Sentences with phrase «of handmade signs»

Lazarus's own photographic work and Mark Bradford's use of handmade signs culled from his neighborhood serve as models for the discussion.

Across from a wall displaying several of his Tropical Readymades, Figueroa's installation Please Hold Me, 2015, resembled a messy collage of handmade signs sporting phrases such as «necesito dinero para producir arte, mi pais esta jodido... please help me» [«need money to make art, my country is fucked»] and «soy un pobre diablo de una isla tropical en banca rota» [«I'm a poor devil from a tropical island in bankruptcy»].

The somewhat lacklustre protest saw two characters standing up to chant «CBI Voice of Brussels» with a couple of handmade signs.

Missing Truffaut (2014), a rare sculptural work that will be installed in Blaffer's courtyard, replicates a quotidian wooden lamppost and the type of handmade sign commonly adhered to its surface announcing the loss of a pet — in this case, a cat named after one of the French New Wave's most prolific and critically acclaimed filmmakers.

Not exact matches

, and a one - of - a-kind Proverbs 31 sash, handmade and signed by yours truly!

I am doing a giveaway which will incude a Handmade Nation tote bag, a Handmade Nation Sublime Stitching embroidery pattern and a signed copy of our book.

The handmade advent tree, next to the sign, has been part of our Christmas decor for many years.

The 200 invited guests have a choice of three tents to visit, each with a theme: economy, politics and society, pointed out by elaborate handmade signs.

A handmade sign urges voters cast ballots in favor of a school bonding proposal in Albany on Tuesday, Nov. 3, 2015.

My favorite part of the evening was seeing a handmade sign hoisted by a group of Caltech coeds — probably 800 - on - their - math - SAT - tests all — that read «The Day I Met Keanu the Earth Stood Still».)

Handmade in Vermont, Tata Harper's naturally derived & nontoxic products are developed using the world's most advanced results - driven technology to nourish the skin and fight the signs of aging while promoting overall health, wellness, beauty and vitality.

I thought I'd show you the last of the additions we've made in the kitchen recently, and it's this handmade «Fried Green Tomatoes» sign.

Personal or Handmade Touches - Handmade invitations (made by ourselves)- Handmade place settings (made by ourselves)- Handmade Guest Book (drop frame — guests signed a wooden heart, and dropped them into a frame)(made by ourselves)- Framed pictures for table names (made by ourselves, and named after cars from Harry's favourite film)- Personalised cake topper and cupcake decoration (cake topper from Ebay, and cake made by my Aunt)- Handmade bridesmaid's posies (made by my mum)- Personalised and hand painted wedding shoes (for Bride)(done by Beautiful Moments)- Personalised champagne glasses for Bride and Groom to use for toast (bought as a present by my sister and her family)- Ushers were bought cufflinks to wear that reflected their personal interests - Bridesmaids were given personalised flat shoes to wear in the evening (personalised by me)- Handmade bridesmaids dresses - Flowers and buttonholes, and bouquet all made unique, with my bouquet including charms with pictures of my grandfathers on them.

Everyone that chooses to sign up with me via my new email subscription form will be entered to win the full collection of my cards, plus this handmade necklace.

«A young woman documents the recent history of her family through handmade signs.

As Mayor Stephanie Rawlings - Blake and schools CEO Andrés Alonso made the announcement, second - and third - grade students clad in green T - shirts held handmade signs on the front steps of Highlandtown.

Some wore white «UTL» buttons with the logo of the United Teachers of Lusher; others carried handmade signs with slogans like «No Union;» and most on both sides had some variation of the Lusher logo on T - shirts in the school's signature deep blue.

Make sure you use a beautiful picture, and have something really cool to say to get people to sign up, and ask for engagement / interaction (ie, «what do you think of these awesome handmade X?»

Laem Sing is 20 minutes north of Patong, You can't see the beach from the road but there are two small parking areas about half way up the hill past the north end of Kamala Beach, or further along just before Surin beach, look for the small handmade signs.

When we think about «conventions,» most of us probably think of San Diego Comic Con and events of its ilk; we think of giant buildings full of anime cosplayers, booths of artists selling handmade fandom merch, and insider access via things like panels, signings, and media premieres.

In the first main gallery, eight large paintings fail to advance Koons's fantastic dream of producing a handmade two - dimensional surface so intensely, intricately fashioned that all signs of human life disappear, leaving the effect of a man - made inkjet print or a nonvirtual JPEG.

