Sentences with phrase «of his aesthetic on»

Finally, it was the impact of his aesthetic on the aesthetics perceptions of the creator of historical novel.

Not exact matches

For small businesses that rely on a certain level of aesthetic elegance, less cluttering cable handrails are recommended.

For example, CSS3 provides different layout and aesthetic instructions based on the device accessing a website, so that a website may show or hide certain things if the user is accessing it on an iPhone instead of laptop.

Those who saw the black - and - white pictures were more likely to categorize the shoes based on function — like high heels versus sneakers — instead of aesthetic design — like plain versus leopard - printed shoes.

Steve Jobs, the late Apple CEO, famously said that a course in calligraphy he dropped in on at Reed College instilled in him an aesthetic that inspired the typefaces and fonts of the original Macintosh computer and eventually those of the entire PC industry.

I saved a bunch of money on my refurbished MacBook Pro, and it came in pristine aesthetic and working condition.

She redesigned the product, adding aesthetic touches, like images of trees and flowers on the containers.

Such hawkish analysis is what informs Frank + Oak's decision - making — it isn't there to push an aesthetic vision on customers, it's there to give them what they want — but it also means staff must monitor, analyze and act on information incredibly quickly, lest the firm find itself with a warehouse full of sweatpants nobody wants.

What critics said: «Even those of us who regard the Marvel aesthetic as a plague on world cinema can find much in Spider - Man: Homecoming to be charmed by.»

Gen Z - ers, according to retail consultancy FITCH, have the following aesthetic and sensory preferences when it comes to stores: they orientate by contrast and color before exploring product features, their focus is on the product instead of signage, and touch and access to the product, instead of off - putting clinical displays, are key.

Not only will they have a dramatic effect on the mood and productivity of your employees, as well as on overall aesthetic impression in your offices, but plant waste can be used as an organic fertilizer.

Over the years, Charney has faced repeated accusations of sexually harassing employees and of discriminating against less attractive staff on the grounds that they undermined the corporate aesthetic.

Adding to the aesthetic delight, Chase put the numbers on the back of the card.

The issue of housing has become the final coat of gloss on recent budget announcements, mentioned in passing to tick the boxes of a «well rounded» economic plan, but equating to little more than aesthetic fluff.

Reflecting on Bonhoeffer in the theological journal dialog, Jean Bethke Elshtain addresses the aesthetic under the rubric of shame: «One of the reasons Dietrich Bonhoeffer was so repulsed by Nazism was precisely because of its aberrant shamelessness.

For the Underground may be increasingly aware of the technical and aesthetic possibilities of the disc, of videotape, of the electronic camera, and so on, and is systematically exploring the terrain, but it has no political viewpoint of its own and therefore mostly falls a helpless victim to commercialism.

On the one hand, the comrades take refuge in outdated forms of communication and esoteric arts and crafts instead of occupying themselves with the contradiction between the present constitution of the media and their revolutionary potential; on the other hand, they can not escape from the consciousness industry's program or from its aesthetiOn the one hand, the comrades take refuge in outdated forms of communication and esoteric arts and crafts instead of occupying themselves with the contradiction between the present constitution of the media and their revolutionary potential; on the other hand, they can not escape from the consciousness industry's program or from its aesthetion the other hand, they can not escape from the consciousness industry's program or from its aesthetic.

The long - drawn discussion over the death of art proceeds in a circle so long as it does not examine critically the aesthetic concept on which it is based, so long as it employs criteria which no longer correspond to the state of the productive forces.

J. C. Friedrich von Schiller, On the Aesthetic Education of Man, trans.

This chapter could well be expanded into a • book dealing with some of Bonhoeffer's thoughts on «aesthetic existence.»

At first they may be taken merely as aesthetic moments, such as communing with nature, savouring memories andimages, meeting mysteries, the heightened sensing of musical sounds, odours, colours, the thrill of acute poetic expression, or moving encounters with other human beings; but on further reflection people often cite such experiences as having a spiritual quality and as hints of the divine.

The aesthetic awareness of Wieman, which he had learned in part from Whitehead, was specifically stated in the chapter on Beauty.

In his Stages on Life's Way (SLW), Kierkegaard speaks of irony as the means by which persons make the transition between aesthetic and ethical awareness, and humor as the means for making the transition between ethical and religious awareness.

Drawing on the conventions of the classical literature of love and using an existing pan-Indian stock of symbols and figures of speech, the bhakti poets nevertheless strive for spontaneous, direct, personal expression of feeling rather than a rarified cultivation of aesthetic effect and the «emotion recollected», preferred by the Sanskrit poets.

By the time I had graduated, the field had become «one that maintains its interest in literary texts but explores all forms of aesthetic speech and that views performance as an art and recognizes its communicative potential and function» There were three challenges to those of us graduating with doctoral degrees in this discipline: 1) to locate which performances within art and / or culture we would focus our attention on as scholars and performers; 2) to interpret the core concepts generating from the cultural turn in our discipline to other studies of culture and human communication and 3) to develop «performance - centered» methods of research and instruction in whatever parts of the university we found ourselves.

