Sentences with phrase «of his brush strokes»

In China, which lacks an alphabet, they instead ordered the nations by the number of brush strokes in their official Chinese name, which disordered the traditional parade insanely.

The map shows the intensity of infrared light, and traces magnetic field lines within filaments of warm dust grains and hot gas, which appear here as thin lines reminiscent of brush strokes in a painting.

The wipe on poly does just that... wipes on with a rag like water so I never have a streaky of brush stroked finish.

(I recently tried painting something and although I tried to be very careful, used a Purdy brush and Behr latex, there were drips and lots of brush strokes once it was dry.)

Then, I just started layering on different colors of brush strokes in the color palette that I want for the basement.

It was hard to blend with the brush and it showed a lot of brush stroke lines that were tougher to buff out.

If not quite stereotypical, these Leigh «types» are certainly drawn in the broad est of brush strokes.

Besides handwriting, you can also paint with the stylus, as there are a couple of brush strokes to choose from.

Many felines like the feel of the brush stroking their fur and will welcome a long brushing session.

Very informative - lots of information given whilst talking, as well as the close ups of his brush strokes.

As I teach, judge, visit exhibitions and look at work in books or across social media, I see bits and pieces of paintings that cause me to think about how a particular effect or even a type of brush stroke could impact my own work.

Olitski, however, has manipulated the intensity of his brush strokes in such a way that not only does the portrait resemble one large brush stroke, but each picture has also a touch of illumination, creating a dazzling portrait with a simplistic design and nature, but irrefutable domination.

The mark - making of his brush strokes and minimal form are attempts to capture a sense of place and time within the viewer's aesthetic.

The physicality of the paint and the personality of the brush strokes have equal visual importance with «getting it right».

The result is a rectangle composed of horizontal stacks of brush strokes, constructing a tall, narrow field as a dynamic balance of linear forms.

Many of the works are created by simply using the path of the brush stroke, very often using common house paint.

Forgoing the relative ease and fluidity of the brush stroke, the artist methodically builds his compositions through shards of color incised from sheets of paper he has painted, forging a novel way to combine painting and collage into a singular hybrid.

His enquiries into the fundamentals of painting: the importance of the brush stroke and compositional structure are viewed retrospectively as his most important contribution to the movement.

They achieve fragmental images through the use of brush strokes, panels, or areas of meticulous masking.

The artist applies numerous layers of brush strokes which form a rhizome - like, grid pattern against the nearly monochromatic or bicolor backgrounds.

Warming up is when you take a canvas or paper, preferably one that can be scrapped, and you practice a variety of brush strokes upon it.

«He thought... you could look at the history of art as the history of brush strokes as well.»

While dealing with the very complex subject matter that is marriage, Zvavahera's work implies the expressive handling of brush strokes and a refusal to force a line to perform more than the ordinariness of its function.

I mean, this kind of thirties kind of house with the kind of brush strokes.

The effect produced intriguing, water color - like, diaphanous sweeps of color that carried with them little evidence of a brush stroke.

The latter used abstraction as an ironic paraphrase, commenting on the veracity of the brush stroke as a mark of the artistic self.

This allowed traces of the brush strokes to be easily noticeable.

Instead of brush strokes, Rifai drips and rolls his paint, layering saturated surfaces with grids of wavering lines, creating compositions that tend toward the definition of a new visual language.

Painted on wax paper or corrugated cardboard, they tend to contain a simple image --(a core of brush strokes and paint drips)-- on a plain, coloured ground.

Through their influence, Kline narrowed his focus, exploring the nature of brush strokes in large - scale action paintings that consisted of a simplified, black and white palette.

I focus on color, harmony, light, mood, texture, composition and the calligraphy of my brush strokes.

Both turquois color paintings are similar, same size, color, distribution of brush strokes etc., but at the same time they possess a completely different character due to different grounds: one the one hand a white primed cotton and on the other hand an uncolored acrylic ground on canvas.

That is evident in her «Spachtelarbeit» [Palette - knife Works] in which she used that tool to avoid the hand - drawn, subjective traces of a brush stroke, and in her «Rasterbild» [Grids], in which various types of marks were rapidly repeated, laid out in skewed lines.

To Ryman, the canvas» neutral color and content allowed the viewer to appreciate the visual qualities of the brush stroke, the depth of the paint, the light that reflects it, and so forth.

The new works presented at the White Cube are inspired by comic strips, retaining the form but changing the content to leave space to the mimesis of the pure noise of brush strokes, dripping, pouring and splashing.

But the electricity of the brush strokes and the force of the subject's gaze are totally compulsive and passionate.

The notion of the brush stroke as an expressive signature cuts across the break between traditional and modern art.

There's one to the right of us that has some pinks and blues, there's a crowd that's apparent, a lot of brush strokes, kind of pastely with some cobalt mixed in, and there's some other works around us.

Some rarely seen works include the first «Color Chart» from 1966 and, for the first time outside Germany, his 20 - meter - long «Stroke (on Red)» (1980) based on a photograph of a brush stroke.

In its tracing of the bumps of the canvas surface, it echoes the looseness of the brush strokes of acrylic.

Using the appropriate type of brush strokes and type of brush will make achieving that result easier.

While I didn't exactly distress my pieces, I did sand some of the brush strokes off of the pieces I painted with Americana Decor paint, to get a smoother look.

Though the spacious kitchen is crisp, white and polished, simple details, such as the grain of the reclaimed - oak floors and the texture of the brush strokes on the hand - painted cabinetry, keep it humble and homey.

The picture above was taken before sanding so you can see some of the brush strokes.

I used Annie Sloan's white paste wax to seal the drawer fronts, and to soften some of my brush strokes.

Think of this as feathering out the end of the brush stroke.

I like to wipe the steel wool pads in the direction (or the grain) of my brush strokes.

Now take one steel wool pad and gently wipe your piece in the same direction as the grain of your brush strokes — from edge to edge.

Always wipe off your wash in the direction of the brush strokes.

Not only can you make your painting brighter, you can also adjust the size of the brushes strokes which can give you more definition.