Aquatint, lift - ground etching and aquatint on Auvergne a la Main Richard de Bas handmade paper 57.8 x 63.8 cms (22.75 x 25.1 ins) Edition of 34 Signed «Motherwell» in pencil...

The exhibition also brought artists from all over the world to the border region, with a major focus on performance work, including One Flew Over the Void (Balla Perdida)(2005), in which the Venezuelan artist Javier Téllez recruited patients of Tijuana's CESAM mental institution to wear animal masks and carry handmade signs in a carnivalesque event that culminated in a human cannonball being launched over the border fence.

Shifting from pop to high culture references and back again, Rhoades exploits the conceptual and sculptural possibilities that arise from the accumulated detritus and debris of everyday life: What at first seem to be arbitrary arrangements of new and used hardware, machinery, TV monitors, handmade objects, and constructions coalesce into a non-hierarchical field of visual signs and texts.

HELEN FRANKENTHALER A Page from Book III, from This is Not a Book etching, aquatint, mezzotint and stencil in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 20/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, pale time staining, traces of pale foxing, otherwise in good condition, framed P. 4 x 17 3/4 in.

HELEN FRANKENTHALER Guadalupe (H. 164) mixograph in colors, 1989, on white handmade paper, signed and dated in pencil, numbered 50/74 (there were also 16 artist's proofs), published by Mixografía, Los Angeles, the full sheet, apparently in very good condition, not examined out of the frame S. 69 x 45 in.

HELEN FRANKENTHALER Round Robin etching, aquatint and mezzotint in colors, 2000, on TGL handmade, signed and dated in pencil, numbered 12/30 (there were also 14 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, traces of extremely minor surface soiling in the margins, otherwise in excellent condition, framed P. 6 7/8 x 16 1/4 in.

HELEN FRANKENTHALER A Page from a Book III, from This is Not a Book etching, aquatint, mezzotint and pochoir in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 12/60 (there were also 16 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, with full margins, occasional soft rubbing in the margins, a crease at the upper right sheet corner, otherwise apparently in good condition, not examined out of the frame P. 5 x 21 1/4 in.

TALES OF GENJI V Color woodcut, 1998, on rust TGL handmade paper, signed and numbered 11/36 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York and with their blindstamp, the full sheet, framed.

Helen Frankenthaler Gateway 1988 Etching, relief and aquatint in colors with hand - stenciled margins, on three panels of TGL Handmade paper, the full sheets, all S. 68 3/4 x 29 1/2 in (174.6 x 74.9 cm) signed and numbered 29/30 in pencil on the right panel (there were also 10 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York (with their blindstamp), in very good condition, framed.

HELEN FRANKENTHALER (B. 1928) Sanguine Mood (Harrison 33) pochoir and screenprint in colors, 1971, on J.B. Green Hayle Mill English handmade paper, signed and dated in pencil, numbered 2/75 (there were also 5 artist's proofs), published by the Women's Board Commission, San Francisco Museum of Art, the full sheet, in excellent condition, framed S. 22 3/4 x 18 in.

HELEN FRANKENTHALER Earth Slice (H. 59) etching and aquatint in colors, 1978, on mauve HMP handmade, signed and dated in pencil, numbered 8/46 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with wide margins, the paper slightly attenuated, a small purple stain in the upper right margin corner (possibly inherent in the paper), remains of old hinges at the reverse of the upper margin corners, otherwise in very good condition P. 8 3/4 x 19 5/8 in.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji VI, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 10/35 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, in very good condition, framed Sheet: 47 x 42 in.

HELEN FRANKENTHALER Radius (H. 234) woodcut in colors, 1992 - 93, on White TGL handmade, signed and dated» 93» in pencil, numbered 30/30 (there were also 8 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, one small area of surface soiling in the upper left sheet corner, hinged to the support in places at the reverse of the sheet edges, otherwise in very good condition, framed S. 28 x 28 in.

HELEN FRANKENTHALER What Red Lines Can Do, New York, Multiples, Inc., 1970 (H. 22 - 6) the complete set of five signed, dated, numbered and inscribed screenprints in colors, title / justification, on Arches handmade coldpress, copy 7 of 24 (the edition was 75), the full sheets, loose (as issued), (H. 22) with foxing, (H. 24 - 5) with minor foxing, (H. 26) with soiling on the reverse, the title / justification with a 2 - in.

HELEN FRANKENTHALER (B. 1928) A Page from a Book II; and III two etchings with aquatint in colors, 1997, on TGL handmade, both signed and dated in pencil, numbered «AP 13/16» and «AP 16/16» respectively (the editions were 30 for both), both with the Tyler Graphics, Ltd. blindstamps, Mount Kisco, New York, both with full margins, traces of extremely minor surface soiling at the margin edges, otherwise both apparently in excellent condition, one examined out of the frame both P. approx. 4 x 17 5/8 in.

