Sentences with phrase «of his earliest paintings before»

The show includes rare examples of his earliest paintings before he began collaging history into his art.

Consisting of over 150 works, «Juanito and Ramona» opened with a small set of early paintings before quickly moving on to Berni's hectic assemblages.

Not exact matches

I use that time to meditate before I start my first lap of painting early in the day before anyone else gets up.

He then took the catfish out of his shorts in the bathroom at PPG Paints Arena before throwing it on the ice in the early stages of the second period.

The work could explain why the planet has a relatively small heart, and paints a grisly picture of the early solar system, where massive, rocky «super-Earths» were snuffed out before they could grow into gas giants.

Disc 7 - Jurassic Park - Return to Jurassic Park: Dawn of a New Era - Return to Jurassic Park: Making Prehistory - Return to Jurassic Park: The Next Step in Evolution - The Making of Jurassic Park - Original Featurette on the Making of the Film - Steven Spielberg Directs Jurassic Park - Hurricane in Kauai - Early Pre-Production Meetings - Location Scouting - Phil Tippett Animatics: Raptors in the Kitchen - Animatics: T - Rex Attack - ILM and Jurassic Park: Before and After the Visual Effects - Foley Artists - Storyboards - Production Archives: Photographs, Design Sketches and Conceptual Paintings - Jurassic Park: Making the Game - Theatrical Trailer - BD - Live - My Scenes - D - BOX - Pocket BLU App

He also endows Before I Go to Sleep with visual style, painting every scene in the emotionally dark hues of early winter.

Matteo Bandello, a young monk who later became a famous writer of novellas, observed Leonardo «go early in the morning to work on the platform before The Last Supper; and there he would stay from sunrise till darkness, never laying down the brush, but continuing to paint without eating or drinking.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

The exhibition Mernet Larsen: Getting Measured will feature never - before - seen early drawings, a select group of studies and works on paper, and a survey of paintings from the 1960s to the present.

He began painting abstractions of video game imagery in the early 1990s before using computers, starting in 1997, to facilitate paintings through a technique he calls «frictionless drawing.»

As I wrote to him this morning, so much to say and so little time to say it if I want to get a few paintings done before I have to go back to my day job as an underpaid adjunct (Davis mentions the role of practical bread and butter issues and economic inequities for women as in some sense replacing Linda Nochlin's historical focus on women artists» earlier lack of access to academic training.)

Kandinsky is generally regarded as the founding father of abstract art; however, Swedish artist Hilma af Klint may, according to art historians, have created the first abstract painting as early as 1906 — a whole five years before Kandinsky.

This counterpoising of chance and risk is a thread throughout the exhibition and one picked up on particularly by Gerhard Richter in St John (1988), part of his London Paintings series, in which he builds up layers of paint using huge spatulas, before erasing and revealing earlier moments with a squeegee.

The thematic exhibition begins with a group of Picasso's early paintings and works on paper before going through the art historical movements (Dadaism, Surrealism, Post-War) through to today, tracking how language is a unifying thread.

So began Riley's impromptu exhibition tour, delivered to a gaggle of journalists shortly before its opening earlier this summer, which took in not just the history of her own curve paintings but a substantial chunk of art history, too.

Early Mondrian: Painting 1900 - 1905 (W1, to 23 Jan) looks at the work that came before the Dutch artist's conception of the De Stijl style's pared - down abstraction, and prior to the move to New York that facilitated his fascination with the grid as a form.

Co-curated by Alfred Pacquement, the former director of the Centre Pompidou (which staged a groundbreaking retrospective of Hantaï works in 2013), the exhibition primarily tracks Hantaï's early use of his «pliage» method - an intricate technique of folding and knotting an unstretched canvas before Hantaï painted the configuration, unfolded and then stretched it, so that colourful geometric shards and unpainted negative space were revealed.

Featuring more than 100 works spanning from the early 1980s to the present, including a number of new and never - before - seen pieces, the exhibition juxtaposes graphic patterns with abstracted, figurative paintings, creating a fully immersive environment that underscores the artist's systematic dismantling of the hierarchy between design and fine art, and between three - dimensional form and two - dimensional representation.

In 1990, before the global recession struck, prices for some of his most sought after paintings from the early 1960s rose to almost $ 5 million.

Whereas the early Stellas were all about a discovery of how you could make a painting that was totally different from what had come before.

A student of Hans Hofmann and Chaim Gross, Nevelson experimented with early conceptual art using found objects, and dabbled in painting and printing before dedicating her lifework to sculpture.

She spoke of burning her paintings at the end of every year during the early part of her career, and there are descriptions of her throwing works into a bonfire before she left New York in 1967.

Daniela Rossell was born in 1973 in Mexico City, Mexico, and studied the performing arts before beginning classes in painting at the National School of Visual Arts (UNAM) in the early 1990s.

A few months ago I saw some reproductions of early Morris Louis paintings where he had done precisely the same thing — at least ten years before me.

Presented as a series of room - size installations — site - specific wall paintings, painted environments, monumental stacked canvases, and anthropomorphic painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed painting «machines» — Ain't Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed Painting a Pain presents major works never before seen in the United States, including a sculpture that was conceived early in his career but never built and a major new work to be completed in 2012.

This exhibition of paintings by nationally recognized Louisiana artist Wayne Gonzales spans from early portraits to never before seen work.

The exhibition, which will only be seen at MoMA, presents an unparalleled opportunity to study the artist's development over nearly seven decades, beginning with his early academic works, made in Holland before he moved to the United States in 1926, and concluding with his final, sparely abstract paintings of the late 1980s.

Yayoi Kusama — In Infinity is the first major exhibition that highlights her profound interest in fashion and design, and also includes several early works that have never before been shown, and a series of recent paintings made specifically for this exhibition.

