Sentences with phrase «of her artistic practice with»

It continues to be relevant today, and acts as a vehicle for proposals and explanations of artistic practice with a view to artists producing meaningful engagement with society.

Now, the 16 mm film camera defines much of her artistic practice with the still camera image also playing an important role in her career.

There are day jobs to contend with, rising costs of studio space, balancing the needs of artistic practice with family life and social needs.

Not exact matches

The adoption of this new material coincided with other changes in past societies often including differing agricultural practices, religious beliefs and artistic styles.

From the gut - wrenching, step - by - step chronology of the raid on Osama bin Laden's compound in Abbottabad to seafaring cultists practicing Scientology - like rituals in the wake of World War II to the 16th president twisting arms over the passing of the 13th Amendment, the best films of 2012 brought history to life with an extraordinary scrupulousness that still left room for vivid artistic expression.

Indeed, it was not coincidental that just days before the festival began that the Sundance Institute announced its first «Art of Nonfiction» Initiative to support inventive artistic practice in documentaries, along with the program's first fellows, Margaret Brown («The Order of Myths»); Robert Greene («Kate Plays Christine»); and Omar Mullick and Bassam Tariq («These Birds Walk»).

After more than 30 years, it has become a ritual of artistic purification among a community of storytellers, complete with its own liturgy, sacraments, observations and practices.

Collaborate with colleagues to infuse artistic practice and the creative process into the planning and execution of each lesson

With the rise of 21st century independent game development this impulse is getting pushed back, however even much of this work is unable to imagine itself further incorporating an artistic practice, since game development is long held to be a drawn out and financially draining process that result in this one shot to make it all back.

Corwin writes: «In the tradition of Klein and Dubuffet, Strobert chooses to site her artistic practice within the confines of painting, while literally doing everything she can to reconfigure that discipline through a re-orientation of mediums and with an expressionistic yet pragmatic eye... Strobert's painting isn't abstract painting but the abstraction of painting.

It has less to do with the artistic practices of the images discussed and more to do with the cultural and political implications of these photographs.

Manister's artistic worldview and method is underpinned by the humanist vision of the older generation, but his commitment to forging an individual practice is not hampered by the same kind of high - seriousness and obdurate self - belief often found with other painters working «after the fall.»

Collaboration is central to Thomas» artistic practice; works like In Search of the Truth (Truth Booth), which the Museum hosted in 2016, and a new project by Thomas's artist - run political action committee For Freedoms will take his work into direct contact with Portlanders in 2018.

Can you tell us a little of the ways in which both feed your artistic practice with an exhibition such as this?

Collaboration is central to Thomas» artistic practice; works like In Search of the Truth (Truth Booth), which the Museum hosted last summer, and a new project by Thomas's artist - run political action committee For Freedoms will take the exhibition out of the Museum and into direct contact with Portlanders.

CHIMES: In terms of using film stills from the»40s and»50s and film noir, is that something that you grew up with or were interested in the beginning of your artistic practice?

His rich artistic practice, encompassing painting, sculpture, drawing, machines and systems, all share a fascination with infinity, the nature of being, and the origins of life.

Photography is a constant and ubiquitous element in Fallen Fruit's artistic practice — utilized both as documentary process and image production — as well as an informal way of establishing trust with a range of citizens, and asking them to lend specific for inclusion in their installations.

This «obstruction» aims to both contextualise a present day practice within a historical perspective and play with the general obsession of the «forever young» - omnipresent in the artistic environment - thus raising questions concerning generation and context.

1.1 Describe why the training / conference / study trip is right for you and your artistic practice: The opportunity to study with Yoshiko Iwamoto Wada at Arrowmont School of Arts & Crafts is ideal for me as the Director of [an Art Center] and its growing Fiber Arts Program.

In dialogue with changing artistic practices over the past decade, Lerma explores various uses of materials for his paintings while considering the medium's relationship to history.

Throughout his prolific career, Polke's unorthodox approach to materials, subject matter, and artistic processes was always concerned with the testing of limits and boundaries, and this exhibition will demonstrate the breadth and lasting influence of his radical and innovative practice.

Flavin has been credited with being «one of the first artists to make use of a basically progressional procedure,» and the systematic arrangement of color and light fixtures was an aspect of his work that not only led to it being characterized as Minimal art but which moreover influenced Conceptual artistic practices.

Conversations will also present the latest edition of Hans Ulrich Obrist's ongoing series looking at artistic practice, entitled «The Artist as Curator», with the artists Joseph Kosuth, Liu Ding, Martha Rosler, Rirkrit Tiravanija, and Martha Wilson.

We endeavour to expand the artistic practices of all involved while broadening audience engagement with visual arts locally and internationally.

