Dieu Donné is the world's leading cultural institution dedicated to serving artists through the collaborative creation of cutting - edge contemporary art using the process
of hand papermaking.
An article written by Pace Prints director Rachel Gladfelter is featured in the Summer 2015 issue
of Hand Papermaking.
She is recognized as a key innovator in the field
of hand papermaking as art form.
Not exact matches
About Dieu Donné Dieu Donné is a non-profit organization dedicated to the creation, promotion, and preservation
of new contemporary art made using
hand papermaking techniques.
The c3:
Papermaking Residency was established in 2014 to engage artists with little or no experience in hand papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the med
Papermaking Residency was established in 2014 to engage artists with little or no experience in
hand papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the med
papermaking, and offer them an opportunity to learn the craft and stretch the limitations
of what the medium can do.
Paper / Print: American
Hand Papermaking, 1960s to Today is the first exhibition ever to trace the American hand - papermaking revolution as an outgrowth of the printmaking renaissa
Hand Papermaking, 1960s to Today is the first exhibition ever to trace the American hand - papermaking revolution as an outgrowth of the printmaking r
Papermaking, 1960s to Today is the first exhibition ever to trace the American
hand - papermaking revolution as an outgrowth of the printmaking renaissa
hand -
papermaking revolution as an outgrowth of the printmaking r
papermaking revolution as an outgrowth
of the printmaking renaissance.
Her exhibition, «Social Paper:
Hand Papermaking in the Context
of Socially Engaged Art,» co-curated with Jessica Cochran, was funded by the Crafts Research Fund and the Clinton Hill Foundation, among others.
His work has been featured in Art in Print and
Hand Papermaking magazines, and his work has been exhibited in the Corcoran Gallery
of Art, Center for Book Arts, Salina Art Center, and elsewhere.
Melissa Potter is a multi-media artist specializing in
hand papermaking and printmaking exhibiting nationally and internationally at venues including White Columns, the Bronx Museum
of the Arts, and film festivals including the VideoDumbo Festival and the Reeling International LGBT Film Festival.
In conjunction with Paper / Print: American
Hand Papermaking 1960s to Today, Shaye Remba, director
of Mixografia, discusses works on view created with Louise Bourgeois, Jacob Hashimoto, and Ed Ruscha with exhibition co-curator Mina Takahashi.
She has curated exhibitions including Social Paper:
Hand Papermaking in the Context
of Socially Engaged Art with Jessica Cochran, and Revolution at Point Zero: Feminist Social Practice with Neysa Page - Lieberman.
This focused exhibition is the first to trace the American
hand -
papermaking revolution as an outgrowth
of the printmaking renaissance.