HELEN FRANKENTHALER (B. 1928) East and Beyond (Harrison 41) woodcut in colors, 1973, on Nepalese handmade, signed and dated in pencil, numbered 4/18 (there were also 6 artist's proofs), with the ULAE blindstamp, West Islip, New York, with full margins, a few soft creases in the upper margin, hinged to the support in two places at the reverse of the upper margin edge (slightly showing through), otherwise in very good condition, framed B. 23 5/8 x 17 7/8 in.

Helen Frankenthaler A Page From a Book: I - III (3 works) 1997 Etchings with aquatint on handmade paper; two with mezzotint and stencil # 9 of 60 Each signed, dated and numbered; Tyler Graphics blindstamp Each: 10» x 24.75

To me, being able to laugh at oneself is a sure sign of spiritual maturity, and the way that capacity is articulated through Albertini's unique use of handmade costumes and performance is just absolutely charming.

Earlier photographic work centered on an alphabet of handmade letters and signs temporarily placed — and strategically displaced — in public contexts.

HELEN FRANKENTHALER (B. 1928) What Red Lines Can Do (Harrison 26) screenprint in colors, 1970, on Arches handmade coldpress, signed and dated in pencil, numbered 38/75 and inscribed «ss» (for original silkscreen), (there were also 24 artist's proofs), published by Multiples, Inc., New York, the full sheet, hinged at the corners and at the center of the sheet edge, in very good condition, framed S. 38 1/2 x 26 in.

HELEN FRANKENTHALER Tahiti (H. 168) mixograph in colors, 1989, on handmade paper, signed and dated in pencil, numbered 18/45 (there were also 11 artist's proofs), published by Mixografía Los Angeles, the full sheet, one short tear at the lower left sheet edge, otherwise apparently in very good condition, not examined out of the frame S. 32 x 54 in.

HELEN FRANKENTHALER A Page from a Book II etching and aquatint in colors, 1997, on TGL handmade, signed and dated in pencil, numbered 38/60 (there were also 16 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame P. 4 x 17 5/8 in.

HELEN FRANKENTHALER (1928 - 2011) Tales of Genji III, from Tales of Genji woodcut and pochoir in colors, 1998, on TGL handmade paper, signed in pencil, numbered 33/36 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, New York, with their blindstamp, the full sheet, in very good condition, framed Sheet: 46 5/8 x 41 5/8 in.

HELEN FRANKENTHALER Dream Walk (H. 56) lithograph in colors, 1977, on pale mauve handmade paper, signed and dated in pencil, numbered «A.P.» (the edition was 47), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, apparently in very good condition, not examined out of the frame L. 21 7/8 x 29 3/4 in.

Helen Frankenthaler, Cedar Hill (Harrison 121) Woodcut printed in colors, 1983, signed in pencil, dated and numbered 11/75 (total edition includes 18 artist's proofs), on handmade Mingei Momo paper, with the blindstamp of the publisher Crown Point Press, framed Sheet 512 by 631 mm 20 1/8 by 24 7/8 in

HELEN FRANKENTHALER All About Blue (H. 235) lithograph and woodcut in colors, 1994, on handmade Kozo, signed and dated in ink, numbered 5/38 (there were also 12 artist's proofs), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, the full sheet, apparently in excellent condition, not examined out of the frame S. 48 1/2 x 29 in.

HELEN FRANKENTHALER A Page from a Book: Plate III etching with aquatint and pochoir in colors, 1997, on TGL handmade, signed in pencil, numbered «AP 13/16» (the edition was 60), with the Tyler Graphics, Ltd. blindstamp, Mount Kisco, New York, with full margins, small rubbed areas on and below the signature, hinged to the support in places at the reverse of the margin edges, otherwise in very good condition, framed P. 4 13/16 x 21 1/2 in.

Both of their works have the quality of a rugged handmade sign post - visual art objects, but created as though they serve some utilitarian purpose.

Helen Frankenthaler, Freefall (H. 233) Woodcut printed in colors, on hand - dyed TGL handmade paper, 1993, signed in pencil, dated and numbered 8/30 (total edition includes 12 artist's proofs), with the blindstamp of the publisher, Tyler Graphics, Ltd., the full sheet, printed to the edges, in good condition, framed * (not examined out of frame) Sheet 1970 by 1535 mm 77 1/2 by 60 3/8 in