Sentences with phrase «of gunfighters»

Denzel Washington leads the rag - tag band of gunfighters as Sam Chisolm.

Robert Totten / Don Siegel — «Death Of A Gunfighter «(1969) A flawed, but nevertheless interesting, minor Western that fits neatly into the revisionist movement in the genre at the end of the 1960s / beginning of the 1970s, «Death Of A Gunfighter» is best remembered as the film that birthed the name «Alan Smithee» (or here in its original spelling, «Allen Smithee»), which became the standard DGA pseudonym when a director took their name off a movie for the next thirty years.

The Son of a Gunfighter himself, Russ Tamblyn, can be seen if you look hard enough.

Death of a Gunfighter (1969) credited as Alan Smithee.

Not exact matches

The event will feature a gunfighters shoot - out at high noon, street vendors, and plenty of family activities.

Although he had won a gold medal in the 1976 Olympics and was undefeated in seven professional fights, if he was recognized in public, and he seldom was, it was mainly because of his black gunfighter's hat and his picket - fence smile.

When the gunfighters hit town in authentic western wear and gear, it's a case of the good guys vs. the bad guys.

John Henry Doc Holliday (August 14, 1851 — November 8, 1887) was an American gambler, gunfighter, and dentist, and a good friend of Wyatt Earp.

The plot is that of Kurosawa's Yojimbo, substitute gunfighters for samurai's.

In the first half, Jodorowsky plays a violent, black - clad gunfighter who, accompanied by his naked son, sets off on a murderous mission to challenge four Zen masters of gunfighting, and learns from each of them a Great Lesson before they die.

A young woman enlists the aid of a bounty hunter to teach her to be a gunfighter so she can hunt down the men who killed her husband and raped her

A young man, who, as a child witnessed the slaughter of his family, teams with a mysterious gunfighter to avenge their deaths.

The fight scenes are impressive, the straight - acting scenes less so: though he was capable of delivering a good performance, Steele often as not ran the emotional gamut from A to B. Arizona Gunfighter was one of several Steele westerns produced by A.W. Hackel for Republic release.

One of the more novel plot twists finds good - guy gunfighter Colt Ferron (Steele) casting his lot with reformed outlaw Wolf Whitson (Ted Adams).

To those well versed in the Bob Steelewesterns of the 1930s, it's hardly surprising to reveal that the plot of Arizona Gunfighter was motivated by the murder of the hero's father.

The western motif is even more explicit this week, as there's a prolonged image of the men sizing each other up in the tradition of a classic gunfighter duel.

So, with the help of Earp and gunfighter Doc Holliday (James Griffith), Masterson sets out to find those who are really behind the killing.

Tormented by a dark secret, an aging gunfighter abandons a life of killing and returns home, only to discover his mother has died.

Silly, crude and so politically incorrect no one would dare film it today, it features a noble black sheriff trying to win over the locals with the help of a laid - back drunken gunfighter, a dancehall floozy (Madeleine Kahn in a hilarious take on Marlene Dietrich) and former NFL great Alex Karas as a simple - minded frontier thug.

This chameleon fancies himself an actor, and so before the town does him in, he launches into his newest creation, Rango, a legendary gunfighter and hero of the sagebrush.

Anyway, it has a lot of similarities with the other Mann - Stewart films, with Stewart playing an experienced gunfighter who may be out for revenge, or may just want to be left alone but is forced into solving a town's problems anyway.

A small town held to ransom by an unscrupulous mining baron enlists the aid of seven gunfighters to help reclaim their land and rid themselves of their oppressor.

Even for a remake of a Western about seven gunfighters, a handful of townsfolk, and a few villains, Antoine Fuqua's The Magnificent Seven is looking pretty crowded.

Like a gunfighter in a classic Hollywood Western — Shane comes to mind, most obviously — he does his best to fit in to his new and alien surroundings, but there's always the looming threat of his past catching up to him.

Ford punctures the heroic myths he helped create in a bitter tale of a freedom - loving gunfighter (John Wayne) who dreads the coming of civilization and its structures to the wide open towns and lawless plains, yet sacrifices himself to make it happen.

Revolver Ocelot, the eccentric gunfighter of the Metal Gear series, returned as a rather calm and reasonable figure in Metal Gear Solid V.

A series of introductions ensues that finds Chisolm gathering a very integrated group together to help the town: a black lawman / former Union officer (Chisolm); a hard - drinking Irish gambler / magician (Faraday); a fearsome mountain named Jack Horn (Vincent D'Onofrio, Daredevil); an ex-Confederate major with PTSD named Goodnight Robicheaux (Ethan Hawke, Boyhood)-- and his Asian sidekick / guardian / blade man, Billy Rocks (Byung - Hun Lee, Terminator: Genisys, RED 2); a Comanche warrior called Red Harvest (Martin Sensmeier, Salem) whose medicine man told him he must «follow a different path», and a Mexican gunfighter named Vasquez (Manuel Garcia - Rulfo, From Dusk Till Dark: The Series).

JF: [The studio] definitely felt a limitation to the upside of what they can make commercially on it, moreso than it was a Hasidic Jewish gunfighter that it was a western.

With its low center of gravity and wide aggressive stance, the ’67 Shelby has the air of a skilled gunfighter, issuing an unspoken challenge to all who will dare stand against his metal.

As for the ghost, this guy was THE archetype for all the gunfighters of the Old West, a man Mark Twain (who never let the truth get in the way of a good story) made famous... at the time.

A «prequel,» and the final installment of the Cole Matthews Trilogy, finds the wandering, gambling gunfighter besieged by bandits and troubled by dangerous ladies, taking on the Mexican Army, and being thrown into a hole and buried alive...

«Deadlands» is a genre - bending alternative history of the Weird West, filled with undead gunfighters, card - slinging sorcerers, mad scientists, secret societies, and fearsome abominations.

The best gunfighters can do all kind of epic tricks, ranging from double wielding and fanning, all the way to controlled ricochets and curving bullet trajectory.

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in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

«The Labor Department — once a mighty gunfighter for the nation's 125 million workers — turned tail and ran in the face of Wall Street's artillery,» said Harris.

Every Saturday night you'd find me on the dancefloor at a wine bar in Newcastle called The Gunfighter's Rest, dancing up a storm to Bizarre Love Triangle under the ultraviolet lights as the dry ice steamed out of my Dingo Dangler cocktail.

Unfortunately, there wasn't time to return to Country Road AND Kmart Waratah because I was taking a trip down memory lane to The Gunfighter's Rest for a spot of Deja Vu and Dingo Danglers.

Also on the agenda: choc tops at a screening of Madagascar 3, a trip to the farmers» market at the showground; a few blissful hours at the rockpools near Merewether Baths, dinner and a sleepover with wonderful school friends, and a drink with a new bloggy buddy at the nightclub of my youth, Gunfighter's Rest, which has been turned into a trendy wine bar in step with my advancing years.