In looking inward at the originating gestures of their process, they blend scientific method with artistic practice and evoke an enthusiasm that has long been dormant.

These unexpected, obscure, and compelling book titles reveal the diversity of backgrounds, interests, tastes, and source material of each artist, and provide the viewer with a window into artistic thought and practice.

While the idea of historically identifiable «-- isms» has largely been jettisoned as a quaint 20th — Century notion, there are certainly notable areas of artistic practice that seem to, for whatever reason at certain moments, gain traction with large numbers of artists.

He candidly voiced the angst of striving to sustain a hermetic studio - based existence, of imbuing painting with conceptual and metaphysical validity, of being stuck with oneself and one's compulsive behaviors, and of constantly seeking the means to short - circuiting one's predilections in pursuit of an innovative artistic practice that retains urgency for both practitioner and viewer.

Developed with media partner Wallpaper magazine, the latest work by 14 designers - product, ceramic, graphic and fashion - born before 1991's Perestroika, explores the theme of what it means to be born within one cultural environment, at the moment of interchange, and practicing within an altered geopolitical realm from both an artistic and...

Jeffrey Gibson: Like a Hammer — the first major museum exhibition of the artist's work — will chronicle a pivotal moment in Gibson's career when his contemporary artistic practice converged with his Native American heritage.

Magdalen Chua (MC) had a conversation with Punton and Spark, as a second part of a feature on exhibitions presented during the Glasgow International Festival of Visual Art that place emphasis on the process of collaboration and the subjective experience within artistic practice.

Language is an important part of Verbicky's artistic practice as well, with the positioning of the letters, symbols, and phrases taking on new life as well, transforming the disparate elements into a continuous story.

Even before Warhol's near - fatal shooting at the hands of Valerie Solanas in 1968, his artistic practice had been underpinned by an obsessive fascination with sudden death.

Photographs and video - installations are some of the technological mediums that expose Taquini's trajectory, becoming not only a collection of pieces that take part in a visual art exhibition, but also the portrait of a life in the art, in which the curatorial practice that took place during a great part of her professional development converges with her more recent artistic practice.

How to Flatten a Mountain is an exciting 12 days residency opportunity presented by PhotoIreland Foundation & Cow House Studios, and with the support of OPW, open to emerging and mid-career visual artists whose artistic practice in whole or part, makes use of digital and / or analogue photographic processes.

A former graphic designer, his recent artistic practice has been focused on reinterpreting and playing with the language of traditional tile design, and that of the Portuguese tin - glazed ceramic azulejo in particular.

Founded in 1999, the organisation's public mandate is to offer a climate of support for the creation of and interaction with diverse artistic practices by producing new solo exhibitions of international and local artists.

Creating a blog and video feed as a tool for the development of his own practice, he will make his artistic processes accessible to a wide audience, alongside conducting workshops and initiating discourse with fellow practitioners.

They end with the consolidation of artistic practice in the Academy and the royal collection under Charles Le Brun.

Humanitarian and ecological concerns have shaped his artistic practice for more than 20 years, whether narrating the lives of fishermen, collaborating with a hospital surgeon, capturing the light and colour of the River Thames, or travelling to a remote part of Scotland to paint a writer's house.

Trying to accomplish exactly that with his artistic practice, the French artist going by his initials of JR uses the biggest museum in the world to carry his ideas across — the streets of the cities across the globe.

Como «s artistic practice is, as he describes it, «an engagement with and investigation into black... this includes but is not limited to: black as proprietary color / pigment — the mark used for description or obfuscation, black as darkness — the phenomena or event of light's absence, and black as matter — the physical manifestation of objecthood, including black holes and universal dark matter.»

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

At the time, members of The Archive Project felt that for artists living with HIV two deaths were on the horizon; the second was the physical death; the first was someone's artistic practice and career.

The program's mission, to support artists «to push their artistic practice and expand their horizons,» runs parallel to that of the 18th Street residency program, which provides artists with time and space to explore new approaches to their work in a new and stimulating environment.

Providing us with the first comprehensive survey of international artists who incorporate science, biology, kinetics, telecommunications, the computer, and the physical sciences, the book also incorporates the relevant art theory and personal statements of the surveyed artists, hoping for a better understanding of the new artistic practice.

However, for Chimes this flight from reality was achieved, not through abuse of drink or drugs, but through a prolonged engagement with literary and artistic subcultures, whose radical nature deeply enriched his artistic practice.»

Issue 16 / Rainer Hosch: The Vanguard Diaries As I walk through this world with my camera, I document glimpses of the artistic practice that would otherwise remain a mystery.

The modernist architecture of Mies Van Der Rohe and Zaha Hadid — and their open - ended, problem - solving approach to refined «architectonic form» — provided a framework that resonated with Ball's artistic practice.