries Show Off Contemporary Collections by Susan Dunne The Wall Street Journal, Jan. 17, Coney Island Comes Alive in Art Show by Ellen Gamerman The Art Newspaper, January 2015, Return of Wadsworth's LeWitt Elle Decor, January / February 2015, Boardwalk Empire ARTnews, January 2015, Editors» Picks American Art Review, January 2015, Coney Island: Visions of an American Dreamland by Robin Jaffee Frank The Art Newspaper, The Year Ahead 2015, Museum Openings

«Skip - Ad; Play,» featuring the work of many current and recent Glasgow School of Art MFA students and friends, covers the room in a charmingly disorienting green screen - print, while a few floors below more textiles can be found and purchased in the the wearable art PEEL - EZ showroom.

The video weaves together viral YouTube dances, Fred Astaire's notorious tap dancing scene as «Bojangles of Harlem» in Swing Time and archival film of works by Harlem Renaissance - affiliated sculptor Richmond Barthé, alongside video of Ifekoya combing their hair and setting up a mirrorball in a green - screen studio.

For the works, Sarah Parke has designed unique fabrics based on the pixels of a screen — each with varying amounts of red, green, and blue threads.

Sherman created these works by photographing herself in front of a green screen, then incorporating backdrops of various New York City locales that she shot herself, including Central Park, the Cloisters, and the National Arts Club.

His work was featured in a solo exhibition at Deitch Project in 2009 entitled «New Dark Ages,» and numerous other exhibitions and screenings including: Modern Art Museum of Fort Worth (solo); Loyal Gallery, Malmö (solo); Foxy Productions, New York (solo); Andreas Melas Presents, Athens (solo); Peres Projects, Berlin; Pace Wildenstein, New York; CANADA, New York; Green on Red Gallery, Dublin; The Museum of Modern Art, New York; the New Museum of Contemporary Art, New York; Tate Britain, London; Musee d' Art Moderne de la Ville de Paris / ARC, Paris; Yerba Buena Center for the Arts, San Francisco; and The Liverpool Biennial, Liverpool.

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, GaOf Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Gaof Art and Design Art Gallery, Ga..

He often works in front of a green screen and is drawn to the virtual space because of its potential as a queer arena, but his performances also take place in public outdoor spaces.

Works from Lewben Art Foundations, Lithuanian Exhibition and Congress Centre LITEXPO, Vilnius 2017 «A Screen of Flesh», Coma Gallery, Rushcutters Bay 2017 «Body Language», Company Gallery, New York 2o17 «Tschabalala Self, Ellannah Sadkin, Mr Kiji», Red Bull House of Art, Detroit 2017 «Le Nouveau Voyeurisme», Hotel Contemporary, Milano 2016 «Desire», Moore Building, Miami 2016 «Life During Wartime», Diane Rosenstein, Los Angeles 2016 «Protuberances», LAXART, Los Angeles 2016 «Aiko Hachisuka, Tschabalala Self, Caroline Wells Chandler», 11R, New York 2016 «Sexting», Kate Werble Gallery, New York 2016 «Perfect Day», Roberts & Tilton, Culver City 2016 «WACKing the Piñata», Ltd los angeles, Los Angeles 2016 «A Being in the World», Salon 94 Bowery, New York 2016 «Look up here, I'm in heaven», BRIC, New York 2016 «Intimisms», James Cohan, New York 2016 «Mal Maison», Maccarone, New York 2016 «A Shape That Stands Up», Art + Practice (off - site Hammer Museum), Los Angeles 2016 «Intersections», Tensquared Gallery, Internet 2016 «Arachne's Woof», Litvak Contemporary, Tel Aviv 2016 «New Genealogies», Yale School of Art Green Gallery, New Haven 2016 «Duplify», Kate Werble Gallery, New York 2015 «Berg Matthams Self & Weaver», Thierry Goldberg Gallery, New York 2015 «A Constellation», The Studio Museum in Harlem, New York 2015 «The New New», Diane Rosenstein Gallery, Los Angeles 2015 «THATS ON ME», Paris Blues, New York 2015 «Yale MFA Painting and Printmaking Graduates», Garis & Hahn, New York 2015 «2,015 But Who's Counting», Yale School of Art Green Gallery, New Haven 2014 «13 Artists», 24/6 Space, New Haven 2014 «Swimming Pool», 24/6 Space, New Haven 2013 «For Ed: Splendor in the Grass with Olympic Lad & Lass», Yale School of Art Green Gallery, New Haven 2013 «Women Love the World», Launchpad, New York 2013 «Encounters», Harlem School of the Arts, New York 2012 «SUGGARHILL», Essie Green Galleries, New York 2012 «EdgeControl», UBS Exhibition Center, New York 2012 «NEO XL», Werehouse, New York 2008 «Radiant Minds», Queens Museum of Art, New York 2007 «Admission $ 2.00», Whitney at Altria, New York

Having seen his boldly colorful works in other venues, modulating from tasteful harmonies to fearless dissonances, as in the Richter-esque Blue in Green, I was particularly intrigued by the recent work, which adds a rectilinear element that rides like a screen across the wild backgrounds of works such as Confluence.