Billed as a modern spin - off to the George Clooney led Ocean's Eleven series
of heist flicks, the cast list alone is enough to leave you reeling with anticipation, with Sandra Bullock, Cate Blanchett, Anne Hathaway, Mindy Kaling, Sarah Paulson, Rihanna, and Helena Bonham Carter all involved as part of the ensemble effort.
, Side Effects, or the climaxes
of heist flicks like Ocean's Eleven and Logan Lucky) is a natural fit for psychological horror.
Director Nick Park brings a love
of heist flicks and Alfred Hitchcock thrillers to this tale of a deadpan penguin who drives a wedge between man and dog as part of a nefarious plot that includes a robotic pair of pants and the most hilariously peculiar train chase in movie history.
Reminiscent
of a heist flick, the film does a first - rate job recreating Petit's harrowing walk, allowing us to decide whether his walk is art or merely calculated insanity.
At its core, Bad Santa is a mix
of heist flick and a black comedy, with Thornton (Intolerable Cruelty, Bandits) playing Willie, a man who has no interest in being a mall Santa, save for the fact that it allows himself and his diminutive elf assistant (Cox, Date Movie) some time to case the place for a safe and figure out a way to crack it before Christmas.
I think I like that it's more
of a heist flick than a street racing movie.
Not exact matches
The second act
of the film finds Petit and his allies casing the twin towers, making sure that they know everything about the tower that's still under construction — the workers» schedules, which areas give access to staircases, which elevators are best to use... Essentially, The Walk becomes a
heist flick in the middle — and like all good
heist flicks, everything goes like clockwork until it doesn't.
The Walk is flawed — it tries to be three different kinds
of movie (charming biography,
heist flick, epic achievement story) and not every moment works completely, but it doesn't really matter.
A true «good bad
flick» has to catch us off guard with its audacity and ridiculousness, and too much
of The Hurricane
Heist is rote.
Directors put comedic spins on
heist films and called them capers, allowing us to laugh at the absurdity
of a group
of fairly inept individuals attempting to pull off such a massive robbery, and some
flicks even started leaving out certain acts to allow us to fill in the blanks and create a more compelling, unique story.
The
heist flick rose to fame in the 1950s, but we'd already been enjoying a slew
of stories involving thievery, scams, and capers since the 1930s.
When they are not on screen together, the
heist flick loses some
of its luster.
It's an unlikely
heist flick that serves as Brando's Pick
of the Month with little in the way
of star -LSB-...]
In that 2001 remake Soderbergh pretty much wrote his own set
of rules for a
heist flick and would follow them through two sequels.
Part
heist flick and part history lesson, Closer to the Moon is best viewed as an entertaining, albeit flawed, entry in the sub-sub-genre
of films about the aftermath
of WWII.
As a
heist flick, the pacing's all wrong, and the denouement feels unsatisfying simply because you're left wondering what the point
of it all was.
Fresh and very funny animated
flick about a man named Gru who is planning the biggest
heist of all time: he wants to steal the moon!
Baby Driver is an action
flick that features a young savant
of a car driver known as Baby (Ansel Elgort) who is hired by an ambitious crime boss (Kevin Spacey) to pilot the getaway car for Doc's
heists.
Three
of what seem to be the hardest working directors in Hong Kong have teamed together for Triangle, a
heist flick that never pauses for breath.
Aniston is also eyeing a
heist flick written by her close pal Justin Theroux, and Sudeikis is already booked up for part
of the summer shooting «Relanxious.»
It's not as original or enjoyable as Eleven, but Thirteen still delivers a mostly winning
heist flick with its mix
of guys, gadgets, and gambling presented in a slick and stylish manner by Steven Soderbergh and the talent - filled cast.
Style is the substance
of Edgar Wright's
heist flick, synching music with getaway mayhem to literally turn the genre on its ear.»
A screwball - tinged
heist flick that not so much feeds «eat the rich» feelings which might be surging in the zeitgeist at the moment as offer up a divergent, flight -
of - fancy caper for the middle - aged, The Love Punch plays out like a reimagining
of The Parent Trap by way
of Ocean's Eleven, and minus the kids.
Dignan, the twentysomething fuck - up played by Owen Wilson who leads his friends into this folly, fancies himself a gangster out
of a»70s
heist flick.
Any successful
heist flick succeeds or fails on the basis
of two key components.
But it's nice to have him officially back in business with Logan Lucky, a star - studded
heist flick that calls to mind some
of the eclectic director's most popular work even if it falters a bit at the end.
Loosely based on the true tale
of the infamous 1971 bank
heist on Baker Street, London, The Bank Job is a mildly effective political thriller and
heist flick that only generates honest interest if you take into account the events and conversations
of the film as actually what happened.
It all adds up to a
heist flick that's more
of a musical than most musicals.
Here he's in a
heist flick (from Michael Radford, The Merchant
of Venice) co-starring Demi Moore.
The gender - reversed remake trend looks to hit paydirt with this play on Steven Soderbergh's Ocean's Eleven movies — and just as those Rat - Pack throwback
heist flicks doubled as tributes to contemporary movie - star glamour, this spin - off offers up three
of Hollywood's biggest actresses (Sandra Bullock, Cate Blanchett, and Anne Hathaway) in place
of the Clooney / Pitt / Damon trifecta.
One such effort is The Leonardo Job, a
heist flick that Twohy wrote about the theft
of a «lost» painting by Leonardo da Vinci.
One can understand that when the remake
of another hip ensemble - cast
heist flick, The Italian Job, would land on his lap, Wahlberg might jump at the chance, and although the supporting cast isn't as impressive as that
of Ocean's, these lesser - known players are up to the task, and they have a proven director
of comedy and action in F. Gary Gray (Fridays, The Negotiator) to make this as hip and fun an action - packed romp as possible.
The Italian Job isn't exactly blessed with the most proven
of screenwriting teams in Donna and Wayne Powers (Deep Blue Sea, Valentine), but in all fairness, points aren't scored in a
heist flick from sparkling conversation.
Transposing the milieu from glitz to grits, Steven Soderbergh's LOGAN LUCKY does more set an intricate
heist flick in the backroads
of Appalachia, it also makes a sly statement about class, culture, and our preconceived notions about those two things.
Is this first movie
of Marvel Cinematic Universe's Phase III a fun
heist flick, or are superhero movies sta... Read On
Ben Affleck returns home to Boston for his sophomore directing effort The Town, a new
heist flick that returns him to a similarly gritty Beantown milieu as that
of his acclaimed feature directing debut, 2007's Gone Baby Gone.
A race
of treasure
heisting, a ballet
of gnome
flicking, and a natural disaster
of very unbecoming behavior, this game is unlike any other!