This exhibition will feature collaged works on paper, and mixed media canvases including a rare series of black and gold paintings executed in early 2010, never before on public view.

Works will include never - before - exhibited early paintings and pastels based on imagined landscapes, portraits and interiors, as well as a notable two - sided canvas demonstrative of Saul's emerging response to Pop Art.

Jay DeFeo: Ingredients of Alchemy, Before and After The Rose will include thirty paintings and drawings, dating from the early 1950s to the late 1980s, offering an overview of the artist's career.

This display is fleshed out by «A.R. Penck, Before the West,» a fascinatingly scrappy show of early work at the Leo Koenig gallery in Chelsea: paintings, sculpture and collages from the»70s, when Mr. Penck was something of a dissident artist in East Berlin, smuggling paintings out and art materials (and Deutschmarks) in.

We are delighted to bring forth an exhibition of never before exhibited major paintings inspired by the Washington Coast, as well as, a selection of important early works by Northwest Master, Kenneth Callahan (1905 - 1986).

I believe that it is true, however I would look at it from a different standpoint from Canaday and as a matter of fact that had been noted, the observation that 10th Street lacked a vitality had been noted several years before, you know, by a great number of people, including Clem Greenberg, I think in print he even coined the term Tenth Street Painting as a deneogatory term which would be that it was kind of old hat, because Clem Greenberg's stand of course is that abstract expressionism really lost it's pertinence after the early fifties.

Unfinished Business: Paintings from the 1970s and 1980s by Ross Bleckner, Eric Fischl, and David Salle features the work of three artists who met in the early 1970s at the California Institute of the Arts in Los Angeles before moving to New York in the 1980s, where they immediately established

The most exhaustive survey to date of Atsuko Tanaka's work strikes a balance of all aspects of her practice, spanning from her early gestural work, including documentation of Gutai performances from the 1950s, to paintings made shortly before her death in 2005, bringing together a total of almost one hundred works from twenty - five collections worldwide.

The show highlights over 30 years of Briseño's work featuring early and never before seen paintings, as well as sculpture, photographic constructions, digital works, and public art.

We've already seen some of the series of paintings before at her recent exhibition at Derby Museum earlier this year, and also when we visited Emma in her studio, but there was a healthy mixture of -LSB-...]

Born in 1922, Fangor studied and taught art during the early years of his career, producing paintings inspired by various styles of the European avant garde before shifting his artistic output to poster design and eventually works that relate to both Optical Art and Color Field painting.

Song of Love (1914) is one of the most famous works by de Chirico and is an early example of the surrealist style, though it was painted ten years before the movement was «founded» by André Breton in 1924.

But in the early 1950s, in the years just before his tragic death at age 44 in an alcohol - fueled car crash, Pollock was experimenting with a new way of confronting his surface, spilling black enamel paint — the kind you might use on outdoor ironwork — onto raw cotton duck canvas, a clashing, angry union of synthetic industrial chemical and unprimed organic substrate.

The muscular brushwork and aggressive line for which Godwin is known are evident in even the earliest painting included here, created in 1950 before the artist had left her home state of Virginia for New York City.

Edited and designed by Dias (born 1944), the volume moves through the many phases of his varied practice, from his early experimentation at age 19 with visual representations of protest — before the 1964 military coup and at Brazil's political and social climax — to his conceptual production in Milan, his early film work, his works on paper developed in Nepal and the painting practice that has continued throughout his life.

His early interest in sketching and painting led him to study fine art at Dun Laoghaire College of Art and Design in Dublin, before joining Don Bluth Animation Studios in 1990, as a background artist.

Boston, Chase's Gallery, The Impressionists of Paris: Claude Monet, Camille Pissarro, Alfred Sisley, 1891, possibly no. 6 (titled Paysage pres Pontoise); Buffalo, The Buffalo Fine Arts Academy, Albright Art Gallery, The Nineteenth Century: French Art in Retrospect, 1932, no. 47 (titled Landscape at Pontoise); Indianapolis, John Herron Art Institute, 1932; Toronto, The Art Gallery of Toronto, Modern French Painting, from Manet to Matisse, 1933, no. 31 (titled Paysage pres Pontoise); Houston, Museum of Fine Arts of Houston, Modern French Paintings, 1934, no. 25 (titled Pontoise and as dating from 1871); San Francisco, Museum of Art, Opening Exhibition: Art of our Time, 1935, no. 30; Albany, Albany Institute of History and Art, Exhibition of Paintings by the Master Impressionists, 1935, no. 18 (titled Landscape near Pontoise); Kansas City, William Rockhill Nelson Gallery of Art and Mary Atkins Museum, French Impressionist Landscape Painting, 1936, no. 50 (titled Landscape near Pontoise and with inverted measurements); New York, Durand - Ruel Galleries, Monet, Pissarro, Sisley, before 1890, 1938, no. 9 (titled Paysage pres Pontoise); New York, Knoedler Galleries, Early Impressionism 1868 - 1883, 1941, no. 20 (titled Paysage a Pontoise)

Contributed by Katie Fuller / The masterly early paintings of Al Taylor, currently exhibited at David Zwirner, were made from 1971 through 1980, before he began creating his famously sculptural forms.

Foremost among the generation of British artists who «rediscovered» abstraction during the 1940s, the Martins studied painting at the Royal College of Art, where they met, and worked as designers early in their careers before producing their first abstract paintings.

In that sense, this exhibition itself, in which works from Tonoshiki's very early oil paintings to records of the projects he was involved in just before his death are arranged chronologically in the museum, could perhaps be flowing in reverse and contrary to the artist's intentions.

Complementing these remarkable oil paintings are fifty never - before exhibited works on paper from the 1930s, which demonstrate the artist's mastery of watercolor and gouache early in his career.