At the place in the speaker's drama called «preaching», the preacher looks in the direction of «theatre», that is, any site where words and images, arranged as aesthetic texts, are transformed into speech and gesture and are put on display.

It is based on the conception of humanity as homo performans, that is, creatures who define themselves to themselves and others through verbal and gestural, individual and communal, ritual and aesthetic acts.

It is as a moralist that he may have most influenced the thought of our time, for he has invented an aesthetic that recoups the traditional Christian verities on the other side of literary modernism.

The underemphasis on the empirical way is particularly important because it has not only discouraged the aesthetic appreciation of the power of art and of the world of ordinary experience, it has also discouraged the moral action which such appreciation might engender.

15 Such an aesthetic would concentrate, for example, on what John Cobb, following Vernon Lee, calls the «hearer» of music — that is, one who reacts to music as it is felt in the mode of causal efficacy.

That kind of polarity divides the church according to aesthetic taste, and the church was never meant to be divided on that basis.

They have so underemphasized the empirical way, which concentrates on the physical response to the past, that the power of aesthetic experience has been neglected.

The bigger the review, the more likely it is to plant itself firmly on the level of aesthetic and political criticism — ignoring, mocking, or (worse) merely «noting» an album's religious content.

And, since Whitehead was more explicit on the status of beauty, we might make Russell's aesthetic explicit.

From that vantage point it is apparent that a propositional and rational aesthetic, while certainly not guilty of an inversion of the evidence or of the fallacies of simple location and misplaced concreteness, rests on what is derivative and secondary.

They have so emphasized the rationalistic way, which concentrates on the intellectual organization of the past, that the meaning of aesthetic experience has been exaggerated.

In this context, Gandhi stresses the analogy between Collingwood's reformed metaphysics and Strawson's descriptive metaphysics, two conceptions that, on Gandhi's view, have to be rejected.3 A concept of metaphysics such as that of Whitehead necessitates, on the contrary, «the analysis and critical evaluation of scientific presuppositions in connection with presuppositions of other domains of civilized thought (moral, religious, sociological, aesthetic, etc.), so as to arrive at a satisfactory conception of the most fundamental characteristics of all that we encounter in our experience.

Much work needs to be done in clarifying the relationship between creativity on the one hand and inheritance from the immediate past on the other — I have begun this clarification in section I of Chapter 2 of my A Whiteheadian Aesthetic.9 It has been a characteristic of the Hartshornian group to play down the notion of creativity at the same time that they augment the importance of God — God has encroached on the role Whitehead assigned to creativity.

Alongside and dependent on the rich development of aesthetic, scientific, and mathematical distancing arose other modes of understanding man, which were called forth initially by the practical exigencies of political life.

The aesthetic conception of God in Sufi metaphysics was based on the idea of reciprocal love between God and man.

They function as the religious vocation, the seduction for the enjoyment of aesthetic pleasure, the tantalizing tease, the pitch of the salesman, the marriage «proposal,» the «come on,» the «proposition» of the lover.

I certainly hope the Protestant aesthetic [band] wagons aren't going to circle on the issue of Christianity and art.

But when we speak of growth of Gross Domestic Product we do not subtract the negative effects on weather and water supply or the loss of recreational, aesthetic, and spiritual values.

And so there live perhaps a great multitude of men who labor off and on to obscure their ethical and religious understanding which would lead them out into decisions and consequences which the lower nature does not love, extending meanwhile their aesthetic and metaphysical understanding, which ethically is a distraction.

in the absence of restraints On his choice of aesthetic problems and of his methods of solving them, but even more in his power of constructing aesthetic objects that add to the values of life.

Whereas Hartshorne, the philosopher, has devoted himself largely to developing the logic of a theism based on process metaphysics, Meland has sought to balance this rationalistic approach with a heightened sensitivity to depth of feeling based on the aesthetic side of Whitehead's philosophy.

Moreover, Hartshorne himself in the last decade of his career, put much more emphasis on a particular table of options for thinking about God and the world as a way of displaying the advantages of his own metaphysics («The Aesthetic Dimensions» 17; «God, Necessary and Contingent» 296; «Can Philosophers» 17).

In a long series of captivating thumbnail biographical sketches, he documents both the force of the modern mind's attack on religion and the grief that accompanied it as people lamented losing the aesthetic and moral dimensions of faith.

Gioia obviously has been thinking on them, and what he has done in his essay, I'll bet, will prove to be a giant first step toward the renewal of the Catholic aesthetic dimension that both Church and society very much need.

For him, it is not the systematic world of the speculative philosopher that is of greatest value, but the natural, chaotic process which lies hidden behind the falsifying face of reason, a process whose true nature can only be known on a purely aesthetic level through experience in its immediacy («Beyond Good and Evil,» BWN Section 213; «Will to Power,» Section 794).