Not exact matches
The structures
of the
romance genre — which rely upon white, middle - class, able - bodied, and
heterosexual norms
of social mobility and citizenship through the marriage union — make a nonstereotypical and nondiscriminatory inclusion
of black and disabled people quite difficult, since social mobility, rights
of citizenship, and marriage are still actively denied to black and disabled people.»
His desperation to smooth the choppiness
of the story and format is palpable in the short - selling
of the Wormtongue (Brad Dourif) character (and Aragorn's horse who, without much in - text warning, becomes a key character) and the desire to infuse
heterosexual romance (with both Arwen and Miranda Otto's Eowyn) into Tolkien's sexually sterile universe.
Instead, it is the most sumptuous, classical star cross'd lovers
romance — a «Juliet and Juliet» story — in which the central love affair is presented just as legitimately as those that dotted the Hollywood films
of the Golden Era (films whose narratives French film theorist Raymond Bellour memorably likened to machines designed to produce
heterosexual couples).
At the conference, Piñeiro and her colleagues leveraged the experience
of that energy, however, searching for how
romance can «find a place at the table» for people who aren't served by what Nielsen is tracking as heavily white and
heterosexual, which mirrors the overwhelming truth about overall publishing today.
Hart and his co-authors, Jacqueline Hung» 11, a former student
of Hart's, and psychology professors Peter Glick
of Lawrence University and Rachel Dinero
of Cazenovia College, surveyed more than 400
heterosexual men to gauge their responses to questions about their attachment style, hostile and benevolent sexism, and views on
romance.